Swiss literature

Swiss-French literature

The knight Othon of Grandson is the earliest figure in the literature of the Suisse romande. He was killed in a judicial duel in 1397, the last scion of his ancient house, and left some amatory poems behind him, while one is extant only in a translation by Chaucer, who makes flattering mention of him. In the 15th and 16th centuries a number of miracle plays in the local Romance dialect were known. The Chronique des chanoines de Neuchâtel was formerly supposed to date from the 15th century, but is now considered by some to be a forgery. More individual and characteristic are the romance about Charlemagne, entitled Fierabras le Giant (1478), by Jean Bagnyon, and the poem named Congé pris du siècle siculier (1480), by Jacques de Bugnin. But the first really prominent personage in this department of literature is François Bonivard (died 1570) who wrote the Chroniques de Geuve that extend down to 1530 and were continued to 1562 by Michel Roset (died 1613). The first Protestant French translation of the Bible was issued at Neuchâtel in 1535, its principal authors being Pierre Robert Olivétan and Pierre de Vingle. As a sort of pendant to the Protestant Bonivard, we have the nun Jeanne de Jussie who in her Levain du Calvinisme (c. 1545) recounts the establishment of Calvinism at Geneva, while the noble Pierre de Pierrefleur in his Mémoires does the same in a lighter and less lachrymose style for Orbe, his native district. Naturally the Reformers of the Suisse Romande used French much in their theological and polemical works. Of more general interest are the writings of two Frenchmen who were driven by religious persecutions to end their lives at Geneva—the memoirs and poems of Theodore Agrippa d'Aubigné (1552–1630), and the historical writings and poems of Simon Goulart (1543–1628). The great deliverance of Geneva from the duke of Savoy, known as the Escalade (1602), was described in prose by David Piaget (1580–1644) in his Histoire de l'escalade and celebrated in verse by Samuel Chappuzeau (1625–1701)--in his Genève délivrée, though the narratives of Goulart and that (published officially by the government) attributed to Jean Sarasin (1574–1632), the author of the Citadin de Genève (1606), are more laconic and more striking. JB Plantin (1625–1697), of Vaud, wrote his topography of Switzerland, Helvetia antiqua et nova (1656), in Latin, but his Abrégé de l'histoire générale de la Suisse (1666) in French, while Georges de Montmollin (1628–1703) of Neuchâtel wrote, besides various works as to local history, Mémoires of his times which have a certain historical value.

But the 17th century in the Suisse Romande pales before the glories of the 18th century, which forms its golden age, and was, in a large degree due to the influence of French refugees who, with their families, flocked thither after the Revocation of the Edict of Nantes (1685) and settled down there for the rest of their lives. Such was Louis Bourguet (1678–1743), who, besides his geological works, founded two periodicals which in different ways did much to stimulate the intellectual life of the Suisse Romande; these were the Bibliothèque italique (1729–1734), which aimed at making more widely known the results of Italian research, and the Mercure suisse which, first issued in 1732, lasted till 1784, under different names (rom 1738 onwards the literary section bore the name of Journée helvetique), and secured contributions from most of the leading writers of the Suisse Romande of the day, such as Firmin Abauzit (1679–1767), Abraham Ruchat (1678–1750), and others. Ruchat is now best remembered as the author (under the pen-name of Gottlieb Kypseler) of an excellent guide-book to Switzerland, the Deuces de la Suisse, which first appeared in 1714 and passed through multiple editions, the latest being issued in 1778; but his Histoire de la Reformation de la Suisse (1727–1728) was much esteemed in his day. Another Vaudois historian and antiquary was Charles Guillaume Loys de Bochat (1695–1754) whose Mémoires critiques sur divers points de l'ancienne histoire de la Suisse (1747–1749) still form a treasure-house for archaeologists. Yet a third Lausanne man was JP de Crousaz (1663–1750), who introduced there the philosophy of Descartes, and was, by his books, the master of Gibbon in logic. A French refugee at Lausanne, Jean Barbeyrac (1674–1744), published in 1712 the Droit de la nature et des gens, a translation of Puffendorf's treatise, with a striking preface of his own. A precursor of Montesquieu and of Rousseau was Jean-Jacques Burlamaqui (1694–1750) in his Principes du droit naturel et politique (1747 and 1751, issued together in 1763), while the celebrated international lawyer, Emeric de Vattel (1714–1767), was a native of Neuchâtel by birth and descent, and, though he spent most of his life at foreign courts, died at Neuchâtel, not so very long after the publication of his famous Droit des gens (1758).

The year 1754 is a great date in the literary history of the Suisse Romande, for in that year Rousseau came back for good to Geneva, and Voltaire established himself at Ferney, while in 1753 Gibbon had begun his first residence (which lasted till 1758) in Lausanne. The earlier writers mentioned above had then nearly all disappeared, and a more brilliant set took their place. But Rousseau, though a Genevese, belongs rather to European than to Swiss literature, as do later Jacques Necker and his daughter, Madame de Staël, Benjamin Constant and Sismondi. Madame de Charrière (1740–1805) was Dutch by birth, but married to a native of Neuchâtel. Among her earlier works were two novels, Le mari sentimental (1783), and the Lettres de Mistriss Henley publiées par son ami (1784), both of which had a great vogue in their day and paint, from her own experience, the sad results of an unsuitable marriage. More celebrated by reason of the liveliness and acuteness with which the manners of a little provincial town are described are her Lettres de Lausanne (1871), and her Lettres neuchâteloises (1784), particularly the second part of a story of the former, entitled Caliste, and published in 1788, for, according to Sainte-Beuve, it was a sort of foreshadowing of the more famous Coninne (1807) of Madame de Staël.

PH Mallet, a Genevese, who held a chair at Copenhagen, devoted himself to making known to the educated world the history and antiquities of Scandinavia. But more characteristic of Geneva were the efforts of a group of men to spread the cause of natural science by personal investigations in the higher Alps, then but little known. Possibly their interest in such matters had been stimulated by the scientific and psychological speculations of Charles Bonnet. The chief of this school was HB de Saussure one of the founders of geology and meteorology, while his Alpine ascents (undertaken in the cause of science) opened a new world even to non-scientific travellers. The brothers De Luc devoted themselves mainly to questions of physics in the Alps, while Sénebier, the biographer of Saussure, was more known as a physiologist than as a physicist, though he wrote on multiple branches of natural science, which in those days was not yet highly specialized. On the other hand, Marc Théodore Bourrit, the contemporary of these three men, was rather a curious and inquisitive traveller than a scientific investigator, and charms us even now by his genial simplicity as contrasted with the austerity and gravity of the three writers we have mentioned. Philippe Cyriaque Bridel (1757–1845), best known as the doyen Bridel, was the earliest of the Vaudois poets by virtue of his Poèsies helvètiennes (1782). But he is better known as the painter of the scenery and people among whom he worked as pastor at Basel, at Château d'Oex, and at Montreux successively. His Course de Bâle à Bienne par les vallées du Jura appeared in 1802, while descriptions of his travels, as well as of the manners of the natives, local history, and in short everything that could stimulate national sentiment, were issued in a series of periodicals from 1783 to 1831 under the successive titles of Etrennes helvétiennes and of Conservateur suisse. His patriotic aim met with great success, while his impressions of his mountain wanderings are fresh and unspoilt by any straining after effect. He was the first writer of the Suisse Romande to undertake such wanderings, so that, with obvious differences, he may be regarded not merely as the forerunner, but as the inspirer and model of later Vaudois travellers and climbers in the Alps, such as Rodolphe Töpffer, of Eugène Rambert, and of the last-named's most brilliant pupil, Émile Javelle (1844–1883), whose articles were collected in 1886 by the pious care of his friends under the title of Souvenirs d'un alpiniste.

As a poet Juste Olivier surpassed Bridel. Nor can we wonder that with the advance of knowledge Bridel's history is found to be more picturesque than scientific. Two Vaudois, Charles Monnard (1790–1865) and Louis Vulliemin (1797–1879) carried out their great scheme of translating (1837–1840) J. von Müller's Swiss history with its continuation by Hottinger, and then completed it (1841–1851) down to 1815. This task did not, however, hinder the two friends from making a number of solid contributions to Swiss historical learning. Later in date were Alexandre Daguet (1816–1894) who wrote an excellent history of Switzerland, while Jean Joseph Hisely (1800–1866), Albert Rilliet (1809–1883), and Pierre Vaucher (1833–1898), all devoted much labour to studying the multiple problems offered by the early authentic history (from 1291 onwards) of the Swiss Confederation. A different type of history is the work of an honest but partisan writer, the Genevese Jules Henri Merle d'Aubign (1794–1872), entitled Histoire de la reformation au temps de Calvin (1835–1878). The Vaudois noble Frédéric Gingins-la-Sarra (1790–1863) represents yet another type of historian, devoting himself mainly to the medieval history of Vaud, but occasionally going beyond the numberless authentic documents brought to light by him, and trying to make them prove more than they can fairly be expected to tell us. Jean Antoine Petit-Senn (1792–1870) was a thorough Genevese and a biting satirist, a pensive poet, the Genevese La Bruyère, as he liked to be called, yet was not fully appreciated until after his death, when his widely scattered writings were brought together. Alexandre Vinet, the theologian, and HF Amiel, the philosopher, in a fashion balance each other, and need only be mentioned here. Jean Jacques Porchat (1800–1864) was one of the most prominent among the minor poets of the region, French owing to his long residence in Paris, and best remembered probably by his fables, first published in 1837 under the title of Glanures d'Esope (reissued in 1854 as Fables et paraboles), though in his day his stories for the young were much appreciated. Urbain Olivier (1810–1888), a younger brother of the poet, wrote multiple tales of rural life in Vaud, while the Genevese novelist Victor Cherbuliez (1829–1899) was perhaps the most brilliant of a brilliant family. Fribourg has produced the local novelist Pierre Sciobret (1833–1876) and the Bohemian poet Etienne Eggis (1830–1867), and Neuchâtel Auguste Bachelin (1830–1890) whose best novel was Jean Louis, a tale of which the scene is laid in the old-fashioned little village of St Blaise. Another Neuchâtel writer, Alice de Chambrier, the poet, died young, as did the Genevese poet Louis Duchosal, both showing in their short lives more promise than performance. Madame de Gasparins (1813–1894) best tale is Horizons prochains (1857), a vivid story of rural life in the Vaudois Jura, remarkable for the virile imagination of its descriptions.

Edouard Rod the novelist, and Marc Monnier, critic, poet, dramatist and novelist, are the most prominent figures in the recent literature of the Suisse Romande. Amongst lesser stars we may mention in the department of belles-lettres (novelists, poets or critics) Charles Du Bois-Melly, T. Combe (the pen name of Mlle Adele Huguenin), Samuel Cornut, Louis Favre, Philippe Godet, Oscar Huguenin, Philippe Monnier, Nolle Roger, Virgile Rossel, Paul Seippel and Gaspard Vallette. The chief literary organ of the Suisse Romande is the Bibliothèque universelle, which in 1816 took that title in lieu of Bibliothèque Britannique (founded in 1796), and in 1861 added that of Revue suisse, which it then absorbed. Amongst historians the first place is due to one of the most learned men whom Switzerland has ever produced, and whose services to the history of the Valais were great, and abbé Jean Gremaud (1823–1897) of Fribourg. The principal contemporary historians are Victor van Berchem, Francis de Crue, Camille Favre, Henri Fazy, B. de Mandrot, Berthold van Muyden and Edouard Rott.

More recent authors include Charles Ferdinand Ramuz (1878–1947), whose novels describe the lives of peasants and mountain dwellers, set in a harsh environment, the poets Blaise Cendrars (born Frédéric Sauser, 1887–1961), Léon Savary (1895–1968), Gustave Roud (1897–1976), Jean-Georges Lossier (1911–2004), Pericle Patocchi (1911–1968), Maurice Chappaz (1916–2009) and Philippe Jaccottet (born 1925), Armel Guerne (1911–1980) and the novelists Catherine Colomb (1892–1965), Monique Saint-Hélier (1895–1955), Alice Rivaz (1901–1998), Prix Renaudot winner Georges Borgeaud (1914–1998), Yvette Z'Graggen (1920–2012) and Prix Goncourt winner Jacques Chessex (1934–2009). Grisélidis Réal (1929–2005) is in a category of her own.

Swiss-Italian literature

Italian Switzerland is best known by its artists, while its literature is naturally subject to strong Italian influences, and not to any of a strictly Swiss nature. Stefano Franscini (1796–1857) did much for his native land, especially in educational matters, while his chief published work (1835) was one that gave a general account of the canton. But this is not so thorough and good as a later book by Luigi Lavizzari (1814–1875), entitled Escursioni net cantone Ticino (1861), which is complete from all points of view.

Angelo Barotho (died 1893) and Emilio Motta represent the historical sciences, the latter contributing much to the Bollettino della Svizzera Italiana (from 1879 onwards), which, though mainly historical, devotes much space to literary and historical matters relating to the canton. The art of novel writing does not flourish in Ticino. But it has produced a great number of poets such as Pietro Pen (1794–1869), who translated the Swiss national anthem into Italian, JB Buzzi (1825–1898), Giovanni Airoldi (died before 1900) and Carlo Cioccari (1829–1891), the two former were lyric poets, and the third a dramatist. Two "younger" singers are Francesco Chiesa (1871–1973) and M. A. Nessi.

Contemporary poets are Giorgio Orelli (1921–2013) and his cousin Giovanni Orelli (1928–2016), Alberto Nessi (born 1940) and Fabio Pusterla (born 1957).

Romansh literature

Romansh is spoken by some 1% of Switzerland's 7.4 million inhabitants. It is the smallest of Switzerland's national languages in terms of number of speakers, and has not much to show in the way of literary activity. Fears of the language perishing altogether have spurred certain energetic groups to promote and foster a language revival. The five largest languages in the Romansh family are Sursilvan, Sutsilvan, Surmiran, Puter and Vallader. Puter and Vallader are sometimes grouped together as one language: Ladin. Romansh was standardized in 1982. The unified language, called Rumantsch Grischun, is used by the federal government and the canton of Graubünden, where is it an official language, for administrative purposes.

Romansh had a rich oral tradition before the appearance of Romansh writing, but apart from songs such as the Canzun da Sontga Margriata, virtually none of it survives. Prior to the 16th century, Romansh writings are only known from a few fragments.

The oldest known written records identified as Romansh before 1500 are:

• the Würzburg manuscript (10th century) probably written in the Abbey of Saint Gall,

consists of only the sentence: Diderros ne habe diege muscha, considered as an early form of Romansh, two translations proposed are either: "Diderros does not even have ten flies" or "Diderros has ten flies from this", probably meaning that the scribe named Diderros was poorly paid for his work;

• the Einsiedeln Homily dates from the early 12th century, a longer piece of writing discovered in 1907, and consists of a fourteen lines, in an early form of the Romonsch dialect, of incomplete interlinear translation (with the original Latin text) of a sermon attributed to St.Augustine;
• the Müstair linguistic monument dated 1389 and consisting of a fragment of a document about grazing rights on common land in the Val Müstair, it is a court testimony in Romansh attested in an otherwise Latin document:

The emergence of Romansh as a literary language is generally dated to the mid-16th century. The first substantial surviving work in Romansh is a poem in Ladin, the Chianzun dalla guerra dagl Chiaste da Müs written in the Putèr dialect in 1527 by Gian Travers (Johann von Travers, 1483–1563), though it was not published till 1865. It is an epic poem describing the First Musso war which Travers himself had taken part in.

Subsequent works usually have religious themes, including Bible translations, manuals for religious instructions, and biblical plays. The first book printed in it (at Poschiavo in 1552) was the translation of a German catechism, and the next a translation of the New Testament: L'g Nuof Sainc Testamaint da nos Signer Jesu Christ, also at Poschiavo, but in 1560, both works by Jachiam Bifrun/Giachem Bifrun. Most of the works in the Ladin dialects are translations of books of a religious or educational nature. Two years later, in 1562, another writer from the Engadine, Durich Chiampel, published the Cudesch da Psalms, a collection of Romansh church songs in the Vallader dialect.

In the Sursilvan dialect, the first surviving works are also religious works such as catechism by Daniel Bonifaci and in 1611, Ilg Vêr Sulaz da pievel giuvan ("The true joys of young people"), a series of religious instructions for Protestant youths was published by Steffan Gabriel. Four years later in 1615, a catholic catechism Curt Mussament was published in response, written by Gion Antoni Calvenzano. The first translation of the new testament into Sursilvan was published in 1648 by the son of Steffan Gabriel, Luci Gabriel. The first complete translation of the Bible, the Bibla da Cuera was published between 1717 and 1719.

The principal writers in the Romonsch dialects, generally the less literary of the two, in the 19th century are Theodor von Castelberg (1748–1830), a poet and translator of poetry, and P. A. de Latour (about 1811) also a poet, while the best of all poets in this dialect was Anton Huonder, whose lyrics are considered remarkable. Alexander Balletta (1842–1887) wrote prose romances and sketches, while J. C. Muoth (Giacun Hasper Muoth, 1844–1906), himself a most typical and characteristic figure, wrote much in prose and verse as regards his native region.

In Ladin one of the chief figures was the poet Conradin von Flugi (1787–1874), who published volumes of poems in 1845 and 1861, but the poems, novels and translations of Gian Fadri Caderas (1830–1891) are placed above them. Other Ladin poets are Florin Valentin, O. P. Juvalta and S. Caratsch (died 1892), while Peider Lansel (1863–1943) represents a younger generation. Zaccaria Pallioppi (1820–1873) also wrote poems, but the excellent Ladin dictionary that he compiled was not published till 1895 by the care of his son.

Non-religious writings in Romansh began appearing in the second half of the 19th century in substantial numbers. The literary output of this period often deals with the language itself and is seen as part of the Romansh revival known as the "Romansh Renaissance". Most literature of the period consists of poetry and short stories praising the Romansh language and usually dealing with topics related to the rural background of the Romansh valleys. Another common theme is the emigration of the so-called "Randulins", who would spend much of their lives working abroad. In addition, a number of works were translated into Romansh, generally German writers that were popular at the time. Well-known Sursilvan poets of the time include Théodore de Castelberg (1748–1818), Placidus a Spescha (1752–1833) or Gion Antoni Huonder (1824–1867). The best-known Sursilvan poet is Giachen Caspar Muoth (1844–1906) however, who is often considered the most well-versed Romansh poet of all. His poets and ballads often deal with Romansh itself, such as his most famous work Al pievel romontsch ("To the Romansh people"):

Stai si, defenda,
Romontsch, tiu vegl lungatg,
Risguard pretenda
Per tiu patratg!

Stand up, defend,

Romansh, your old language,

demand respect

for your thought!

— Giachen Caspar Muoth, Al pievel romontsch

Other Sursilvan writers of the Romansh Renaissance include Caspar Decurtins (1855–1916), who collected among other things popular legends, ballads, and songs, as well as Giachen Michel Nay (1860–1920), who described rural life in several novels, Alfons Tuor (1871–1904), and Gian Fontana (1897–1935), who are also known for their novels. In addition, the priest Maurus Carnot (1865–1935) who had grown up in Samnaun but did not write in the Romansh dialect of his hometown, learned Sursilvan in Disentis, and later used it for plays, lyric, and short stories dealing with rural life. Finally, Flurin Camathias is the author of several Sursilvan plays, poems, and epics, in addition to having translated a number of works into Romansh.

Literary works in Surmiran are comparatively rare, with Alexander Lozza from Murmarera being the most notable one.

In the Engadine, the first modern poets include Gian Battista Tschander and Conradin de Flug (1787–1874). Writers of the Romanticism era include Siméon Caratsch (1826–1891) and Gian Fadri Caderas (1830–1891), who co-authored some works such as the comedy Ils duos poets. Other well-known poets and songwriters of the period include Andrea Bezzola (1840–1897), author of the song Ma bella Val, mi' Engiadina, or Gudench Barblan (1860–1916), author of the song A la lingua materna

— Gudench Barblan, A la lingua materna

Another important Engadine figure of the period is Zaccaria Pallioppi (1820–1873). While he also wrote poems of his own, his main work is the first Ladin dictionary, published by his son in 1895. One of the first female writers is Clementina Gilli (1858–1942), who translated several major works of European literature and published a few original works as well, using the pseudonym Clio. Other Engadine writers of the Romansh-Renaissance include Schimun Vonmoos (1868–1940), who wrote poets and short tales in addition to translating, Gian Gianett Cloetta (1874–1965) or Eduard Bezzola (1875–1948), who wrote dramas, comedies, and songs or translated them. The best-known Engadine poet is Peider Lansel (1863–1943) however, who retired at an early age in 1906 and dedicated himself to poetry, becoming one of the first Romansh writers to gain fame outside of his region. His work includes over 200 poems, which were published in several collections in 1907 (Primulas), 1912 (La cullana d'ambras) and 1929 in his principal work Il vegl chalamêr. In addition, his work includes several anthologies of Romansh poets, such as La musa ladina (1910) and La musa rumantscha (posthumous 1950). Shortly before his death, he became the first Romansh writer to receive the Grosser Schillerpreis.

From the 1940s onwards, Romansh writers began to reflect on the widespread economical and social changes of traditional Romansh society and the word of modernity. Andri Peer (1921–1985) from the Lower Engadine is considered one of the first modern Romansh writers, whose works introduced modern literary trends into Romansh. His modern writing style was initially met with opposition, and he was not fully recognized and appreciated until much later. Another Engadine writer of this literary movement is Cla Biert (1920–1981), who became known for his humorous short stories. Notably Sursilvan writers include Flurin Darms (born 1918) for his lyrics, and Gion Battesta Sialm (1897–1977) and Guglielm Gadola (1902–1961) for their short stories. One of the more famous contemporary novelists is Toni Halter (1914–1986), who treated historic or rural themes in his works. Also known for his novels and short stories is the Sursilvan writer Gion Deplazes (born 1918). The Engadine writer Jon Semadeni (1910–1981) is the author of several theater plays and sketches, in addition to writing some prose as well. Also known for their plays are Men Gaudenz and Tista Murk (1915–1992) from the Val Müstair and Carli Fry (1897–1956) from Surselva. More recently, the Sursilvan writer Arno Camenisch (born 1978) gained attention outside the Romansh community for his novels and short stories, including the bilingual Romansh-German book Sez Ner.

Concerning children and young-adult books, some original works have been written in Romansh alongside a large number of translations. The most famous of these are the books of Selina Chönz, whose book Uorsin has become famous well outside of Switzerland in its German version Schellenursli. Other authors include Clo Duri Bezzola (Kindels dal malom), Göri Klainguti (Linard Lum), Linard Bardill (Il guaffen gelg), G. Netzer (Martin steiler, Annina, La princessa loscha), Theo Candinas (La fuigia dil Stoffel) or Claudia Cadruvi (Capuns ed il stgazi dals Franzos').

Drama was represented by biblical plays, most notably the Passiuns sursilvanas (developed in 17th–18th century). From the 18th century, courtroom dramas based on criminal cases were added to the village repertoire. In the early 20th century, a number of villages would stage an annual vernacular comedy. Jon Semadeni established the La Culissa theatrical touring company in 1944. His drama Il pövel cumada, which was first staged in 1946, is considered a landmark in Romansh drama. The company ceased touring in 1977.

From the 1940s onwards, Romansh writers consciously attempted to assimilate influences from international literary movements, as well as reflecting the situation of traditional Romansh culture as a disappearing way of life in a world of modernity and change. In 1946, a Romansh writers’ union was established by Artur Caflisch and Jon Guidon, known since 2004 as ULR (Union for Romansh Literature).

The Romansh writers are organized in the writer's union Uniun per la Litteratura Rumantscha established in 1946, which organizes since 1990 the yearly event Dis da Litteratura an annual Romansh literary festival has been held. Most writers today write in their regional dialect, while the pan-regional variety Rumantsch Grischun is seeing increased use in works done by the Lia Rumantscha such as translations of children's books.

Other writers include: Maurus Carnot (1846–1935), Giachen Michel Hay (1860–1920), Gian Fontana (1897–1935), Leza Uffer (1912–1982), Armon Planta (1917–1986), Gion Luregn Derungs, Gion Deplazes (born 1918), Cla Biert (1920–1981), Andri Peer (1921–1985), Martin Suter, Tim Krohn.

Statistics

In the 2000s, Swiss production of books fluctuated between 10,000 and 12,000 titles per annum.

In 2007, the Swiss National Library recorded a total of 11,410 new titles produced by Swiss publishers. Of those, 6,631 were in German, 2,509 in French, 361 in Italian and 21 in Romansh; the rest being multilingual or in other languages. Taking all the languages combined, 1,983 new titles were in the field of literature proper. Other principal fields were musical publications (1,076 titles), the arts (1'019 titles), law (949 titles), religion (948 titles), languages (467 titles), technology (446 titles), geography (412 titles) and history (409 titles). 410 titles were translated from English, 200 from German and 157 from French. Books originating in 31 languages were translated into one or another of the national languages by Swiss publishers.