Shanhua Temple
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History
The Shanhua Temple was first founded during the Kaiyuan period of the Tang dynasty (713-741) under the patronage of emperor Xuanzong, at which time it was known as the Kaiyuan Temple. After the fall of the Tang dynasty during the Five Dynasties period (906-960), the temple underwent a name change and was known as Da Pu’ensi. During this chaotic time, out of ten buildings at the temple, only three or four escaped destruction. After the takeover by the Liao dynasty in 960, the temple assumed its present configuration.
The temple was again heavily damaged when the Jin dynasty took over in 1120, and in 1128 repair work was started that took fifteen years to complete. In 1421, more repairs were undertaken, this time by a monk named Dayong. In 1445, he received an imperial presentation of sutras. This is also the first time that the temple was referred to by its present name, Shanhua Temple. In the late 16th century, drum and bell towers were built on the same stone platform (yuetai, 月台) supporting the Mahavira Hall. Further repairs were made to the temple over the next two hundred years but by the late 18th century the temple was once again in a state of disrepair, and the use of one of the halls as a camel stable had caused a wall to collapse. During World War II, the Puxian pavilion was destroyed, and was rebuilt in 1953.
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Architecture
The Shanhua Temple today consists of three main halls (The Mahavira Hall, the Sansheng Hall and the Main Gate) arranged on a north–south axis and two pavilions located to the east and west of the Sansheng Hall. There are also two smaller halls on each side of the Mahavira Hall. The main halls were all first built during the Liao dynasty (907-1125), but only the Mahavira Hall is now considered a Liao Building. The Main Gate and Sansheng Hall were extensively renovated during the subsequent Jin dynasty, and are classified by scholars as being Jin buildings.
Main Hall
The Main or Mahavira Hall (大雄宝殿, Dàxíongbǎo Diàn) is the northernmost and largest hall, and dates from the 11th century. It measures seven by five bays (40.5 by 25 m) and has three doors at the front of the hall. The hall is built on an elevated three meter high platform that was once the site of both a drum and bell tower that are no longer extant. According to the standards in the 11th-century Chinese architectural treatise Yingzao Fashi, the hall is held up by fifth rank bracket sets (鋪作) in a system of eight ranks. The interior contains four large Buddha statues representing the four cardinal directions, and a central statue representing Sakyamuni. The statues are similar, and represent the Buddha displaying different mudras (symbolic hand gestures). Above the Sakyamuni statue, is a caisson (Chinese: 藻井; pinyin: zǎojǐng), an octagonal wooden ceiling that is painted and decorated.
Along with other statues of disciples and attendants grouped with the large statues, there are also statues of the Twenty-Four Celestial Devas located next to the east and west walls. There are 190 square meters of murals in the hall. They date from 1708 to 1716, but have been damaged over the years.
Sansheng Hall
The Sansheng Hall (Chinese: 三圣殿; pinyin: Sānshèng Diàn; lit. 'Hall of Three Sages') is the middle hall, and was built during the Jin dynasty. It houses statues of the three sages of the Avatamsaka Sutra - a central one of Vairocana (the universal aspect of Shakyamuni) and two accompanying statues of Manjusri and Samantabhadra. The hall has very few central pillars for its support and depends on complex rafters and brackets of the 6th rank for its support.
Puxian Pavilion
The Puxian Pavilion (Chinese: 普贤阁; pinyin: Pǔxián Gé) was initially built during the Liao dynasty, and was examined by Liang Sicheng in the 1930s. He reported a heavily damaged structure with two stories. On the first story was a miniature building and niche with two images. On the top story was a statue of the Bodhisattva Samantabhadra.
The building was rebuilt in 1953 after having been destroyed during the war. The pavilion measures three bays by two, but is nearly a perfect square. It is built on a short stone platform called a yuetai (月台) which is accessed by a short set of stairs. While from the outside, the pavilion appears to only have two stories, there are actually three, with the second floor being hidden from outside view. Each of the exterior levels is surrounded by a perimeter of columns.
Wenshu Pavilion
This pavilion (Chinese: 文殊阁; pinyin: Wénshū Gé) was destroyed in the early 20th century after it caught fire after being converted into a tannery. It was rebuilt in 2008 by the local government.
Main Gate
The Main Gate (Chinese: 山门; pinyin: Shān Mén) is a large hall that was built during the Jin dynasty in the 12th century, and is the entrance building of the temple. The hall contains statues of the four heavenly kings, with two on the east side, and two on the west side. It is five bays long, and two bays wide and has an area of 278 square meters. The brackets used to support the structure are of the 5th rank.