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Italian language

Romance language

  • 38 min read
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Legend: Native language Administrative language Secondary language or non-official. Italophone minorities
Unknown author · CC BY-SA 3.0

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Italian is an official language in Italy, San Marino, Switzerland (Ticino and part of the Grisons), and Vatican City, and it has official minority status in Croatia, Slovenia (Istria), Romania, Bosnia and Herzegovina, and in 6 municipalities of Brazil. It is also spoken in other European and non-EU countries, most notably in Malta (by 66% of the population), Albania (upwards of 70%), and Monaco, as well as by large immigrant and expatriate communities in the Americas, Australia, and on other continents.

Italian is a major language in Europe, being one of the official languages of the Organization for Security and Co-operation in Europe and one of the working languages of the Council of Europe. It is the third-most-widely spoken native language in the European Union (13% of the EU population) and it is spoken as a second language by 13 million EU citizens (3%). Italian is the main working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy and the official language of the Sovereign Military Order of Malta. Italian influence led to the development of derivated languages and dialects worldwide. It is also widespread in various sectors and markets, with its loanwords used in arts, luxury goods, fashion, sports and cuisine; it has a significant use in musical terminology and opera, with numerous Italian words referring to music that have become international terms taken into various languages worldwide, including in English.

Italian is considered a conservative Romance language in phonology, lexicon, and morphology. Almost all native Italian words end with vowels, and the language has a 7-vowel sound system ("e" and "o" have mid-low and mid-high sounds). Italian has contrast between short and long consonants and gemination (doubling) of consonants.

History

Origins

The Italian language has developed through a long and slow process, which began after the Western Roman Empire's fall and the onset of the Middle Ages in the 5th century.

Latin, the predominant language of the western Roman Empire, remained the established written language in Europe during the Middle Ages, although most people were illiterate. Over centuries, the Vulgar Latin popularly spoken in various areas of Europe—including the Italian peninsula—evolved into local varieties, or dialects, unaffected by formal standards and teachings. These varieties are not in any sense "dialects" of standard Italian, which itself started off as one of these local tongues, but sister languages of Italian. The Latin-speaking class referred to the collective Romance vernaculars of Europe as Romanz, Romance, or, in Italy, Romanzo or Volgare.

The linguistic and historical demarcations between late Vulgar Latin and early Romance varieties in Italy are imprecise. The earliest surviving texts that can definitely be called vernacular (as distinct from its predecessor Vulgar Latin) are legal formulae known as the Placiti Cassinesi from the province of Benevento that date from 960 to 963, although the Veronese Riddle, probably from the 8th or early 9th century, contains a late form of Vulgar Latin that can be seen as a very early sample of a vernacular dialect of Italy. The Commodilla catacomb inscription likewise probably dates to the early 9th century and appears to reflect a language somewhere between late Vulgar Latin and early vernacular.

The language that came to be thought of as Italian developed in central Tuscany and was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante's epic poems, known collectively as the Commedia, to which another Tuscan poet Giovanni Boccaccio later affixed the title Divina, were read throughout the Italian peninsula. His written vernacular became the touchstone for elaborating a "canonical standard" that all educated Italians could understand. The poetry of Petrarch was also widely admired and influential in the development of the literary language, and would be identified as a model for vernacular writing by Pietro Bembo in the 16th century.

In addition to the widespread exposure gained through literature, Florentine also gained prestige due to the political and cultural significance of Florence at the time and the fact that it was linguistically a middle way between the northern and the southern Italian dialects.

Italian was progressively made an official language of most of the Italian states predating unification, slowly replacing Latin, even when ruled by foreign powers (such as Spain in the Kingdom of Naples, or Austria in the Kingdom of Lombardy–Venetia), although the masses kept speaking primarily their local vernaculars. Italian was also one of the many recognised languages in the Austro-Hungarian Empire.

Italy has always had a distinctive vernacular for each city because the cities, until recently, were thought of as city-states. Those local languages have considerable variety, and as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. The most characteristic differences, for instance, between Roman Italian and Milanese Italian are syntactic gemination of initial consonants in some contexts and the pronunciation of stressed "e", and of "s" between vowels in many words: e.g. va bene 'all right' is pronounced by a Roman (and by any standard Italian speaker), by a Milanese (and by any speaker whose native dialect lies to the north of the La Spezia–Rimini Line); a casa 'at home' is for Roman, or for standard, for Milanese and generally northern.

In contrast to the Gallo-Italic linguistic panorama of northern Italy, the Italo-Dalmatian, Neapolitan and its related dialects were largely unaffected by the Franco-Occitan influences introduced to Italy mainly by bards from France during the Middle Ages, but after the Norman conquest of southern Italy, Sicily became the first Italian land to adopt Occitan lyric moods (and words) in poetry. Even in the case of northern Italian languages, however, scholars are careful not to overstate the effects of outsiders on the natural indigenous developments of the languages.

The economic might and relatively advanced development of Tuscany at the time (Late Middle Ages) gave its language weight, although Venetian remained widespread in medieval Italian commercial life, and Ligurian (or Genoese) remained in use in maritime trade alongside the Mediterranean. The increasing political and cultural relevance of Florence during the periods of the rise of the Medici Bank, humanism, and the Renaissance made its dialect, or rather a refined version of it, a standard in the arts.

Renaissance

The Renaissance era, known as il Rinascimento in Italian, was seen as a time of rebirth, which is the literal meaning of both renaissance (from French) and rinascimento (Italian). Among its many manifestations, the Renaissance saw a reinvigorated interest in both classical antiquity and vernacular literature.

Advancements in technology played a crucial role in the diffusion of the Italian language. The printing press was invented in the 15th century, and spread rapidly. By the year 1500, there were 56 printing presses in Italy, more than anywhere else in Europe. The printing press enabled the production of literature and documents in higher volumes and at lower cost, further accelerating the spread of Italian.

Italian became the language used in the courts of every state in the Italian peninsula, and the prestige variety used on the island of Corsica (but not in the neighbouring Sardinia, which on the contrary underwent Italianization well into the late 18th century, under Savoyard sway: the island's linguistic composition, roofed by the prestige of Spanish among the Sardinians, would therein make for a rather slow process of assimilation to the Italian cultural sphere). The rediscovery of Dante's De vulgari eloquentia, and a renewed interest in linguistics in the 16th century, sparked a debate that raged throughout Italy concerning the criteria that should govern the establishment of a modern Italian literary and spoken language. This discussion, known as questione della lingua (i.e., the problem of the language), ran through the Italian culture until the end of the 19th century, often linked to the political debate on achieving a united Italian state. Renaissance scholars divided into three main factions:

  • The purists, headed by Venetian Pietro Bembo (who, in his Gli Asolani, claimed the language might be based only on the great literary classics, such as Petrarch and some part of Boccaccio). The purists thought the Divine Comedy was not dignified enough because it used elements from non-lyric registers of the language.
  • Niccolò Machiavelli and other Florentines preferred the version spoken by ordinary people in their own times.
  • The courtiers, such as Baldassare Castiglione and Gian Giorgio Trissino, insisted that each local vernacular contribute to the new standard.

A fourth faction claimed that the best Italian was the one that the papal court adopted, which was a mixture of the Tuscan and Roman dialects. Eventually, Bembo's ideas prevailed, and the foundation of the Accademia della Crusca in Florence (1582–1583), the official legislative body of the Italian language, led to the publication of Agnolo Monosini's Latin tome Floris italicae linguae libri novem in 1604 followed by the first Italian dictionary in 1612.

Modern era

An important event that helped the diffusion of Italian was the conquest and occupation of Italy by Napoleon (himself of Italian-Corsican descent) in the early 19th century. This conquest propelled the unification of Italy some decades after and pushed the Italian language into the status of a lingua franca, used not only among clerks, nobility, and functionaries in the Italian courts, but also by the bourgeoisie.

Today Italy has reached linguistic unity and an overwhelming majority of its 56 million citizens speak Italian. Many dialects are still alive, especially by the older generations. Today, Italian is one of the most studied foreign languages in the world.

Contemporary times

The publication of Italian literature's first modern novel, I promessi sposi (The Betrothed) by Alessandro Manzoni, both reflected and furthered the growing trend towards Italian as a national standard language. Manzoni, a Milanesian, chose to write the book in the Florentine dialect, describing this choice, in the preface to his 1840 edition, as "rinsing" his Milanese "in the waters of the Arno" (Florence's river). The novel is commonly described as "the most widely read work in the Italian language". It became a model for subsequent Italian literary fiction, helping to galvanize national linguistic unity around the Florentine dialect.

This growth was initially relative; linguistic diversity continued during the unification of Italy (1848–1871). The Italian linguist Tullio De Mauro estimated that only 2.5% of Italy's population could speak the Italian standardized language properly in 1861, while Arrigo Castellani estimated the same value as 10%.

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