Sarcophagus

History of the sarcophagus

Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 BC. "Ancient Egyptians believed in an afterlife, and the sarcophagus was to be the eternal dwelling place of those within it."

The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later Ancient Greek sarcophagus in painted pottery is seen in Klazomenian sarcophagi, produced around the Ionian Greek city of Klazomenai, where most examples were found, between 550 BC (Late Archaic) and 470 BC. They are made of coarse clay in shades of brown to pink. Added to the basin-like main sarcophagus is a broad, rectangular frame, often covered with a white slip and then painted. The huge Lycian Tomb of Payava, now in the British Museum, is a royal tomb monument of about 360 BC designed for an open-air placing, a grand example of a common Lycian style.

Ancient Roman sarcophagi—sometimes metal or plaster as well as limestone—were popular from about the reign of Trajan, and often elaborately carved, until the early Christian burial preference for interment underground, often in a limestone sepulchre, led to their falling out of favor. However, there are many important Early Christian sarcophagi from the 3rd to 4th centuries. Most Roman examples were designed to be placed against a wall and were decorated on three sides only. Sarcophagi continued to be used in Christian Europe for important figures, especially rulers and leading church figures, and by the High Middle Ages often had a recumbent tomb effigy lying on the lid. More plain sarcophagi were placed in crypts. The most famous examples include the Habsburg Imperial Crypt in Vienna, Austria. The term tends to be less often used to describe Medieval, Renaissance, and later examples.

In the early modern period, lack of space tended to make sarcophagi impractical in churches, but chest tombs or false sarcophagi, empty and usually bottomless cases placed over an underground burial, became popular in outside locations such as cemeteries and churchyards, especially in Britain in the 18th and 19th centuries, where memorials were mostly not highly decorated and the extra cost of a false sarcophagus over a headstone acted as an indication of social status.