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History of women in Germany

German history

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  • 6 chapters

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Through Demographic transition

Medieval

The Ottonian queens and empresses (including Matilda of Ringelheim, Adelaide of Italy, Theophanu, Cunigunde of Luxembourg) were among the most powerful women of the entire Middle Age. The Salian empresses, although not as visible (due to certain circumstances), were also powerful. The most notable and talented was perhaps Gisela of Swabia. Abbesses, especially those of Imperial abbeys wielded tremendous power, with influence encompassing spiritual, economic, political and intellectual realms. Matilda of Quedlinburg and Matilda of Quedlinburg were notable examples. Matilda of Quedlinburg formed a triad of regents with Adelaide of Italy and Theophanu in Otto III's reign when Matilda of Essen wielded great political power while being one of the most prominent patrons of arts of the time as well. The following centuries witnessed women who were not only patrons but artists and writers themselves.

Hrotsvitha, Gerberga II, Abbess of Gandersheim, Ava, Hildegard of Bingen, Elisabeth of Schönau, Herrad of Landsberg, Mechthild of Magdeburg, Mechthild of Hackeborn, Gertrude the Great, and Argula von Grumbach were among the most accomplished female writers of the entire Middle Age. They pursued fields as diverse as medicine, music composition, religious writing, and government and military politics, with the prime example being the polymath Hildegard von Bingen, who has been praised as "the greatest mystic ever" and one of "the greatest intellectuals of the West". Through sources like the Annals of Quedlinburg (the chief source on Ottonian history, presided over by the abbess Adelheid and likely written by female scribes), female intellectuals left their accounts of German and European history. Ava, the first German woman poet, was also the author of the first German epic and the first woman to write in a European vernacular.

Salic (Frankish) law, which was applied in many regions, placed women at a disadvantage with regard to property and inheritance rights. Germanic widows required a male guardian to represent them in court. Unlike Anglo-Saxon law or the Visigothic Code, Salic law barred women and descendants from (only) female lines from royal succession.

The imperial dignity was elective. In the beginning, imperial succession was not strictly regulated. In the case of Empress Theophanu, it was expected that she would have become emperor had Otto II had no sons. In many cases, the imperial throne came to descendants from a female line, such as the Salians who were descendants of Otto the Great through the female line; Frederick Barbarossa who descended from the Salian through his grandmother Agnes of Waiblingen and had connection with the Hohenstaufen's powerful rival family, the Welfs, through his mother Judith of Welf; Albert II, who was the son-in-law and heir of Emperor Sigismund, the last male Luxembourg through his marriage with Elizabeth of Luxembourg. When the imperial throne became practically hereditary under the Habsburgs in the Early Modern period, the effort to make the princess Maria Theresa his heir by Emperor Charles VI met with many difficulties. While most European governments recognized his Pragmatic Sanction (that would allow female right of succession), in practice, Maria Theresa's inheritance was still contested. In the end, she gained the Hungarian, Bohemia and Austrian thrones while the elective imperial office went to her husband Francis.

The status of women in general varied, depending on the period. Jestice and Görich write that Ottonian sources reveal no misogyny and basically the society recognized the roles and abilities (except physical strength) of women, thus the commonly deemed special status of empresses and queens actually did not stand out in this context. According to Sagarra, social status was based on military and biological roles, a reality demonstrated in rituals associated with newborns, when female infants were given a lesser value than male infants. The use of physical force against wives was condoned until the 18th century in Bavarian law.

The early sixteenth century epic collection Ambraser Heldenbuch, one of the most important works of medieval German literature, focuses largely on female characters (with notable texts being its versions of the Nibelungenlied, the Kudrun and the poem Nibelungenklage) and defends the concept of Frauenehre (female honour) against the increasing misogyny of the time. The work was written by the tax collector Hans Ried in Bolzano for emperor Maximilian I.

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