Transcendental idealism

Kant's transcendental idealism

Kant presents an account of how we intuit (German: anschauen) objects and accounts of space and of time. Before Kant, some thinkers, such as Leibniz, had come to the conclusion that space and time were not things, but only the relations among things. Contrary to thinkers, including Newton, who maintained that space and time were real things or substances, Leibniz had arrived at a radically different understanding of the universe and the things found in it. According to his Monadology, all things that humans ordinarily understand as interactions between and relations among individuals (such as their relative positions in space and time) have their being in the mind of God but not in the Universe where we perceive them to be. In the view of realists, individual things interact by physical connection and the relations among things are mediated by physical processes that connect them to human brains and give humans a determinate chain of action to them and correct knowledge of them.

Kant was aware of problems with both of these positions. He had been influenced by the physics of Newton and understood that there is a physical chain of interactions between things perceived and the one who perceives them. However, an important function of mind is to structure incoming data and to process it in ways that make it other than a simple mapping of outside data. Gottfried Martin says:

If we try to keep within the framework of what can be proved by the Kantian argument, we can say that it is possible to demonstrate the empirical reality of space and time, that is to say, the objective validity of all spatial and temporal properties in mathematics and physics. But this empirical reality involves transcendental ideality; space and time are forms of human intuition, and they can only be proved valid for things as they appear to us and not for things as they are in themselves.

The salient element here is that space and time, rather than being real things-in-themselves or empirically mediated appearances (German: Erscheinungen), are the very forms of intuition (German: Anschauung) by which we must perceive objects. They are hence neither to be considered properties that we may attribute to objects in perceiving them, nor substantial entities of themselves. They are in that sense subjective, yet necessary, preconditions of any given object insofar as this object is an appearance and not a thing-in-itself. Humans necessarily perceive objects as located in space and in time. This condition of experience is part of what it means for a human to cognize an object, to perceive and understand it as something both spatial and temporal: "By transcendental idealism I mean the doctrine that appearances are to be regarded as being, one and all, representations only, not things in themselves, and that time and space are therefore only sensible forms of our intuition..." Kant argues for these several claims in the section of the Critique of Pure Reason entitled the "Transcendental Aesthetic". That section is devoted to inquiry into the a priori conditions of human sensibility, i.e. the faculty by which humans intuit objects. The following section, the "Transcendental Logic", concerns itself with the manner in which objects are thought.

Schopenhauer

Arthur Schopenhauer takes Kant's transcendental idealism as the starting point for his own philosophy, which he presents in The World as Will and Representation. Schopenhauer described transcendental idealism briefly as a "distinction between the phenomenon and the thing in itself", and a recognition that only the phenomenon is accessible to us because "we know neither ourselves nor things as they are in themselves, but merely as they appear." In volume 1 of the Parerga and Paralipomena ("Fragments for the History of Philosophy"), Schopenhauer writes:

Now in the first place, Kant understands by transcendental the recognition of the a priori and thus merely formal element in our knowledge as such, in other words, the insight that such knowledge is independent of experience, indeed prescribes for this even the unalterable rule whereby it must turn out. Such insight is bound up with the understanding why such knowledge is this and has this power, namely because it constitutes the form of our intellect, and thus in consequence of its subjective origin ... Transcendental is the philosophy that makes us aware of the fact that the first and essential laws of this world that are presented to us are rooted in our brain and are therefore known a priori. It is called transcendental because it goes beyond the whole given phantasmagoria to the origin thereof. Therefore, as I have said, only the Critique of Pure Reason and generally the critical (that is to say, Kantian) philosophy are transcendental.

— Parerga and Paralipomena, vol. I, "Fragments for the History of Philosophy," § 13

Further on in §13, Schopenhauer says of Kant's doctrine of the ideality of space and time: "Before Kant, it may be said, we were in time; now time is in us. In the first case, time is real and, like everything lying in time, we are consumed by it. In the second case, time is ideal; it lies within us."

Schopenhauer contrasted Kant's transcendental critical philosophy with Leibniz's dogmatic philosophy.

With Kant the critical philosophy appeared as the opponent of this entire method [of dogmatic philosophy]. It makes its problem just those eternal truths (principle of contradiction, principle of sufficient reason) that serve as the foundation of every such dogmatic structure, investigates their origin, and then finds this to be in man's head. Here they spring from the forms properly belonging to it, which it carries in itself for the purpose of perceiving and apprehending the objective world. Thus here in the brain is the quarry furnishing the material for that proud, dogmatic structure. Now because the critical philosophy, in order to reach this result, had to go beyond the eternal truths, on which all the previous dogmatism was based, so as to make these truths themselves the subject of investigation, it became transcendental philosophy. From this it follows also that the objective world as we know it does not belong to the true being of things-in-themselves, but is its mere phenomenon, conditioned by those very forms that lie a priori in the human intellect (i.e., the brain); hence the world cannot contain anything but phenomena.

— The World as Will and Representation, vol. I, Appendix: "Critique of the Kantian Philosophy"

P. F. Strawson

In The Bounds of Sense, P. F. Strawson suggests a reading of Kant's first Critique that, once accepted, forces rejection of most of the original arguments, including transcendental idealism. Strawson contends that, had Kant followed out the implications of all that he said, he would have seen that there were many self-contradictions implicit in the whole.

Strawson views the analytic argument of the transcendental deduction as the most valuable idea in the text, and regards transcendental idealism as an unavoidable error in Kant's greatly productive system. In Strawson's traditional reading (also favored in the work of Paul Guyer and Rae Langton), the Kantian term phenomena (literally, things that can be seen—from Greek: phainomenon, "observable") refers to the world of appearances, or the world of "things" sensed. They are tagged as "phenomena" to remind the reader that humans confuse these derivative appearances with whatever may be the forever unavailable "things in themselves" behind our perceptions. The necessary preconditions of experience, the components that humans bring to their apprehending of the world, the forms of perception such as space and time, are what make a priori judgments possible, but all of this process of comprehending what lies fundamental to human experience fails to bring anyone beyond the inherent limits of human sensibility. Kant's system requires the existence of noumena to prevent a rejection of external reality altogether, and it is this concept (senseless objects of which we can have no real understanding) to which Strawson objects in his book.

Henry E. Allison

In Kant's Transcendental Idealism, Henry E. Allison proposes a new reading that opposes, and provides a meaningful alternative to, Strawson's interpretation. Allison argues that Strawson and others misrepresent Kant by emphasising what has become known as the two-world reading (a view developed by Paul Guyer). This—according to Allison, false—reading of Kant's phenomena/noumena distinction suggests that phenomena and noumena are ontologically distinct from each other. It concludes on that basis that we somehow fall short of knowing the noumena due to the nature of the very means by which we comprehend them. On such a reading, Kant would himself commit the very fallacies he attributes to the transcendental realists. On Allison's reading, Kant's view is better characterized as a two-aspect theory, where noumena and phenomena refer to complementary ways of considering an object. It is the dialectic character of knowing, rather than epistemological insufficiency, that Kant wanted most to assert.

Allison's two-aspect interpretation also serves as an at least partially successful defense of transcendental idealism, particularly within anglophone analytic philosophy. Although his interpretive position is contested among Kant scholars, including Anja Jauernig in her 2021 monograph The World According to Kant, Allison's Kant's Transcendental Idealism uncontroversially helped start the late-20th century revival of contemporary interest in Kant's metaphysical, or as Allison describes it 'metaepistemological', transcendental idealism.

Opposing views: naïve realism

Opposing Kantian transcendental idealism is the doctrine of naïve realism, that is, the proposition that the world is knowable as it really is, without any consideration of the knower's manner of knowing. This has been propounded by philosophers such as Hilary Putnam, John Searle, and Henry Babcock Veatch. Naïve or direct realism claims, contrary to transcendental idealism, that perceived objects exist in the way that they appear, in and of themselves, independent of a knowing spectator's mind. Kant referred to this view as "transcendental realism", which he defined as purporting the existence of objects in space and time independent from our sensibility.