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Sybil (Schreiber book)

1973 book by Flora Rheta Schreiber

  • 5 min read
  • 4 chapters

Related on Lably

Through Pseudonym, Dissociative identity disorder and Psychoanalysis

It was made into two television movies of the same name, once in 1976 and again in 2007.

The book and case were subject to harsh criticism in Debbie Nathan's 2011 book, Sybil Exposed.

Summary

Mason is given the pseudonym "Sybil" by her therapist to protect her privacy. In 1998, Sigmund Freud historian Peter J. Swales discovered Sybil's true identity. Originally in treatment for social anxiety and memory loss, after extended therapy involving amobarbital and hypnosis interviews, Sybil manifests sixteen personalities. Wilbur encouraged Sybil's various selves to communicate and reveal information about her life. Wilbur writes that Sybil's multiple personality disorder was a result of the severe physical and sexual abuse she allegedly suffered at the hands of her mother, Hattie.

Described personalities

The book begins with a list of Sybil's alters, together with the year in which each appeared to have dissociated from the central personality. The names of these selves were also changed to ensure privacy.

  • Sybil Isabel Dorsett (1923), the main personality
  • Victoria Antoinette Scharleau (1926), nicknamed Vicky, self-assured and sophisticated young French girl
  • Peggy Lou Baldwin (1926), assertive, enthusiastic, and often angry
  • Peggy Ann Baldwin (1926), a counterpart of Peggy Lou but more fearful than angry
  • Mary Lucinda Saunders Dorsett (1933), a thoughtful, contemplative, and maternal homebody
  • Marcia Lynn Dorsett (1927), an extremely emotional writer and painter
  • Vanessa Gail Dorsett (1935), intensely dramatic, fun-loving, and a talented musician
  • Mike Dorsett (1928), one of Sybil's two male selves, a builder and a carpenter
  • Sid Dorsett (1928), the second of Sybil's two male selves, a carpenter and a general handyman. Sid took his name from Sybil's initials (Sybil Isabelle Dorsett)
  • Nancy Lou Ann Baldwin (date undetermined), interested in politics as the fulfillment of Biblical prophecy and intensely afraid of Roman Catholics
  • Sybil Ann Dorsett (1928), listless to the point of neurasthenia
  • Ruthie Dorsett (date undetermined), a baby and one of the less developed selves
  • Clara Dorsett (date undetermined), intensely religious and highly critical of Sybil
  • Helen Dorsett (1929), intensely afraid but determined to achieve fulfillment
  • Marjorie Dorsett (1928), serene, vivacious, and quick to laugh
  • The Blonde (1946), a nameless perpetual teenager with an optimistic outlook

The book's narrative describes Sybil's selves gradually becoming co-conscious, able to communicate and share responsibilities, and having musical compositions and art published under their various names. Wilbur attempts to integrate Sybil's various selves, first convincing them via hypnosis that they are all the same age, then encouraging them to merge. At the book's end, a new, optimistic self (called "The Blonde") emerges, preceding Sybil's final integration into a single, whole individual with full knowledge of her past and present life.

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