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Medieval European magic

Magic as understood during the Middle Ages

  • 15 min read
  • 4 chapters

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Through Middle Ages, England and Sacredness

History

Magic practices such as divination, interpretation of omens, sorcery, and use of charms had been specifically forbidden in Mosaic Law and condemned in Biblical histories of the kings. Many of these practices were spoken against in the New Testament as well. The model of the magician in Christian thought was provided by Simon Magus, (Simon the Magician), a figure who opposed Saint Peter in both the Acts of the Apostles and the apocryphal yet influential Acts of Peter.

The historian Michael D. Bailey stated that in medieval Europe, magic was a "relatively broad and encompassing category". Christian theologians believed that there were multiple different forms of magic, the majority of which were types of divination, for instance, Isidore of Seville produced a catalogue of things he regarded as magic in which he listed divination by the four elements i.e. geomancy, hydromancy, aeromancy, and pyromancy, as well as by observation of natural phenomena e.g. the flight of birds and astrology. He also mentioned enchantment and ligatures (the medical use of magical objects bound to the patient) as being magical. Medieval Europe also saw magic come to be associated with the Old Testament figure of Solomon; various grimoires, or books outlining magical practices, were written that claimed to have been written by Solomon, most notably the Key of Solomon.

In early medieval Europe, magia was a term of condemnation. In medieval Europe, Christians often suspected Muslims and Jews of engaging in magical practices; in certain cases, these perceived magical rites—including the alleged Jewish sacrifice of Christian children—resulted in Christians massacring these religious minorities. Christian groups often also accused other, rival Christian groups such as the Hussites—which they regarded as heretical—of engaging in magical activities. Medieval Europe also saw the term maleficium applied to forms of magic that were conducted with the intention of causing harm. The later Middle Ages saw words for these practitioners of harmful magical acts appear in various European languages: sorcière in French, Hexe in German, strega in Italian, and bruja in Spanish. The English term for malevolent practitioners of magic, witch, derived from the earlier Old English term wicce.

Magic is a major component and supporting contribution to the belief and practice of spiritual, and in many cases, physical healing throughout the Middle Ages. Emanating from many modern interpretations lies a trail of misconceptions about magic, one of the largest revolving around wickedness or the existence of nefarious beings who practice it. These misinterpretations stem from numerous acts or rituals that have been performed throughout antiquity, and due to their exoticism from the commoner's perspective, the rituals invoked uneasiness and an even stronger sense of dismissal.

In the Medieval Jewish view, the separation of the mystical and magical elements of Kabbalah, dividing it into speculative theological Kabbalah (Kabbalah Iyyunit) with its meditative traditions, and theurgic practical Kabbalah (Kabbalah Ma'asit), had occurred by the beginning of the 14th century.

Despite the many negative connotations which surround the term magic, there exist many elements that are seen in a divine or holy light. The divine right of kings in England was thought to be able to give them "sacred magic" power to heal thousands of their subjects from sicknesses.

Georgius Gemistus Pletho (c. 1355/1360 – 1452/1454), a Greek scholar, was one of the most renowned philosophers of the late Byzantine era. He was a chief pioneer of the revival of Greek scholarship in Western Europe. As revealed in his last literary work, the Nomoi or Book of Laws, which he only circulated among close friends, he rejected Christianity in favour of a return to the worship of the classical Hellenic Gods, mixed with ancient wisdom based on Zoroaster and the Magi. Pletho may also have been the source for Marsilio Ficino's Orphic system of natural magic.

Diversified instruments or rituals used in medieval magic include, but are not limited to: various amulets, talismans, potions, as well as specific chants, dances, and prayers. Along with these rituals are the adversely imbued notions of demonic participation which influence of them. The idea that magic was devised, taught, and worked by demons would have seemed reasonable to anyone who read the Greek magical papyri or the Sefer-ha-Razim and found that healing magic appeared alongside rituals for killing people, gaining wealth, or personal advantage, and coercing women into sexual submission. Archaeology is contributing to a fuller understanding of ritual practices performed in the home, on the body and in monastic and church settings.

in 1456, the seven artes prohibitae or artes magicae, arts prohibited by canon law, were expounded by Johannes Hartlieb, their sevenfold partition reflecting that of the artes liberales and artes mechanicae, were: nigromancy (black or demonic magic), geomancy, hydromancy, aeromancy, pyromancy, chiromancy, and scapulimancy.

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