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Antonie van Leeuwenhoek

Dutch microbiologist (1632–1723)

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Portrait of Anthonie van Leeuwenhoek (1632-1723), natural philosopher, in Delft. Knee piece, sitting at a writing table on which a certificate lies from his appointment as a member of the Royal Societ
Jan Verkolje · Public domain

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Through Microscopy, Microbiology and Microorganism

Raised in Delft, Dutch Republic, Van Leeuwenhoek worked as a draper in his youth and founded his own shop in 1654. He became well-recognized in municipal politics and developed an interest in lensmaking. In the 1670s, he started to explore microbial life with his microscope.

Using single-lensed microscopes of his own design and make, Van Leeuwenhoek was the first to observe and to experiment with microbes, which he originally referred to as dierkens, diertgens or diertjes. He was the first to relatively determine their size. Most of the "animalcules" are now referred to as unicellular organisms, although he observed multicellular organisms in pond water. He was also the first to document microscopic observations of muscle fibers, bacteria, spermatozoa, red blood cells, and crystals in gouty tophi, and was among the first to see blood flow in capillaries. Although Van Leeuwenhoek did not write any books, he described his discoveries in chaotic letters to the Royal Society, which published many of his letters in their Philosophical Transactions.

Early life and career

Antonie van Leeuwenhoek was born in Delft, Dutch Republic, on 24 October 1632. On 4 November, he was baptized as Thonis. His father, Philips Antonisz van Leeuwenhoek, was a basket maker who died when Antonie was five years old. His mother, Margaretha (Bel van den Berch), came from a well-to-do brewer's family. She remarried Jacob Jansz Molijn, a painter and the family moved to Warmond around 1640. Antonie had four older sisters: Margriet, Geertruyt, Neeltje, and Catharina. When he was around ten years old his step-father died. He was sent to live in Benthuizen with his uncle, an attorney. At the age of 16 he became a bookkeeper's apprentice (casher) at a linen-draper's shop at Warmoesstraat in Amsterdam, which was owned by William Davidson. Van Leeuwenhoek left there after six years.

In July 1654, Van Leeuwenhoek married Barbara de Mey in Delft, with whom he fathered one surviving daughter, Maria (four other children died in infancy). He would live and study for the rest of his life at Hypolytusbuurt in a house he bought in 1655. He opened a draper's shop, selling linen, yarn and ribbon to seamstresses and tailors. His status in Delft grew throughout the years. In 1660 he received a lucrative job as chamberlain for the sheriffs in the city hall, a position which he would hold for almost 40 years. His duties included maintaining the premises, heating, cleaning, opening for meetings, performing duties for those assembled, and maintaining silence on all matters discussed there.

In 1669 he was appointed as a land surveyor by the court of Holland; at some time he combined it with another municipal job, being the official "wine-gauger" of Delft and in charge of the city wine imports and taxation. His wife had died in 1666, and in 1671, Van Leeuwenhoek remarried to Cornelia Swalmius with whom he had no children.

Van Leeuwenhoek was a contemporary of another famous Delft citizen, the painter Johannes Vermeer, who was baptized just four days earlier. It has been suggested that he is the man portrayed in two Vermeer paintings of the late 1660s, The Astronomer and The Geographer, but others argue that there appears to be little physical similarity. Because they were both relatively important men in a city with only 24,000 inhabitants, living both close to the main market, it is likely they knew each other. Van Leeuwenhoek acted as the executor of Vermeer's will when the painter died in 1675.

Van Leeuwenhoek's religion was "Dutch Reformed" and Calvinist. Like Jan Swammerdam he often referred with reverence to the wonders God designed in making creatures great and small, and believed that his discoveries were merely further proof of the wonder of creation.

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