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Jiu zixing

Traditional printing press form

  • 4 min read
  • 2 chapters

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Through Orthography

Broadly, jiu zixing refers to all character forms used in printed Chinese before reformation by national standardization, such as xin zixing in mainland China, the Standard Form of National Characters in Taiwan, and List of Graphemes of Commonly-Used Chinese Characters in Hong Kong. Jiu zixing is generally the opposite form of the standards. Some representative books that used jiu zixing include Kangxi Dictionary, Zhongwen Da Cidian, Dai Kan-Wa Jiten, Chinese-Korean Dictionary, and Zhonghua Da Zidian.

Scholars have developed several standards for jiu zixing, but there is no single enforced standard. Variations of jiu zixing can be seen in the Kangxi Dictionary, Old Chinese printing forms, Korean Hanja, some printed documents in Taiwan, and MingLiU in Windows 98 and earlier versions; slight differences may occur between different jiu zixing standards. Some open-sourced communities also develop and maintain jiu zixing standards which are either based on or unify other jiu zixing forms from academic research.

Origin

During the woodblock printing era, words were usually carved in handwritten form (regular script) as each woodblock is different, making the work to produce each printed book tedious. The development of wooden movable type during the Song dynasty caused the Chinese characters to take on a more rectangular form following the wood texture. Vertical strokes were thickened to reduce engraving loss, while a small triangle was added at the end of horizontal strokes and the start of vertical strokes to improve the legibility of text even after the pieces are worn out by long-term use. As the character styles started to differ widely from regular script, the calligraphic methods used on regular scripts could not be used on movable type characters and a new distinctive style designated for movable type was born. This style was developed fully during the Ming dynasty, which has now evolved into Ming typefaces.

Comparing movable type and woodblock styles, it can be noticed that movable type characters – which are the basis of jiu zixing today – are different from the random and changing nature of handwritten regular script, and emphasize clear strokes and the beautiful, symmetric structure of characters. Movable type characters also emphasize the philology aspects of Chinese characters more so than regular script.

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