Thrikodithanam Mahavishnu Temple

Architecture

The presiding deity in the temple is Athpudha Narayanan, who is also named as "Amirutha Narayanan". The presiding deity is sported in standing posture facing the east direction. His consort is Karpagavalli. The temple is built in Kerala style architecture. The temple has a two storeyed gopuram or a gateway tower, with the upper storey having wooden trails covering the Kottupura, the hall of drum beating during festivals. A rectangular wall around the temple, called Kshetra-Madilluka pierced by the gateways, encloses all the shrines of the temple. The metal plated flagpost or dvajasthambam and the Deepastamba, the light post, are located axial to the temple tower leading to the sanctum. Chuttuambalam is the outer pavilion located within the temple walls. The sanctum and the associated hall is located in a rectangular structure called Nallambalam that has pillared halls and corridors.

Between the entrance of Nallambalam to the sanctum, there is a raised square platform called Namaskara Mandapa (altar) which has a pyramidal roof. Thevrapura, the kitchen used to cook offering to the deity is located on the left of Namaskara Mandapa from the entrance. Balithara is an altar is used for making ritualistic offering to demi-gods and the festive deities. The sanctum called Sreekovil, houses the image of the presiding deity. It is on an elevated platform with a single door reached through a flight of five steps. Either sides of the doors have images of guardian deities called Dvarapalakas. As per Kerala rituals, only the main priest called Thantri and the second priest called Melshanthi alone can enter the Sree Kovil. The central shrine has a circular plan with the base built of granite, superstructure built of laterite and conical roof made of terracotta tile supported from inside by a wooden structure. The lower half of Sree Kovil consists of the basement, the pillar or the wall, called stambha or bhithi and the entablature called prasthara in the ratio 1:2:1, in height. Similarly the upper half is divided into the neck called griva, the roof tower called shikhara and the finial kalasam (made of copper) in the same ratio. The roof projects in two levels to protect the inner structure from heavy rains during monsoon. The roof of the temple and some of the pillars have lavish wood and stucco carvings depicting various stories of ancient epics, Ramayana and Mahabharatha. The outer walls around the sanctum have a series of wooden frames housing an array of lamps, which are lit during festive occasions. The temples has paintings on its walls dating back to early 18 century. The image of the presiding deity is 6 ft (1.8 m) tall. Krishna is in Vishvarupa pose, the one he depicted to Arjuna during the Mahabharatha war. In the second precinct, there are shrines of Sastha, Yakshi, Nagaraja and Erangavil Bhagavathy Balarama in the lower shrine. The temple tank named Bhoomi Theertham is located opposite to the temple. The Vimanam, the roof the sanctum is called Punniya koti Vimaanam.

Kazhuvetti Kallu – The strange statue outside

Between the pond and the eastern entrance, near a public platform for arts and discourses, is a strange granite statue. It is a man flat on his back, held up stiff and straight on a stone pillar about six feet high. Only his waist rests on the pillar, rest of the body is unsupported. He holds a shankhu (conch shell) in his left hand and wears the sacred thread indicative of the Brahmin castes. At one time the statue wore a crown as well. The idol is a stern reminder that bribery, cheating and dishonesty cannot be tolerated. Anybody who goes after these evils will be met with the capital punishment, such as, that met with the man lying on the stone. Common folklore about this stone idol has a story of jealousy, indiscretion and swift retribution.

The ruler of Chembakaserry kingdom was a renowned Nambuthiri Brahmin who took pride in the prosperity of his own kingdom and Sri Krishna temple. Since temples were then considered keystones to a kingdom's spiritual and temporal well-being, the King decided to embarrass the rulers of Nanrulainattu (capital-Thrikodithanam) by making a deliberate, untimely visit to the famous Vishnu Temple. He arrived in Thrikodithanam after the Seiveli puja (the last ceremony of the day) and after the temple had closed. It is considered very inauspicious to open a temple after the gods are put to rest, but still, the King forced an entry by bribing a caretaker. When the rulers of Nanrulainattu discovered this indiscretion, they were furious. The caretaker was beheaded and, soon, the Chambakaserry king too fell ill and died. So this stone figure was installed near the temple entrance to deter any future offenders and to remind everybody of the consequences of disturbing the gods. Another version of the story lays the blame on the king of Ambalapuzha for this surreptitious darshana.

Religious importance

Arputha Narayana temple is revered in Nalayira Divya Prabhandam, the 7th–9th century Vaishnava canon, by Nammalvar. The temple is classified as a Divya Desam, one of the 108 Vishnu temples that are mentioned in the book. The temple is also believed to be the place where Kutakkuttu, a dance form where ladies hold an umbrella while dancing is practiced during worship.

The temple is open from 4 am to 10 am and 4 pm to 7 pm on all days leaving festive days. The two major festivals celebrated in the temple are Vaikunta Ekadasi and Thiruvonam. The main annual festival for ten days each year in the month of Karthikai (October/November). It is believed that Shiva, in his fury, started burning the region. Brahma pleaded to Shiva to relieve off the issue. Shiva was pleased by the devotion and burnt the lanps. To commemorate the event, Karthikai festival is celebrated in the temple every year. Gokulashtami and all other festivals related to Vishnu are celebrated in the temple. The temple is under the administration of the Travancore Devaswom Board.