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Maya (mother of the Buddha)

Queen of Shakya and mother of the Buddha

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Through Shakya, The Buddha and Terai

In the Buddhist commentaries, Maya was on a traditional journey to her familial home in Devadaha where she would give birth, but her labor started as they were in Lumbini. The Buddha was then born in the gardens and Maya died soon after the birth of the Buddha, generally said to have been seven days afterwards.

Maya was then reborn, or came to life again, in a Buddhist heaven, a pattern that is said to be followed in the births of all Buddhas. Thus Maya did not raise her son, who was instead raised by her sister and his maternal aunt, Mahapajapati Gotami. Maya would, however, on occasion descend from Heaven to give advice to her son.

Māyā (माया) means "skillful creator" in Sanskrit. Māyā is also called Mahāmāyā (महामाया, "Great Māyā") and Māyādevī (मायादेवी, "Queen Māyā"). In Chinese, she is known as Móyé-fūrén (摩耶夫人, "Lady Māyā"), in Tibetan she is known as Gyutrulma and in Japanese she is known as Maya-bunin (摩耶夫人). Also, in Sinhalese she is known as මහාමායා දේවී (Mahāmāyā Dēvi). In Burmese, she is known as Médaw Maya (မယ်တော်မာယာ, Mother Māyā), Maya Dewi (မာယာဒေဝီ, Māyādevī), Mé Maya (မယ်မာယာ, Lady Māyā), Mahamaya (မဟာမာယာ) and Thiri Mahamaya Dewi (သီရိမဟာမာယာဒေဝီ, Srī Mahāmāyā Devī).

Iconography

In Buddhist literature and art, Queen Maya is portrayed as a very beautiful fecund woman in the prime of life.

Her beauty sparkles like a nugget of pure gold.
She has perfumed curls like the large black bee.
Eyes like lotus petals, teeth like stars in the heavens.
— From the Lalitavistara Sūtra

Although sometimes shown in other scenes from her life, such as having a dream foretelling her pregnancy with Gautama Buddha or with her husband King Śuddhodana seeking prophecies about their son's life, shortly after his birth, she is most often depicted whilst giving birth to Gautama, an event that is generally accepted to have taken place in Lumbini in modern-day Terai. Maya is usually shown giving birth standing under a tree and reaching overhead to hold on to a branch for support. Buddhist scholar Miranda Shaw, states that Queen Maya's depiction in the nativity scene follows a pattern established in earlier Buddhist depictions of the tree spirits known as yaksini.

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