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Richard de la Pole

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Through William Shakespeare, English literature and Bureaucracy

During 1514, the stage was set for a Yorkist reclaiming of England under Richard. He was in Brittany with 12,000 mercenaries set for the invasion, leading his army to St. Malo; however, France and England made peace just as they were about to embark and it was thus called off. Later, with Francis I as king, Richard struck up an alliance in 1523 and planned a Yorkist invasion of England once again. However, this never came to fruition, as Richard died fighting alongside Francis I at the Battle of Pavia two years later.

Family

He was the seventh and youngest son of John de la Pole, 2nd Duke of Suffolk and his wife Elizabeth of York. His mother was the second of the three surviving daughters of Richard Plantagenet, 3rd Duke of York and Cecily Neville. She was a younger sister to Edward IV of England, as well as Edmund, Earl of Rutland and Anne of York, Duchess of Exeter, and an older sister to Margaret of York, George Plantagenet, 1st Duke of Clarence and Richard III of England.

His paternal grandparents were William de la Pole, 1st Duke of Suffolk and Alice Chaucer. Suffolk was an important English soldier and commander in the Hundred Years' War, and later Lord Chamberlain of England. He also appears prominently in William Shakespeare's Henry VI, Part 1 and Henry VI, Part 2.

Alice Chaucer was a daughter of Thomas Chaucer and Maud Burghersh. Thomas was the Speaker of the English House of Commons on three occasions, Chief Butler of England for almost thirty years, attended fifteen parliaments and was Speaker of the House five times, a feat not surpassed until the 18th century.

Thomas was a son of Geoffrey Chaucer and his wife Philippa (de) Roet. Geoffrey was an English author, poet, philosopher, bureaucrat (courtier) and diplomat. He is sometimes called the father of English literature. Although he wrote many works, he is best remembered for his unfinished frame narrative The Canterbury Tales. He is also credited by some scholars with being the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.

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