Dante Alighieri

Education and poetry

Not much is known about Dante's education; he presumably studied at home or in a chapter school attached to a church or monastery in Florence. It is known that he studied Tuscan poetry and that he admired the compositions of the Bolognese poet Guido Guinizelli—in Purgatorio XXVI he characterized him as his "father"—at a time when the Sicilian School (Scuola poetica Siciliana), a cultural group from Sicily, was becoming known in Tuscany. He also discovered the Provençal poetry of the troubadours, such as Arnaut Daniel, and the Latin writers of classical antiquity, including Cicero, Ovid and especially Virgil.

Dante's interactions with Beatrice set an example of so-called courtly love, a phenomenon developed in French and Provençal poetry of prior centuries. Dante's experience of such love was typical, but his expression of it was unique. It was in the name of this love that Dante left his imprint on the dolce stil nuovo ("sweet new style", a term that Dante himself coined), and he would join other contemporary poets and writers in exploring never-before-emphasized aspects of love. Love for Beatrice (as Petrarch would express for Laura somewhat differently) would be his reason for writing poetry and for living, together with political passions. In many of his poems, she is depicted as semi-divine, watching over him constantly and providing spiritual instruction, sometimes harshly. When Beatrice died in 1290, Dante sought refuge in Latin literature. The Convivio chronicles his having read Boethius's De consolatione philosophiae and Cicero's De Amicitia.

He next dedicated himself to philosophical studies at religious schools like the Dominican one in Santa Maria Novella. He took part in the disputes that the two principal mendicant orders (Franciscan and Dominican) publicly or indirectly held in Florence, the former explaining the doctrines of the mystics and of St. Bonaventure, the latter expounding on the theories of St. Thomas Aquinas.

At around the age of 18, Dante met Guido Cavalcanti, Lapo Gianni, Cino da Pistoia and, soon after, Brunetto Latini; together they became the leaders of the dolce stil nuovo. Brunetto later received special mention in the Divine Comedy (Inferno, XV, 28) for what he had taught Dante: "Nor speaking less on that account I go With Ser Brunetto, and I ask who are his most known and most eminent companions". Some fifty poetical commentaries by Dante are known (the so-called Rime, rhymes), others being included in the later Vita Nuova and Convivio. Other studies are reported, or deduced from Vita Nuova or the Comedy, regarding painting and music.

Florence and politics

Dante, like most Florentines of his day, was embroiled in the Guelph–Ghibelline conflict. He fought in the Battle of Campaldino (June 11, 1289), with the Florentine Guelphs against Arezzo Ghibellines; he fought as a feditore, responsible for the first attack. To further his political career, he obtained admission to the Guild of Physicians and Apothecaries around 1295. He likely joined the guild due to association between philosophy and medicine, but also may have joined as apothecaries were also booksellers. His guild membership allowed him to hold public office in Florence. As a politician, he held various offices over some years in a city rife with political unrest.

After defeating the Ghibellines, the Guelphs divided into two factions: the White Guelphs (Guelfi Bianchi)—Dante's party, led by Vieri dei Cerchi—and the Black Guelphs (Guelfi Neri), led by Corso Donati. Although the split was along family lines at first, ideological differences arose based on opposing views of the papal role in Florentine affairs. The Blacks supported the Pope and the Whites wanted more freedom from Rome. The Whites took power first and expelled the Blacks. In response, Pope Boniface VIII planned a military occupation of Florence. In 1301, Charles of Valois, brother of King Philip IV of France, was expected to visit Florence because the Pope had appointed him as peacemaker for Tuscany, but the city's government had treated the Pope's ambassadors badly a few weeks before, seeking independence from papal influence. It was believed Charles had received other unofficial instructions, so the council sent a delegation that included Dante to Rome to persuade the Pope not to send Charles to Florence.

Exile from Florence

Pope Boniface quickly dismissed the other delegates and asked Dante alone to remain in Rome. At the same time (November 1, 1301), Charles of Valois entered Florence with the Black Guelphs, who in the next six days destroyed much of the city and killed many of their enemies. A new Black Guelph government was installed, and Cante dei Gabrielli da Gubbio was appointed podestà of the city. In March 1302, Dante, a White Guelph by affiliation, along with the Gherardini family, was condemned to exile for two years and ordered to pay a large fine. Dante was accused of corruption and financial wrongdoing by the Black Guelphs for the time that Dante was serving as city prior (Florence's highest position) for two months in 1300. The poet was still in Rome in 1302, as the Pope, who had backed the Black Guelphs, had "suggested" that Dante stay there. Florence under the Black Guelphs, therefore, considered Dante an absconder.

Dante did not pay the fine, in part because he believed he was not guilty and in part because all his assets in Florence had been seized by the Black Guelphs. He was condemned to perpetual exile; if he had returned to Florence without paying the fine, he could have been burned at the stake. (In June 2008, nearly seven centuries after his death, the city council of Florence passed a motion rescinding Dante's sentence.) In 1306–07, Dante was a guest of Moroello Malaspina in the region of Lunigiana.

Dante took part in several attempts by the White Guelphs to regain power, but these failed due to treachery. Bitter at the treatment he received from his enemies, he grew disgusted with the infighting and ineffectiveness of his former allies and vowed to become a party of one. He went to Verona as a guest of Bartolomeo I della Scala, then moved to Sarzana in Liguria. Later he is supposed to have lived in Lucca with a woman named Gentucca. She apparently made his stay comfortable (and he later gratefully mentioned her in Purgatorio, XXIV, 37). Some speculative sources claim he visited Paris between 1308 and 1310, and other sources even less trustworthy say he went to Oxford; these claims, first made in Giovanni Boccaccio's book on Dante several decades after his death, seem inspired by readers who were impressed with the poet's wide learning and erudition. No longer occupied with the day-to-day affairs of Florentine politics after his exile, Dante deepened his engagement with philosophy and literature, as seen in the intellectual rigor and thematic scope of his prose works from this period. Yet, while his ideas traveled widely, there is no definitive evidence that he ever left Italy. Dante's Immensa Dei dilectione testante to Henry VII of Luxembourg confirms his residence "beneath the springs of Arno, near Tuscany" in April 1311.

In 1310, Holy Roman Emperor Henry VII of Luxembourg marched into Italy at the head of 5,000 troops. Dante saw in him a new Charlemagne who would restore the office of the Holy Roman Emperor to its former glory and also retake Florence from the Black Guelphs. He wrote to Henry and several Italian princes, demanding that they destroy the Black Guelphs. Mixing religion and private concerns in his writings, he invoked the worst anger of God against his city and suggested several particular targets, who were also his personal enemies. It was during this time that he wrote De Monarchia, proposing a universal monarchy under Henry VII.

At some point during his exile, he conceived of the Comedy, but the date is uncertain. The work is far more assured and ambitious than anything he had written in Florence. It is likely that he would have undertaken such a project only after accepting that his political ambitions, which had been central to him before his banishment, may have been indefinitely disrupted. It is also noticeable that Beatrice has returned to his imagination with renewed force and with a wider meaning than in the Vita Nuova; in Convivio (written c. 1304–07) he had declared that the memory of this youthful romance belonged to the past.

An early indication that the poem was underway is a notice by Francesco da Barberino, tucked into his Documenti d'Amore (Lessons of Love), probably written in 1314 or early 1315. Francesco notes that Dante followed the Aeneid in a poem called "Comedy" and that the setting of this poem (or part of it) was the underworld; i.e., hell. The brief note gives no incontestable indication that Barberino had read or even seen the Inferno, or that this part had been published at the time, but it indicates composition was well underway and that the sketching of the poem might have begun some years before. (It has been suggested that a knowledge of Dante's work also underlies some of the illuminations in Francesco da Barberino's earlier Officiolum [c. 1305–08], a manuscript that came to light in 2003.) It is known that the Inferno had been published by 1317; this is established by quoted lines interspersed in the margins of contemporary dated records from Bologna, but there is no certainty as to whether the three parts of the poem were each published in full or, rather, a few cantos at a time. Paradiso was likely finished before he died, but it may have been published posthumously.

In 1312, Henry assaulted Florence and defeated the Black Guelphs, but there is no evidence that Dante was involved. Some say he refused to participate in the attack on his city by a foreigner; others suggest that he had become unpopular with the White Guelphs, too, and that any trace of his passage had carefully been removed. Henry VII died (from a fever) in 1313 and with him any hope for Dante to see Florence again. He returned to Verona, where Cangrande I della Scala allowed him to live in certain security and, presumably, in a fair degree of prosperity. Cangrande was admitted to Dante's Paradise (Paradiso, XVII, 76).

During the period of his exile, Dante corresponded with Dominican theologian Fr. Nicholas Brunacci (1240–1322), who had been a student of Thomas Aquinas at the Santa Sabina studium in Rome, later at Paris, and of Albert the Great at the Cologne studium. Brunacci became lector at the Santa Sabina studium, forerunner of the Pontifical University of Saint Thomas Aquinas, and later served in the papal curia.

In 1315, Florence was forced by Uguccione della Faggiuola (the military officer controlling the town) to grant an amnesty to those in exile, including Dante. But for this, Florence required public penance in addition to payment of a high fine. Dante refused, preferring to remain in exile. When Uguccione defeated Florence, Dante's death sentence was commuted to house arrest, on condition that he go to Florence to swear he would never enter the town again. He refused to go, and his death sentence was confirmed and extended to his sons. Despite this, he still hoped late in life that he might be invited back to Florence on honorable terms, particularly in praise of his poetry.

Death and burial

Dante's final days were spent in Ravenna, where he had been invited to stay in the city in 1318 by its prince, Guido II da Polenta. Dante died in Ravenna on September 14, 1321, aged about 56, of quartan malaria contracted while returning from a diplomatic mission to the Republic of Venice. He was attended by his three children, and possibly by Gemma Donati, and by friends and admirers he had in the city. He was buried in Ravenna at the Church of San Pier Maggiore (later called Basilica di San Francesco). Bernardo Bembo, praetor of Venice, erected a tomb for him in 1483.

On the grave, a verse of Bernardo Canaccio, a friend of Dante, is dedicated to Florence:

parvi Florentia mater amoris

Translation:

Florence, mother of little love

In 1329, Bertrand du Pouget, Cardinal and nephew of Pope John XXII, classified Dante's Monarchia as heretical and sought to have his bones burned at the stake. Ostasio I da Polenta and Pino della Tosa, allies of Pouget, interceded to prevent the destruction of Dante's remains.

Florence eventually came to regret having exiled Dante. The city made repeated requests for the return of his remains. The custodians of the body in Ravenna refused, at one point going so far as to conceal the bones in a false wall of the monastery. Florence built a tomb for Dante in 1829, in the Basilica of Santa Croce. That tomb has been empty ever since, with Dante's body remaining in Ravenna. The front of his tomb in Florence reads Onorate l'altissimo poeta—which roughly translates as "Honor the most exalted poet" and is a quote from the fourth canto of the Inferno.

In 1945, the fascist government discussed bringing Dante's remains to the Valtellina Redoubt, the Alpine valley in which the regime intended to make its last stand against the Allies. The case was made that "the greatest symbol of Italianness" should be present at fascism's "heroic" end, but ultimately, no action was taken.

A copy of Dante's death mask has been displayed since 1911 in the Palazzo Vecchio; scholars today believe it is not a true death mask and was probably carved in 1483, perhaps by Pietro and Tullio Lombardo.

Legacy

The first formal biography of Dante was the Vita di Dante (also known as Trattatello in laude di Dante), written after 1348 by Giovanni Boccaccio. Although several statements and episodes of it have been deemed unreliable on the basis of modern research, an earlier account of Dante's life and works had been included in the Nuova Cronica of the Florentine chronicler Giovanni Villani.

Some 16th-century English Protestants, such as John Bale and John Foxe, argued that Dante was a proto-Protestant because of his opposition to the pope.

The 19th century saw a "Dante revival", a product of the medieval revival, which was itself an important aspect of Romanticism. Thomas Carlyle profiled him in "The Hero as Poet", the third lecture in On Heroes, Hero-Worship, & the Heroic in History (1841): "He is world-great not because he is worldwide, but because he is world-deep… Dante is the spokesman of the Middle Ages; the Thought they lived by stands here, in everlasting music." Leigh Hunt, Henry Francis Cary and Henry Wadsworth Longfellow were among Dante's translators of the era.

Italy's first dreadnought battleship was completed in 1913 and named Dante Alighieri in honor of him.

On April 30, 1921, in honor of the 600th anniversary of Dante's death, Pope Benedict XV promulgated an encyclical named In praeclara summorum, naming Dante as one "of the many celebrated geniuses of whom the Catholic faith can boast" and the "pride and glory of humanity", highlighting the philosophical and theological debt of Dante versus Thomas Aquinas and thomism.

On December 7, 1965, Pope Paul VI promulgated the Latin motu proprio titled Altissimi cantus, which was dedicated to Dante's figure and poetry. In that year, the pope also donated a golden iron Greek Cross to Dante's burial site in Ravenna, on the occasion of the 700th anniversary of his birth. The same cross was blessed by Pope Francis in October 2020.

In 2007, a reconstruction of Dante's face was undertaken in a collaborative project. Artists from the University of Pisa and forensic engineers at the University of Bologna at Forlì constructed the model, portraying Dante's features as somewhat different from what was once thought.

In 2008, the Municipality of Florence officially apologized for expelling Dante 700 years earlier. In May 2021, a symbolic re-trial was held virtually in Florence to posthumously clear his name.

A celebration was held in 2015 at Italy's Senate of the Republic for the 750th anniversary of Dante's birth. It included a commemoration from Pope Francis, who also issued the apostolic letter Cando lucis aeternae in honor of the anniversary.