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Lead paint

Paint containing lead compounds as pigments

  • 11 min read
  • 5 chapters

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Through Paint, Lead and Oxygen

In many countries, lead paint remains permitted for domestic use, whereas in other jurisdictions, such as the United States, the United Kingdom and the European Union, there are regulations prohibiting or restricting its use. However, lead paint may still be found in older properties painted prior to the introduction of such regulations. Although lead has been banned from household paints in the United States since 1978, it may still be found in road marking paint and artists' paints.

History

White lead was being produced during the 4th century BC; the process is described by Pliny the Elder, Vitruvius, and the ancient Greek author Theophrastus.

The traditional method of making the pigment was called the stack process. Hundreds or thousands of earthenware pots containing vinegar and lead were embedded in a layer of either tan bark or cow dung. The pots were designed so that the vinegar and lead were in separate compartments, but the lead was in contact with the vapor of the vinegar. The lead was usually coiled into a spiral and placed on a ledge inside the pot. The pot was loosely covered with a grid of lead, which allowed the carbon dioxide formed by the fermentation of the tan bark or the dung to circulate in the pot. Each layer of pots was covered by a new layer of tan, then another layer of pots. The heat created by the fermentation, acetic acid vapor, and carbon dioxide within the stack did their work, and within a month the lead coils were covered with a crust of white lead. This crust was separated from the lead, washed, and ground for pigment. This was an extremely dangerous process for the workmen. Medieval texts warned of the danger of "apoplexy, epilepsy, and paralysis" from working with lead white.

In 1786, Benjamin Franklin wrote a letter warning a friend about the hazards of lead and lead paint, which he considered well-established. Despite the risks, the pigment was very popular with artists because of its density and opacity; a small amount could cover a large surface. It was widely used by artists until the 19th century, when it was replaced by zinc white and titanium white.

The dangers of lead paint were considered well-established by the beginning of the 20th century. In the July 1904 edition of its monthly publication, Sherwin-Williams reported the dangers of paint containing lead, noting that a French expert had deemed lead paint "poisonous in a large degree, both for the workmen and for the inhabitants of a house painted with lead colors". As early as 1886, German health laws prohibited women and children from working in factories processing lead paint and lead sugar.

The League of Nations began efforts to ban lead paint in 1921.

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