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Simulation hypothesis

Hypothesis that reality could be a computer simulation

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Through Philosophy, Civilization and Simulation

Precursors include Zhuangzi's "Butterfly Dream" and René Descartes's "evil demon". In 2003, philosopher Nick Bostrom proposed the simulation argument suggesting that if a civilization becomes capable of creating conscious simulations, it could generate so many simulated beings that a randomly chosen conscious entity would almost certainly be in a simulation. This argument presents a trilemma:

  1. either such simulations are not created because of technological limitations or self-destruction;
  2. advanced civilizations choose not to create them;
  3. if advanced civilizations do create them, the number of simulations would far exceed base reality and we would therefore almost certainly be living in one.

This assumes that phenomenal consciousness is not uniquely tied to biological brains but can arise on systems implementing the right computational structures and processes.

Variations on the idea have also been featured in science fiction, appearing as a central plot device in many stories and films, such as Simulacron-3 (1964), The Matrix (1999), and The Thirteenth Floor (1999).

Origins

Human history is full of thinkers who observed the difference between how things seem and how they might actually be, with dreams, illusions, and hallucinations providing poetic and philosophical metaphors. For example, the "Butterfly Dream" of Zhuangzi from ancient China, or the Indian philosophy of Maya, or in ancient Greek philosophy, where Anaxarchus and Monimus likened existing things to a scene-painting and supposed them to resemble the impressions experienced in sleep or madness. Aztec philosophical texts theorized that the world was a painting or book written by the Teotl. A common theme in the spiritual philosophy of the religious movements collectively referred to by scholars as Gnosticism was the belief that reality as we experience it is the creation of a lesser, possibly malevolent, deity, from which humanity should seek to escape.

In the Western philosophical tradition, Plato's allegory of the cave analogized human beings to chained prisoners unable to see reality. René Descartes' evil demon philosophically formalized these epistemic doubts, to be followed by a large literature with subsequent variations like brain in a vat. In 1969, Konrad Zuse published his book Calculating Space on automata theory, in which he proposed the idea that the universe was fundamentally computational, a concept which became known as digital physics. Later, roboticist Hans Moravec explored related themes through the lens of artificial intelligence, discussing concepts like mind uploading and speculating that our current reality might itself be a computer simulation created by future intelligences.

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