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Symphony No. 10 (Beethoven/Cooper)

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Background

After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing his late string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece on the piano for his friend Karl Holz, whose description of what he heard matches the sketches identified by Cooper. Cooper claimed that he found over 250 measures of sketches for the first movement, which he wove together to form the first movement, keeping as close as he could to Beethoven's compositional method and sketching processes. Cooper's reconstruction of the first movement consists of an Andante in E♭ major enclosing a central Allegro in C minor. Cooper claimed to have also found sketches for a Scherzo which he used as a third movement and other later movements, but he deemed them not extensive or developed enough to be assembled into a performing version.

There are a few references to this work in Beethoven's correspondence.

Earlier, in 1814 to 1815, Beethoven also began sketches for his 6th piano concerto in D major.

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