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Balarama

Hindu god and brother of Krishna

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Early 18th century mural of Balarama from a cloth wall hanging in an Indian temple. From Tirupati, Andhra Pradesh. Held in the Smithsonian National Museum of Asian Art. Accession Number: S1998.113.
Unknown author Unknown author · Public domain

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Through Mahabharata, Puranas and Vijayanagara Empire

The first two epithets associate him with hala (langala, "plough") from his strong associations with farming and farmers, as the deity who used farm equipment as weapons when needed, and the next two refer to his strength.

Originally an agricultural deity, Balarama is mostly described as an incarnation of Shesha, the serpent associated with the deity Vishnu while some Vaishnava traditions regard him as the eighth avatar of Vishnu, with Jayadeva’s Gita Govinda (c.1200) "incorporat[ing] Balarama into the pantheon" as the ninth of the 10 principal avatars of Vishnu.

Balarama's significance in Indian culture has ancient roots. His image in artwork is dated to around the start of the common era, and in coins dated to the second-century BCE. In Jainism, he is known as Baladeva, and has been a historically significant farmer-related deity.

History

Balarama is an ancient deity, a prominent one by the epics era of Indian history as evidenced by archeological and numismatic evidence. His iconography appears with Nāga (many-headed serpent), a plough and other farm artifacts such as a watering pot, possibly indicating his origins in a bucolic, agricultural culture.

Texts

Narratives of Balarama are found in Mahabharata, Harivamsha, Bhagavata Purana, and other Puranas. He is identified with the vyuha avatar of Sankarshana, along with the deities of Shesha and Lakshmana. The legend of Balarama as the avatar of Shesha, the demigod-serpent Vishnu rests upon, reflects his role and association with Vishnu. However, Balarama's mythology and his association with the ten avatars of Vishnu is relatively younger and post-Vedic, because it is not found in the Vedic texts.

Balarama's legend appears in many Parva (books) of the Mahabharata. Book Three (Vana Parva) states about Krishna and him that Balarama is an avatar of Vishnu, while Krishna is the source of all avatars and existence. In some art works of the Vijayanagara Empire, temples of Gujarat and elsewhere, for example, Baladeva is the eighth avatar of Vishnu, prior to the Buddha (Buddhism) or Arihant (Jainism).

Balarama finds a mention in Kautilya's Arthashastra (4th to 2nd century BCE), where according to Hudson, his followers are described as "ascetic worshippers" with shaved heads or braided hair.

Balarama, as Baladewa, is an important character in the 11th-century Javanese text Kakawin Bhāratayuddha, the Kakawin poem based on the Mahabharata.

Archeology, coins, arts, and epigraphy

Balarama was anciently a powerful local deity named Samkarshana, associated with the local cult of the Vrishni heroes in Mathura from around the 4th century BCE. The concept of the avatars of Vishnu formed during the Kushan period in the 3rd to 2nd century CE.

Coins dated to about 185-170 BCE belonging to the Indo-Greek King Agathocles show Balarama's iconography and Greek inscriptions. Balarama-Samkarshana is typically shown standing with a gada in his right hand and holding a plough in his left. On the other side of these coins is Vāsudeva-Krishna holding the conch and chakra.

At Chilas II archeological site dated to the first half of 1st-century CE in northwest Pakistan, near Afghanistan border, are engraved two males along with many Buddhist images nearby. The larger of the two males hold a plough and club in his two hands. The artwork also has an inscription with it in Kharosthi script, which has been deciphered by scholars as Rama-Krsna, and interpreted as an ancient depiction of the two brothers Balarama and Krishna. The early Balarama images found in Jansuti (Mathura, Uttar Pradesh) and two at Tumain (Ashoknagar, Madhya Pradesh) are dated to 2nd/1st-century BCE and these show Balarama holding a Hala (plough) and a musala (pestle) in his two hands.

In all of these early depictions, Balarama-Samkarsana seems to hold a senior position over Vāsudeva-Krishna. On the coins of Agathocles of Bactria, Balarama is on the front of the coin (the side with a legend in Greek), whereas Vāsudeva-Krishna is on the reverse (Brahmi side). At Chilas, Balarama is shown taller and bigger than Vāsudeva-Krishna. The same relationship is also visible in the hierarchy of the Vrishni heroes.

In some Indian ancient arts and texts, Balarama (Sankarsana) and Krishna (Vasudeva) are two of the five heroes (Pancaviras of the Vrishnis). The other three differ by the text. In some those are "Pradyumna, Samba and Aniruddha", in others "Anadhrsti, Sarana and Viduratha". The 1st-century Mora well inscription near Mathura, dated between 10 and 25 CE, mention the installation of five Vrishni heroes in a stone temple.

The earliest surviving southeast Asian artwork related to Balarama is from the Phnom Da collection, near Angkor Borei in Cambodia's lower Mekong Delta region.

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