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Moloch

Canaanite deity or form of human sacrifice

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Through Middle Ages and Modern era

Traditionally, the name Moloch has been understood as referring to a Canaanite god. However, since 1935, scholars have speculated that Moloch refers to the sacrifice itself, since the Hebrew word mlk is identical in spelling to a term that means "sacrifice" in the closely related Punic language. This second position has grown increasingly popular, but it remains contested. Among proponents of this second position, controversy continues as to whether the sacrifices were offered to Yahweh or another deity, and whether they were a native Israelite religious custom or a Phoenician import.

Since the medieval period, Moloch has often been portrayed as a bull-headed idol with outstretched hands over a fire; this depiction takes the brief mentions of Moloch in the Bible and combines them with various sources, including ancient accounts of Carthaginian child sacrifice and the legend of the Minotaur.

Beginning in the modern era, "Moloch" has been figuratively used in reference to a power which demands a dire sacrifice. A god Moloch appears in various works of literature and film, such as John Milton's Paradise Lost (1667), Gustave Flaubert's Salammbô (1862), Giovanni Pastrone's Cabiria (1914), Fritz Lang's Metropolis (1927), and Allen Ginsberg's "Howl" (1955).

Etymology

The etymology of Moloch is uncertain: a derivation from the root mlk, which means "to rule", is "widely recognized". Since it was first proposed by Abraham Geiger in 1857, some scholars have argued that the word "Moloch" has been altered by using the vowels of bōšet "shame". Other scholars have argued that the name is a qal participle from the same verb. R. M. Kerr criticizes both theories by noting that the name of no other god appears to have been formed from a qal participle, and that Geiger's proposal is "an out-of-date theory which has never received any factual support". Paul Mosca, Professor Emeritus at the University of British Columbia, similarly argued that "the theory that a form molek would immediately suggest to the reader or hearer the word boset (rather than qodes or ohel) is the product of nineteenth century ingenuity, not of Massoretic [sic] or pre-Massoretic tendentiousness".

Scholars who do not believe that Moloch represents a deity instead compare the name to inscriptions in the closely related Punic language where the word mlk (molk or mulk) refers to a type of sacrifice, a connection first proposed by Otto Eissfeldt (1935). Eissfeldt himself, following Jean-Baptiste Chabot, connected Punic mlk and Moloch to a Syriac verb mlk meaning "to promise", a theory also supported as "the least problematic solution" by Heath Dewrell (2017). Eissfeldt's proposed meaning included both the act and the object of sacrifice. Scholars such as W. von Soden argue that the term is a nominalized causative form of the verb ylk/wlk, meaning "to offer", "present", and thus means "the act of presenting" or "thing presented". Kerr instead derives both the Punic and Hebrew word from the verb mlk, which he proposes meant "to own", "to possess" in Proto-Semitic, only later coming to mean "to rule"; the meaning of Moloch would thus originally have been "present", "gift", and later come to mean "sacrifice".

The spelling "Moloch" follows the Greek Septuagint and the Latin Vulgate; the spelling "Molech" or "Molek" follows the Tiberian vocalization of Hebrew, with "Molech" used in the English King James Bible.

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