Lably
Skip to content

Culture of Italy

  • 74 min read
  • 15 chapters

Related on Lably

Through Renaissance and Fascism

The Italian Peninsula was the center of Roman civilisation, which contributed to the spread of Roman law, the Latin alphabet, the Latin language, and institutions that influenced later European societies. Italy was also an important center of the Roman Catholic Church, the Renaissance, the Baroque, Neoclassicism, Futurism, and Fascism. Italian scholars, artists, merchants, explorers, and political movements also contributed to wider European developments such as the Romanesque, Scholasticism, the Age of Discovery, the Scientific Revolution, and European integration.

Several institutions in Italy are among the earliest of their kind in Europe, including the Ospedale di Santo Spirito in Sassia, the University of Bologna, the Capitoline Museums, early modern banking institutions, and the Teatro San Cassiano. Italian culture has been influential in art, architecture, music, cinema, fashion, literature, theatre, science, and cuisine. Italy was central to the development of opera and has played an important role in classical music, with composers such as Antonio Vivaldi, Gioachino Rossini, and Giuseppe Verdi. Italian cultural history also includes contributions to ballet, folk dance, commedia dell'arte, and cinema.

Arts

Italian art has influenced major movements throughout the centuries and produced many great artists, including painters, architects, and sculptors. Today, Italy has an essential place in the international art scene, with several major art galleries, museums, and exhibitions; major artistic centres in the country include Rome, Florence, Venice, Milan, Turin, Genoa, Naples, Palermo, and other cities. Italy is home to 62 World Heritage Sites, the largest number of any country in the world.

Since ancient times, Greeks and Etruscans have inhabited the south, centre, and north of the Italian peninsula, respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek cities at Paestum, Agrigento, and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy remained an important centre, not only of the Carolingian art and Ottonian art of the Holy Roman Emperors, but for the Byzantine art of Ravenna and other sites.

Italy was the main centre of artistic developments throughout the Renaissance (1300–1600), beginning with the Proto-Renaissance of Giotto and reaching a particular peak in the High Renaissance of Leonardo da Vinci, Michelangelo, and Raphael, whose works inspired the later phase of the Renaissance, known as Mannerism. Italy retained its artistic dominance into the 17th century with the Baroque (1600–1750). Cultural tourism and Neoclassicism (1750–1850) became a major prop to an otherwise faltering economy. Both Baroque and Neoclassicism originated in Rome and were the last Italian-born styles that spread to all Western art.

However, Italy maintained a presence in the international art scene from the mid-19th century onwards, with cultural movements such as the Macchiaioli, Futurism, Metaphysical, Novecento Italiano, Spatialism, Arte Povera, and Transavantgarde.

Architecture

Italy is renowned for its rich architectural heritage, from ancient Rome to modern design. Italian architects pioneered the use of arches, domes, and vaults, laid the foundations of Renaissance architecture, and inspired movements such as Palladianism and Neoclassicism. Italian cities are home to a wide range of historical styles that influenced the built environment worldwide.

Ancient and classical

Architecture in Italy began with Etruscan and Greek settlements, which influenced the development of Roman architecture. Roman achievements included aqueducts, amphitheatres, temples, and urban planning. The legacy of Roman engineering is visible in structures such as the Colosseum and the Pantheon, as well as in sites such as Pompeii.

Early Christian and Byzantine

With Christianity's spread, Roman forms were adapted into the basilica—long, rectangular churches richly decorated with mosaics. Ravenna became a center of Byzantine art and architecture, while Old St. Peter's Basilica, begun in the 4th century, set the template for medieval church design.

Romanesque and Gothic

Between the 9th and 12th centuries, Romanesque architecture flourished, marked by rounded arches, vaults, and elaborate cloisters. Notable examples include the Leaning Tower of Pisa and the Basilica of Sant'Ambrogio in Milan.

Renaissance and Baroque

The Italian Renaissance (14th–16th centuries) revived classical forms and emphasised symmetry and proportion. Filippo Brunelleschi's dome for Florence Cathedral and Donato Bramante's work on St. Peter's Basilica exemplify this era's innovations. Andrea Palladio's harmonious villas in the Veneto region, such as the Villa La Rotonda, became a model for Western architecture.

In the 17th century, Baroque architecture emerged, emphasising grandeur and theatricality, as seen in churches and palaces throughout Rome and Naples. The style continued into Rococo and was later tempered by the classical restraint of Neoclassicism.

Cinema

The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibitions. The first Italian director is considered to be Vittorio Calcina, a collaborator of the Lumière Brothers, who filmed Pope Leo XIII in 1896. In the 1910s the Italian film industry developed rapidly. In 1912, the year of the greatest expansion, 569 films were produced in Turin, 420 in Rome and 120 in Milan. Cabiria, a 1914 Italian epic film directed by Giovanni Pastrone, is considered the most famous Italian silent film. It was also the first film in history to be shown in the White House. The oldest European avant-garde cinema movement, Italian futurism, took place in the late 1910s.

After a period of decline in the 1920s, the Italian film industry was revitalised in the 1930s with the arrival of sound film. A popular Italian genre during this period, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was instead in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity, and deals mainly with contemporary literary material. Cinema was later used by Benito Mussolini, who founded Rome's renowned Cinecittà studio also for the production of Fascist propaganda until World War II.

After the war, Italian film was widely recognised and exported until an artistic decline around the 1980s. Notable Italian film directors from this period include Federico Fellini, Sergio Leone, Pier Paolo Pasolini, Duccio Tessari, Luchino Visconti, Vittorio De Sica, Michelangelo Antonioni, and Roberto Rossellini; some of these are recognised among the greatest and most influential filmmakers of all time. Films include world cinema treasures such as Bicycle Thieves, La dolce vita, 8½, The Good, the Bad and the Ugly, and Once Upon a Time in the West. The mid-1940s to the early 1950s was the heyday of neorealist films, reflecting the poor condition of post-war Italy.

As the country grew wealthier in the 1950s, a form of neorealism known as pink neorealism succeeded, and starting from the 1950s through the commedia all'italiana genre, and other film genres, such as sword-and-sandal followed as spaghetti Westerns, were popular in the 1960s and 1970s. Actresses such as Sophia Loren, Giulietta Masina, and Gina Lollobrigida achieved international stardom during this period. Erotic Italian thrillers, or gialli, produced by directors such as Mario Bava and Dario Argento in the 1970s, also influenced the horror genre worldwide. In recent years, the Italian scene has received only occasional international attention, with films such as Cinema Paradiso, written and directed by Giuseppe Tornatore; Mediterraneo, directed by Gabriele Salvatores; Il Postino: The Postman, with Massimo Troisi; Life Is Beautiful, directed by Roberto Benigni; and The Great Beauty, directed by Paolo Sorrentino.

The aforementioned Cinecittà studio is today the largest film and television production facility in Europe, where many international box office hits were filmed. In the 1950s, the number of international productions being made there led to Rome's being dubbed "Hollywood on the Tiber". More than 3,000 productions have been made on its lot, of which 90 received an Academy Award nomination and 47 of these won it, from some cinema classics to recent rewarded features (such as Roman Holiday, Ben-Hur, Cleopatra, Romeo and Juliet, The English Patient, The Passion of the Christ, and Gangs of New York).

Italy is the most awarded country at the Academy Awards for Best Foreign Language Film, with 14 awards won, 3 Special Awards, and 28 nominations. As of 2016, Italian films have also won 12 Palmes d'Or, 11 Golden Lions, and 7 Golden Bears. The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978".

Comics

Italian comics (Fumetti) officially began on 27 December 1908 with the first issue of Corriere dei Piccoli. Attilio Mussino contributed various characters, including Bilbolbul, a little Black child whose surreal adventures unfolded in a fantastical Africa.

In 1932, publisher Lotario Vecchi launched Jumbo, featuring only North American authors. With a circulation of 350,000, it cemented comics as a mainstream medium in Italy. Vecchi later brought the title to Spain.

That same year, the first Italian Disney comic, Topolino (Mickey Mouse), debuted, published by Nerbini in Florence. In 1935, Mondadori's subsidiary API took over the franchise.

In 1945, Hugo Pratt, with Mario Faustinelli and Alberto Ongaro, created Asso di Picche while at the Venice Academy of Fine Arts. Their distinct style earned them recognition as the Venetian school of comics.

In 1948, Gian Luigi Bonelli launched the successful Western series Tex Willer, which became the prototype for Bonelliani—adventure comics in digest format. Later series included Zagor (1961), Mister No (1975), Martin Mystère (1982), and Dylan Dog (1986). These focused on adventure themes—Western, horror, mystery, or science fiction—and remain the most popular comic format in Italy.

Italy also produces many Disney comics, featuring characters from the Mickey Mouse universe and Scrooge McDuck universe. After the 1960s, American output declined, and Italy (alongside Denmark and South America) became a key producer. The Italian 'Scuola disneyana' introduced several innovations: a standard story length (30 pages), literary parodies, and long-form stories of up to 400 pages.

Notable Disney artists include Bonvi, Marco Rota, Romano Scarpa, Giorgio Cavazzano, Giovan Battista Carpi, and Guido Martina. The best-known Italian Disney character is Paperinik (Duck Avenger or Phantom Duck).

Italy also produces children's and teen comics, including Gormiti (based on a toy line), and Angel's Friends and Winx Club, both tied to popular animated series.

Dance

Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in southern Italy, and the modern revivals of folk music and dance. One of the earliest attempts to systematically collect folk dances is Gaspare Ungarelli's 1894 work Le vecchie danze italiane ancora in uso nella provincia bolognese ('Old Italian dances still in use in the province of Bologna') which gives brief descriptions and music for some 30 dances. An interest in preserving and fostering folk art, music and dance among Italian Americans and the dedication and leadership of Elba Farabegoli Gurzau led to the formation of the Italian Folk Art Federation of America (IFAFA) in May 1979. The group sponsors an annual conference and has published a newsletter, Tradizioni, since 1980.

Fashion and design

Italian fashion has a long tradition. Milan, Florence and Rome are Italy's main fashion capitals. According to Top Global Fashion Capital Rankings 2013 by Global Language Monitor, Rome ranked sixth worldwide while Milan was twelfth. Previously, in 2009, Milan was declared as the "fashion capital of the world" by Global Language Monitor itself. Currently, Milan and Rome, annually compete with other major international centres, such as Paris, New York, London, and Tokyo.

The Italian fashion industry is one of the country's most important manufacturing sectors. The majority of the older Italian couturiers are based in Rome. However, Milan is seen as the fashion capital of Italy because many well-known designers are based there and it is the venue for the Italian designer collections. Major Italian fashion labels, such as Gucci, Armani, Prada, Versace, Valentino, Dolce & Gabbana, Missoni, Fendi, Moschino, Max Mara, Trussardi, Benetton, and Ferragamo, to name a few, are regarded as among the finest fashion houses in the world.

Italian accessory and jewellery companies include Bulgari, Luxottica, and Buccellati. Luxottica is one of the world's largest eyewear companies. The fashion magazine Vogue Italia is the Italian edition of Vogue. Emerging fashion designers are also supported through initiatives such as the ITS fashion design competition in Trieste.

Italy is also prominent in the field of design, notably interior design, architectural design, industrial design, and urban design. The country has produced some well-known furniture designers, such as Gio Ponti and Ettore Sottsass, and Italian phrases such as Bel Disegno and Linea Italiana have entered the vocabulary of furniture design. Examples of classic pieces of Italian white goods and pieces of furniture include Zanussi's washing machines and fridges, the "New Tone" sofas by Atrium, and the post-modern bookcase by Ettore Sottsass, inspired by Bob Dylan's song "Stuck Inside of Mobile with the Memphis Blues Again".

Italy is recognised as a worldwide trendsetter and leader in design. Italy today still exerts a vast influence on urban design, industrial design, interior design, and fashion design worldwide. Today, Milan and Turin are the nation's leaders in architectural design and industrial design. The city of Milan hosts the FieraMilano, Europe's biggest design fair. Milan also hosts major design and architecture-related events and venues, such as the Fuori Salone and the Salone del Mobile, and has been home to the designers Bruno Munari, Lucio Fontana, Enrico Castellani, and Piero Manzoni.

Literature

Formal Latin literature began in 240 BC with the first stage play performed in Rome. Latin literature has remained highly influential, with notable writers such as Pliny the Elder, Pliny the Younger, Virgil, Horace, Propertius, Ovid, and Livy. The Romans were also known for their oral tradition, poetry, drama, and epigrams. In the early 13th century, Francis of Assisi was considered by literary critics as the first Italian poet, with his religious song Canticle of the Sun.

A literary movement also emerged in 13th-century Sicily, at the court of Emperor Frederick II, where lyrics inspired by Provençal themes were composed in a refined vernacular. Among the poets was notary Giacomo da Lentini, credited with inventing the sonnet, although the most famous early sonneteer was Petrarch.

Guido Guinizelli is regarded as the founder of the Dolce Stil Novo, a school that introduced a philosophical approach to love poetry. Its pure style influenced Guido Cavalcanti and Dante Alighieri, whose works helped establish modern Italian. Dante's masterpiece, Divine Comedy, is considered one of the finest literary achievements worldwide; he also developed the intricate poetic form known as terza rima.

The 14th century saw Petrarch and Giovanni Boccaccio imitate classical models while cultivating individual artistic voices. Petrarch's collection Il Canzoniere became a cornerstone of lyric poetry, while Boccaccio's The Decameron remains one of the most celebrated short story collections.

Renaissance authors such as Niccolò Machiavelli wrote enduring works such as The Prince, a realist treatise on power. Ludovico Ariosto continued the chivalric romance with Orlando Furioso, and Baldassare Castiglione outlined the ideal courtier in The Book of the Courtier. Torquato Tasso's epic Jerusalem Delivered blended Christian themes with classical form, adhering to Aristotelian unity.

Italian writers also pioneered the fairy tale genre. Giovanni Francesco Straparola's The Facetious Nights of Straparola (1550–1555) and Giambattista Basile's Pentamerone (1634) are among the earliest printed fairy tales in Europe.

In the early 17th century, Giambattista Marino's mythological poem L'Adone exemplified Baroque excess, while Galileo Galilei pioneered clear scientific prose. Tommaso Campanella's The City of the Sun envisioned a utopian society. Later, the Academy of Arcadia promoted classical simplicity, seen in Metastasio's heroic melodramas. In the 18th century, playwright Carlo Goldoni modernised Italian theatre with realistic depictions of the middle class.

Romanticism aligned with the Risorgimento, Italy's unification movement. Poets such as Vittorio Alfieri, Ugo Foscolo, and Giacomo Leopardi championed patriotic and philosophical themes. Alessandro Manzoni, the leading Romantic, advanced a unified literary language with his novel The Betrothed, which glorifies Christian ideals and remains a landmark in Italian literature.

In the late 19th century, the realist movement Verismo emerged, led by Giovanni Verga and Luigi Capuana. At the same time, Emilio Salgari published popular adventure novels, including the Sandokan series. In 1883, Carlo Collodi released The Adventures of Pinocchio, now among the most translated non-religious books globally.

In the early 20th century, Futurism introduced experimental language glorifying speed and modernity, exemplified by Filippo Tommaso Marinetti's Manifesto of Futurism.

Modern literary figures include Gabriele D'Annunzio; Nobel laureates Giosuè Carducci (1906), Grazia Deledda (1926), Luigi Pirandello (1936), Salvatore Quasimodo (1959), Eugenio Montale (1975), and Dario Fo (1997); and internationally acclaimed writers such as Italo Calvino and Umberto Eco.

Music

From folk music to classical, music is an intrinsic part of Italian culture. Instruments associated with classical music, including the piano and violin, were invented in Italy, and many of the prevailing classical music forms, such as the symphony, concerto, and sonata, can trace their roots back to innovations of 16th- and 17th-century Italian music.

Italy's most famous composers include the Renaissance composers Palestrina, Monteverdi and Gesualdo, the Baroque composers Scarlatti, Corelli and Vivaldi, the Classical composers Paisiello, Paganini and Rossini, and the Romantic composers Verdi and Puccini. Modern Italian composers such as Berio and Nono proved significant in the development of experimental and electronic music. While the classical music tradition still holds strong in Italy, as evidenced by the fame of its innumerable opera houses, such as La Scala of Milan and San Carlo of Naples (the oldest continuously active venue for public opera in the world), and performers such as the pianist Maurizio Pollini and tenor Luciano Pavarotti, Italians have been no less appreciative of their thriving contemporary music scene.

Italy is widely known for being the birthplace of opera. Italian opera was believed to have been founded in the early 17th century, in cities such as Mantua and Venice. Later, works and pieces composed by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi, and Puccini, are among the most famous operas ever written and today are performed in opera houses across the world. La Scala opera house in Milan is also renowned as one of the best in the world. Famous Italian opera singers include Enrico Caruso and Alessandro Bonci.

Introduced in the early 1920s, jazz took a particularly strong foothold in Italy, and remained popular despite the xenophobic cultural policies of the Fascist regime. Today, the most notable centres of jazz music in Italy include Milan, Rome, and Sicily. Later, Italy was at the forefront of the progressive rock and pop movement of the 1970s, with bands such as PFM, Banco del Mutuo Soccorso, Le Orme, Goblin, and Pooh. The same period saw diversification in the cinema of Italy, and Cinecittà films included complex scores by composers including Ennio Morricone, Armando Trovaioli, Piero Piccioni, and Piero Umiliani. In the early 1980s, the first star to emerge from the Italian hip hop scene was singer Jovanotti. Italian metal bands include Rhapsody of Fire, Lacuna Coil, Elvenking, Forgotten Tomb, and Fleshgod Apocalypse.

Italy contributed to the development of disco and electronic music, with Italo disco, known for its futuristic sound and prominent use of synthesisers and drum machines, being one of the earliest electronic dance genres, as well as European forms of disco aside from Euro disco (which later went on to influence several genres such as Eurodance and Nu-disco). By the latter half of the 1990s, a subgenre of Eurodance known as Italo dance emerged. Taking influences from Italo disco and Italo house, Italo dance generally included synthesiser riffs, a melodic sound, and the usage of vocoders. Notable Italian DJs and remixers include Gabry Ponte (member of the group Eiffel 65), Benny Benassi, Gigi D'Agostino, and the trio Tacabro.

Producers such as Giorgio Moroder, who won three Academy Awards and four Golden Globes for his music, were highly influential in the development of electronic dance music. Today, Italian pop music is represented annually with the Sanremo Music Festival, which served as inspiration for the Eurovision song contest, and the Festival of Two Worlds in Spoleto. Singers such as Mina, Andrea Bocelli, Grammy winner Laura Pausini, Zucchero, Eros Ramazzotti, Elisa, and Tiziano Ferro have attained international acclaim. Gigliola Cinquetti, Toto Cutugno, and Måneskin won the Eurovision Song Contest, in 1964, 1990, and 2021 respectively.

Italian folk music has a deep and complex history. National unification came quite late to the Italian peninsula, so its many hundreds of separate cultures remained un-homogenised until quite recently. Moreover, Italian folk music reflects Italy's geographic position at the south of Europe and in the centre of the Mediterranean Sea: Slavic, Arabic, Greek, Spanish, and Byzantine influences are readily apparent in the musical styles of the Italian regions. Today, Italy's folk music is often divided into several spheres of geographic influence, a classification system proposed by Alan Lomax in 1956 and often repeated since.

Philosophy

Over the ages, Italian philosophy and literature had a vast influence on Western philosophy, beginning with the Greeks and Romans, and going onto Renaissance humanism, the Age of Enlightenment and modern philosophy. Philosophy was brought to Italy by Pythagoras, founder of the Italian school of philosophy in Crotone, Magna Graecia. Major Italian philosophers of the Greek period include Xenophanes, Parmenides, Zeno, Empedocles, and Gorgias. Roman philosophers include Cicero, Lucretius, Seneca the Younger, Musonius Rufus, Plutarch, Epictetus, Marcus Aurelius, Clement of Alexandria, Sextus Empiricus, Alexander of Aphrodisias, Plotinus, Porphyry, Iamblichus, Augustine of Hippo, Philoponus of Alexandria, and Boethius.

Italian Medieval philosophy was mainly Christian, and included philosophers and theologians such as Thomas Aquinas, the foremost classical proponent of natural theology and the father of Thomism, who reintroduced Aristotelian philosophy to Christianity. Notable Renaissance philosophers include: Giordano Bruno, one of the major scientific figures of the western world; Marsilio Ficino, one of the most influential humanist philosophers of the period; and Niccolò Machiavelli, one of the main founders of modern political science. Machiavelli's most famous work was The Prince, whose contribution to the history of political thought is the fundamental break between political realism and political idealism. Italy was also affected by the Enlightenment, a movement which was a consequence of the Renaissance. University cities such as Padua, Bologna and Naples remained centres of scholarship and the intellect, with several philosophers such as Giambattista Vico (widely regarded as being the founder of modern Italian philosophy) and Antonio Genovesi. Cesare Beccaria was a significant Enlightenment figure and is now considered one of the fathers of classical criminal theory as well as modern penology. Beccaria is famous for his On Crimes and Punishments (1764), a treatise that served as one of the earliest prominent condemnations of torture and the death penalty and thus a landmark work in anti-death penalty philosophy.

Italy also had a renowned philosophical movement in the 1800s, with Idealism, Sensism, and Empiricism. The main Sensist Italian philosophers were Melchiorre Gioja and Gian Domenico Romagnosi. Criticism of the Sensist movement came from other philosophers such as Pasquale Galluppi (1770–1846), who affirmed that a priori relationships were synthetic. Antonio Rosmini, instead, was the founder of Italian idealism. During the late 19th and 20th centuries, there were also several other movements which gained some form of popularity in Italy, such as Ontologism (whose main philosopher was Vincenzo Gioberti), Christian democracy, communism, socialism, futurism, fascism, and anarchism. Giovanni Gentile and Benedetto Croce were two of the most significant 20th-century Idealist philosophers. Anarcho-communism first fully formed into its modern strain within the Italian section of the First International. Antonio Gramsci remains a relevant philosopher within Marxist and communist theory, credited with creating the theory of cultural hegemony. Italian philosophers were also influential in the development of the non-Marxist liberal socialism philosophy, including Carlo Rosselli, Norberto Bobbio, Piero Gobetti, and Aldo Capitini. In the 1960s, many Italian left-wing activists adopted the anti-authoritarian pro-working class leftist theories that would become known as autonomism and operaismo.

Early Italian feminists include Sibilla Aleramo, Alaide Gualberta Beccari, and Anna Maria Mozzoni, although proto-feminist philosophies had previously been touched upon by earlier Italian writers such as Christine de Pizan, Moderata Fonte, and Lucrezia Marinella. Italian physician and educator Maria Montessori is credited with the creation of the philosophy of education that bears her name, an educational philosophy now practised throughout the world. Giuseppe Peano was one of the founders of analytic philosophy and contemporary philosophy of mathematics. Recent analytic philosophers include Carlo Penco, Gloria Origgi, Pieranna Garavaso, and Luciano Floridi.

Sculpture

The art of sculpture in the Italian Peninsula has its roots in ancient times. In the archaic period, when Etruscan cities dominated central Italy and the adjacent sea, Etruscan sculpture flourished. The name of an individual artist, Vulca, who worked at Veii, has been identified. He has left a terracotta Apollo and other figures, and can perhaps claim the distinction of being the most ancient master in the long history of Italian art.

A significant development of this art occurred between the 6th century BC and 5th century AD during the growth of the Roman Empire. The earliest Roman sculpture was influenced by the Etruscans to the north of Rome and by Greek colonists to the south. During the Empire period, the pure realism of the Republican period portrait busts was joined to Greek idealism. The result, evident in Augustus of Primaporta, was often a curious juxtaposition of individualised heads with idealised, anatomically perfect bodies in Classical poses.

During the Middle Ages, large sculpture was largely religious. Carolingian artists (named after Charlemagne's family) in northern Italy created sculpture for covers of Bibles, as decoration for parts of church altars, and for crucifixes and giant candlesticks placed on altars.

In the late 13th century, Nicola Pisano and his son Giovanni began the revolutionary changes that led up to the Renaissance in Italian sculpture, drawing influences from Roman sarcophagi and other remains. Both are noted for their reliefs and ornamentation on pulpits. The Massacre of the Innocents by Giovanni Pisano is an example.

The greatest sculptor of the early Renaissance was Donatello. In 1430, he produced a bronze statue of David, which re-established the classical idea of beauty in the naked human body. Conceived fully in the round and independent of any architectural surroundings, it was the first major work of Renaissance sculpture. Among the other brilliant sculptors of the 15th century were Jacopo della Quercia, Michelozzo, Bernardo and Antonio Rossellino, Giambologna, and Agostino di Duccio.

Michelangelo's great brooding sculptures, such as the figures of Night and Day in the Medici Chapel in Florence, dominated High Renaissance Italian sculpture. His David, is perhaps, the most famous sculpture in the world. It differs from previous representations of the subject in that David is depicted before his battle with Goliath and not after the giant's defeat. Instead of being shown victorious over a foe much larger than he, David looks tense and ready for combat.

Gian Lorenzo Bernini was the most important sculptor of the Baroque period. He combined emotional and sensual freedom with theatrical presentation and an almost photographic naturalism. Bernini's saints and other figures seem to sit, stand, and move as living people—and the viewer becomes part of the scene. This involvement of the spectator is a basic characteristic of Baroque sculpture. One of his most famous works is Ecstasy of Saint Teresa.

The Neoclassical movement arose in the late 18th century. The members of this very international school restored what they regarded as classical principles of art. They were direct imitators of ancient Greek sculptors, and emphasised classical drapery and the nude. The leading Neoclassical artist in Italy was Antonio Canova, who like many other foreign neoclassical sculptors including Bertel Thorvaldsen was based in Rome. His ability to carve pure white Italian marble has seldom been equalled. Most of his statues are in European collections, but the Metropolitan Museum of Art in New York City owns important works, including Perseus and Cupid and Psyche.

In the 20th century, many Italians played leading roles in the development of modern art. Futurist sculptors tried to show how space, movement, and time affected form. These artists portrayed objects in motion, rather than their appearance at any particular moment. An example is Umberto Boccioni's Unique Forms of Continuity in Space.

Theatre

Italian theatre originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours. The Renaissance theatre marked the beginning of the modern theatre due to the rediscovery and study of the classics, the ancient theatrical texts were recovered and translated, which were soon staged at the court and in the curtensi halls, and then moved to real theatre. In this way, the idea of theatre came close to that of today: a performance in a designated place in which the public participates. In the late 15th century two cities were important centres for the rediscovery and renewal of theatrical art: Ferrara and Rome. The first, vital centre of art in the second half of the 15th century, saw the staging of some of the most famous Latin works by Plautus, rigorously translated into Italian.

During the 16th century and on into the 18th century, commedia dell'arte was a form of improvisational theatre, and it is still performed today. Travelling troupes of players would set up an outdoor stage and provide amusement in the form of juggling, acrobatics and, more typically, humorous plays based on a repertoire of established characters with a rough storyline, called canovaccio. Plays did not originate from written drama but from scenarios called lazzi, which were loose frameworks that provided the situations, complications, and outcome of the action, around which the actors would improvise. The characters of the commedia usually represent fixed social types and stock characters, each of which has a distinct costume, such as foolish old men, devious servants, or military officers full of false bravado. The main categories of these characters include servants, old men, lovers, and captains.

The first recorded commedia dell'arte performances came from Rome as early as 1551, and were performed outdoors in temporary venues by professional actors who were costumed and masked, as opposed to commedia erudita, which were written comedies, presented indoors by untrained and unmasked actors. By the mid-16th century, specific troupes of commedia performers began to coalesce, and by 1568 the Gelosi became a distinct company. Commedia often performed inside in court theatres or halls, and also in some fixed theatres such as Teatro Baldrucca in Florence. Flaminio Scala, who had been a minor performer in the Gelosi published the scenarios of the commedia dell'arte around the start of the 17th century, really in an effort to legitimise the form—and ensure its legacy. These scenarios are highly structured and built around the symmetry of the various types in duet: two Zanni, vecchi, innamorate and innamorati, among others.

In the commedia dell'arte, female roles were played by women, documented as early as the 1560s, making them the first known professional actresses in Europe since antiquity. Lucrezia Di Siena, whose name is on a contract of actors from 10 October 1564, has been referred to as the first Italian actress known by name, with Vincenza Armani and Barbara Flaminia as the first primadonnas and the first well-documented actresses in Europe.

The Ballet dance genre also originated in Italy. It began during the Italian Renaissance court as an outgrowth of court pageantry, where aristocratic weddings were lavish celebrations. Court musicians and dancers collaborated to provide elaborate entertainment for them. Domenico da Piacenza was one of the first dancing masters. Along with his students, Antonio Cornazzano and Guglielmo Ebreo, he was trained in dance and responsible for teaching nobles the art. Da Piacenza left one work: De arte saltandi et choreus ducendi ('On the art of dancing and conducting dances'), which was put together by his students.

At first, ballets were woven into the midst of an opera to allow the audience a moment of relief from the dramatic intensity. By the mid-17th century, Italian ballets in their entirety were performed in between the acts of an opera. Over time, Italian ballets became part of theatrical life: ballet companies in Italy's major opera houses employed an average of four to twelve dancers; in 1815 many companies employed anywhere from eighty to one hundred dancers.

Carlo Goldoni, who wrote a few scenarios starting in 1734, superseded the comedy of masks and the comedy of intrigue by representations of actual life and manners through the characters and their behaviours. He rightly maintained that Italian life and manners were susceptible to artistic treatment such as had not been given them before. Italian theatre has been active in producing contemporary European work and in staging revivals, including the works of Luigi Pirandello and Dario Fo.

The Teatro di San Carlo in Naples is the oldest continuously active venue for public opera in the world, opening in 1737, decades before both Milan's La Scala and Venice's La Fenice theatres.

Visual art

The history of Italian visual arts is significant to the history of Western painting. Since ancient times, Greeks and Etruscans have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art.

Roman art was influenced by Greece and can in part be taken as a descendant of ancient Greek painting. Roman painting does have its own unique characteristics. The only surviving Roman paintings are wall paintings, many from villas in Campania, in southern Italy. Such paintings can be grouped into four main "styles" or periods and may contain the first examples of trompe-l'œil, pseudo-perspective, and pure landscape.

Panel painting becomes more common during the Romanesque period, under the heavy influence of Byzantine icons. Towards the middle of the 13th century, Medieval art and Gothic painting became more realistic, with the beginnings of interest in the depiction of volume and perspective in Italy with Cimabue and then his pupil Giotto. From Giotto onwards, the treatment of composition in painting became much more free and innovative.

The Italian Renaissance is said by many to be the golden age of painting; roughly spanning the 14th through the mid-17th centuries with a significant influence also out of the borders of modern Italy. In Italy artists such as Paolo Uccello, Fra Angelico, Masaccio, Piero della Francesca, Andrea Mantegna, Filippo Lippi, Giorgione, Tintoretto, Sandro Botticelli, Leonardo da Vinci, Michelangelo Buonarroti, Raphael, Giovanni Bellini, and Titian took painting to a higher level through the use of perspective, the study of human anatomy and proportion, and through their development of refined drawing and painting techniques.

In the 15th and 16th centuries, the High Renaissance gave rise to a stylised art known as Mannerism. In place of the balanced compositions and rational approach to perspective that characterised art at the dawn of the 16th century, the Mannerists sought instability, artifice, and doubt. The unperturbed faces and gestures of Piero della Francesca and the calm Virgins of Raphael are replaced by the troubled expressions of Pontormo and the emotional intensity of El Greco.

In the 17th century, among the greatest painters of Italian Baroque are Caravaggio, Annibale Carracci, Artemisia Gentileschi, Mattia Preti, Carlo Saraceni, and Bartolomeo Manfredi. Subsequently, in the 18th century, Italian Rococo was mainly inspired by French Rococo, since France was the founding nation of that particular style, with artists such as Giovanni Battista Tiepolo and Canaletto.

In the 19th century, major Italian Romantic painters were Francesco Hayez, Giuseppe Bezzuoli, and Francesco Podesti. Impressionism was brought from France to Italy by the Macchiaioli, led by Giovanni Fattori and Giovanni Boldini; and Realism by Gioacchino Toma and Giuseppe Pellizza da Volpedo. In the 20th century, with Futurism, primarily through the works of Umberto Boccioni and Giacomo Balla, Italy rose again as a seminal country for artistic evolution in painting. Futurism was succeeded by the metaphysical paintings of Giorgio de Chirico, who exerted a strong influence on the Surrealists and generations of artists to follow such as Bruno Caruso and Renato Guttuso.

Metaphysical painting is an Italian art movement, born in 1917 with the work of Carlo Carrà and Giorgio de Chirico in Ferrara. The word metaphysical, adopted by De Chirico himself, is core to the poetics of the movement; Novecento movement, a group of Italian artists, formed in 1922 in Milan, that advocated a return to the great Italian representational art of the past. The founding members of the Novecento ('20th century') movement were the critic Margherita Sarfatti and seven artists: Anselmo Bucci, Leonardo Dudreville, Achille Funi, Gian Emilio Malerba, Piero Marussig, Ubaldo Oppi, and Mario Sironi.

Spatialism was founded by the Italian artist Lucio Fontana as the movimento spaziale, its tenets were repeated in manifestos between 1947 and 1954. Combining elements of concrete art, dada and tachism, the movement's adherents rejected easel painting and embraced new technological developments, seeking to incorporate time and movement in their works. Fontana's slashed and pierced paintings exemplify his thesis. Arte Povera is an artistic movement that originated in Italy in the 1960s, combining aspects of conceptual, minimalist, and performance art, and making use of worthless or common materials such as earth or newspaper, in the hope of subverting the commercialization of art.

Transavantgarde is the Italian version of Neo-expressionism, an art movement that swept through Italy and the rest of Western Europe in the late 1970s and 1980s. The term transavanguardia was coined by the Italian art critic, Achille Bonito Oliva, originating in the "Aperto '80" at the Venice Biennale, and literally means 'beyond the avant-garde'.

Sign in to keep reading

14 more chapters are free with a Lably account.

More in Culture