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Roman Polanski

Polish and French filmmaker (born 1933)

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Roman Polanski (born August 18, 1933 in Paris, France) - French-Polish director, screenwriter, producer and actor. He lives in Paris 8e , France
Mariusz Kubik · CC BY-SA 4.0

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Through Invasion of Poland, Nazi Germany and Poland

In 1977, Polanski was arrested in the United States for drugging and raping a 13-year-old girl. He pleaded guilty to the lesser charge of unlawful sex with a minor in exchange for a probation-only sentence. The night before his sentencing hearing in 1978, he learned that the judge would likely reject the proffered plea bargain, so he fled the U.S. to Europe, where he continued his career. He remains a fugitive from the U.S. justice system. Subsequently, allegations of abuse have been made by several women.

Polanski's parents moved the family from his birthplace in Paris back to Kraków in 1937. Two years later, the invasion of Poland by Nazi Germany started World War II, and the family found themselves trapped in the Kraków Ghetto. After his mother and father were taken in raids, Polanski spent his formative years in foster homes, surviving the Holocaust by adopting a false identity and concealing his half Jewish heritage. In 1969, Polanski's pregnant wife, actress Sharon Tate, was murdered, along with four friends, by members of the Manson Family in an internationally notorious case.

Polanski's first feature-length film, Knife in the Water (1962), made in Poland, was nominated for the United States Academy Award for Best Foreign Language Film. A few years later he first left for France and then moved to the United Kingdom, where he directed his first three English-language feature-length films: Repulsion (1965), Cul-de-sac (1966), and The Fearless Vampire Killers (1967). In 1968, he settled in the United States and cemented his status in the film industry by directing the horror film Rosemary's Baby (1968). He made Macbeth (1971) in England and Chinatown (1974) back in Hollywood. His other critically acclaimed films include The Tenant (1976), Tess (1979), Death and the Maiden (1994), The Pianist (2002) which won him the Academy Award for Best Director, The Ghost Writer (2010), Venus in Fur (2013), and An Officer and a Spy (2019). Polanski has made 23 feature films to date. He has also starred in several Polish films as well as in his own films.

Early life

Roman Polanski was born on 18 August 1933, in interbellum Paris. He was the son of Bula (aka "Bella") Katz-Przedborska and Mojżesz (or Maurycy) Liebling (later Polański), a painter and manufacturer of sculptures, who after World War II was known as Ryszard Polański. Polanski's father was Jewish and originally from Poland. Polanski's mother was born in Russia. Her own father was Jewish and mother was a Gentile, but Bula had been raised in the Catholic faith. She had a daughter, Annette, by her previous husband. Annette survived Auschwitz, where her mother was murdered, and left Poland forever for France. Polanski's parents were both agnostics. Polanski has stated that he is an atheist.

World War II and the Holocaust

The Polański family moved back to Kraków, Poland, in early 1937, and were living there when World War II began with the invasion of Poland. Kraków was soon occupied by the German forces, and the racist and anti-Semitic Nuremberg Laws made the Polańskis targets of persecution, forcing them into the Kraków Ghetto, along with thousands of the city's Jews. Around the age of six, Polanski attended primary school for only a few weeks, until "all the Jewish children were abruptly expelled", writes biographer Christopher Sandford. That initiative was soon followed by the requirement that all Jewish children over the age of twelve wear white armbands, with a blue Star of David imprinted, for visual identification. After he was expelled, Polanski was not allowed to enter another classroom for six years.

Polanski's father was transferred, along with thousands of other Jews, to Mauthausen, a group of 49 German concentration camps in Austria. His mother, who was four months pregnant at the time, was taken to Auschwitz and killed in the gas chamber soon after arriving. The forced exodus took place immediately after the German liquidation of the Warsaw Ghetto, as portrayed in Polanski's 2002 film The Pianist. Polanski, who was then hiding from the Germans, saw his father being marched off with a long line of people. Polanski tried getting closer to his father to ask him what was happening and got within a few yards. His father saw him, but afraid his son might be spotted by the German soldiers, whispered (in Polish), "Get lost!"

Polanski escaped the Kraków Ghetto in 1943 and survived with the help of some Polish Roman Catholics, including a woman who had promised Polanski's father that she would shelter the boy. Polanski attended church, learned to recite Catholic prayers by heart, and behaved outwardly as a Roman Catholic, although he was never baptized. His efforts to blend into a Catholic household failed miserably at least once, when the parish priest visiting the family posed questions to him one-on-one about the catechism, and ultimately said, "You aren't one of us". The punishment for helping a Jew in German-occupied Poland was death.

As Polanski roamed the countryside trying to survive in a Poland now occupied by German troops, he witnessed many horrors, such as being "forced to take part in a cruel and sadistic game in which German soldiers took shots at him for target practice". The author Ian Freer concludes that Polanski's constant childhood fears and dread of violence have contributed to the "tangible atmospheres he conjures up on film". By the time the war ended in 1945, a fifth of the Polish population had been killed, the vast majority being civilians. Of those deaths, 3 million were Polish Jews, which accounted for 90% of the country's Jewish population. According to Sandford, Polanski used the memory of his mother, her dress and makeup style, as a physical model for Faye Dunaway's character in his film Chinatown (1974).

In October 2020, Polanski went back to Poland and paid respects to a Polish couple who helped him hide and escape the Nazis. Stefania and Jan Buchala were recognized by Yad Vashem, Israel's Holocaust memorial, as Righteous Among the Nations. Polanski recalled Stefania Buchala as being an "extremely noble" and courageous person.

After the war

After the war, Polanski was reunited with his father and moved back to Kraków. His father remarried on 21 December 1946 to Wanda Zajączkowska (whom Polanski had never liked) and died of cancer in 1984. Time repaired the family contacts; Polanski visited them in Kraków, and relatives visited him in Hollywood and Paris. Polanski recalls the villages and families he lived with as relatively primitive by European standards:

They were really simple Catholic peasants. This Polish village was like the English village in Tess. Very primitive. No electricity. The kids with whom I lived didn't know about electricity ... they wouldn't believe me when I told them it was enough to turn on a switch!

Polanski stated that "you must live in a Communist country to really understand how bad it can be. Then you will appreciate capitalism." He also remembered events at the war's end and his reintroduction to mainstream society when he was 12, forming friendships with other children, such as Roma Ligocka, Ryszard Horowitz and his family.

Introduction to movies

Polanski's fascination with cinema began very early when he was around age four or five. He recalls this period in an interview:

Even as a child, I always loved cinema and was thrilled when my parents would take me before the war. Then we were put into the ghetto in Krakòw and there was no cinema, but the Germans often showed newsreels to the people outside the ghetto, on a screen in the market place. And there was one particular corner where you could see the screen through the barbed wire. I remember watching with fascination, although all they were showing was the German army and German tanks, with occasional anti-Jewish slogans inserted on cards.

After the war, Polanski watched films, either at school or at a local cinema, using whatever pocket money he had. Polanski writes, "Most of this went on the movies, but movie seats were dirt cheap, so a little went a long way. I lapped up every kind of film." As time went on, movies became more than an escape into entertainment, as he explains:

Movies were becoming an absolute obsession with me. I was enthralled by everything connected with the cinema—not just the movies themselves but the aura that surrounded them. I loved the luminous rectangle of the screen, the sight of the beam slicing through the darkness from the projection booth, the miraculous synchronization of sound and vision, even the dusty smell of the tip-up seats. More than anything else though, I was fascinated by the actual mechanics of the process.

Polanski was above all influenced by Carol Reed's Odd Man Out (1947) – "I still consider it as one of the best movies I've ever seen and a film which made me want to pursue this career more than anything else ... I always dreamt of doing things of this sort or that style. To a certain extent I must say that I somehow perpetuate the ideas of that movie in what I do."

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