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Mediterranean cuisine

Culinary traditions of the Mediterranean basin

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Many writers define the three core elements of the cuisine as the olive, wheat, and the grape, yielding olive oil, bread and pasta, and wine; other writers deny that the widely varied foods of the Mediterranean basin constitute a cuisine at all. A common definition of the geographical area covered, proposed by David, follows the distribution of the olive tree.

The region spans a wide variety of cultures with distinct cuisines, in particular (going anticlockwise around the region) the Moroccan, Algerian, Tunisian, Libyan, Egyptian, Levantine, Ottoman (Turkish), Greek, Italian, French (Provençal), and Spanish, although some authors include additional cuisines. Portuguese cuisine, in particular, is partly Mediterranean in character.

The historical connections of the region, as well as the impact of the Mediterranean Sea on the region's climate and economy, mean that these cuisines share dishes beyond the core trio of oil, bread, and wine, such as roast lamb or mutton, meat stews with vegetables and tomato (for example, Spanish andrajos), vegetable stews (Provençal ratatouille, Spanish pisto, Italian ciambotta), and the salted cured fish roe, bottarga, found across the region. Spirits based on anise are drunk in many countries around the Mediterranean.

The cooking of the area is not to be confused with the Mediterranean diet, made popular because of the apparent health benefits of a diet rich in olive oil, wheat and other grains, fruits, vegetables, and a certain amount of seafood, but low in meat and dairy products. Mediterranean cuisine encompasses the ways that these and other ingredients, including meat, are dealt with in the kitchen, whether they are health-giving or not.

Geography

Various authors have defined the scope of Mediterranean cooking either by geography or by its core ingredients. Elizabeth David, in A Book of Mediterranean Food (1950), defines her scope as "the cooking of the Mediterranean shores" and sketches out the geographical limits:

from Gibraltar to the Bosphorus, down the Rhone Valley, through the great seaports of Marseille, Barcelona, and Genoa, across to Tunis and Alexandria, embracing all the Mediterranean islands, Corsica, Sicily, Sardinia, Crete, the Cyclades, Cyprus (where the Byzantine influence begins to be felt), to the mainland of Greece and the much disputed territories of Syria, the Lebanon, Constantinople, and Smyrna.

Despite this definition, David's book focuses largely on Spain, France, Italy, and Greece.

She defines this region as coextensive with the range of the olive tree: "those blessed lands of sun and sea and olive trees." The olive's natural distribution is limited by frost and by availability of water. It is therefore constrained to a more or less narrow zone around the Mediterranean Sea, except in the Maghreb and in the Iberian Peninsula, where it is distributed more widely, and on the islands of the Mediterranean, where it is widespread.

The Tunisian historian Mohamed Yassine Essid similarly defines the region by the olive's presence, along with bread, wheat, and the grape as the "basic products of Mediterranean folk cuisine":

Mediterranean cuisine is defined by the presence of fundamental elements which are said to play a more important role than others, reflecting a community of beliefs and practices which transcend religions, languages and even societies. The olive tree, the emblematic tree on more than one account, traces the bounds of a frontier of landscapes and lives on either side of which the Mediterranean begins or ends. Above Montelimar, nicknamed "Gates of Provence", is the limit of the olive.

Other authors question that there is any such common core:

The belief in a common core, emerging from a claim to authority over that kernel of "Mediterranean-ness", is what underlies writing describing the culinary Mediterranean, yet it seems that only from far away does a unified Mediterranean exist. The closer one gets to that common core, the less it is visible, until the food of Umbria comes to seem entirely different from the food of Tuscany, and to compare either to the food of Greece would be absurd. The very idea of a Mediterranean ensemble—be it onions and olive oil and tomatoes or some other combination entirely—presupposes not only a shared history but a unified history, an imagined moment in which the Mediterranean presented a single culture that over time has, like a language, split and branched and flowered into the wild variety of contemporary cuisine.

Some writers include the cuisines of the eastern Adriatic coast of Dalmatia—Albanian, Montenegrin, and Croatian, while most do not mention them. Some writers also include areas not touching the Mediterranean Sea or supporting olive cultivation, including Serbian, Macedonian, and Portuguese cuisine.

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