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Legend of Keret

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Through Inheritance, Iliad and Abraham

In the legend, Kirta is the son of the great god El but is considered unfortunate. He has been widowed seven times, and has no surviving children. He has survived all of his brothers, and he is the last surviving member of his family. He begs his father for an heir of his own, and El instructs him to wage war against another kingdom and to demand its princess as his wife. Kirta wins his war and has several children by his new wife. But he angers the goddess Athirat by reneging on a promise to her, and is cursed with an illness. El intervenes to heal his son. Kirta is then challenged for the throne by his oldest son, who wants him to abdicate in his favor. Kirta curses his son, but the ending of the story has been lost.

The story is thought to have similarities with the legend of Helen of Troy in the Iliad. It is also thought to be similar to the relationship between Yahweh/El and Abraham in the Book of Genesis. In particular, the blessing by the god himself, the promise of a son to a childless man, and the divine assistance in a military expedition.

History

The epic story of Keret is contained in three rectangular clay tablets, excavated by a team of French archaeologists in Ras Shamra, Syria in 1930–31. The text is written in the Ugaritic alphabet, a cuneiform abjad. (While this script looks superficially similar to Mesopotamian cuneiform, there's no direct relationship between them.) Not all of the tablets recovered were well-preserved and some of the tablets, containing the ending of the story, appeared to be missing. The tablets were inscribed by Ilimilku, a high priest who was also the scribe for the Myth of Baal-Aliyan (a part of the Baal cycle) and the Tale of Aqhat, two other famous Ugaritic epic poems discovered at Ras Shamra.

The initial French translation of the tablets was published by a French archaeologist Charles Virolleaud, in a 1936 monograph and then in the journal Syria. A substantial number of other translations, in many languages, appeared afterwards. Among them the translations of Ginsberg (1946) and Herdner (1963) are widely used. Some of the more modern translations include Gordon (1977), Gibson (1978), Coogan (1978), and Greenstein (1997).

The Keret tablets are held at the Musée National d'Alep, Syria.

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