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The Imitation of Christ

Devotional book by Thomas à Kempis

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The Imitation of Christ is a handbook for the spiritual life arising from the Devotio Moderna movement, which Thomas followed. The Imitation is perhaps the most widely read Christian devotional work after the Bible, and is regarded as a devotional and religious classic. The book was written anonymously in Latin in the Netherlands c. 1418–1427. Its popularity was immediate, and after the first printed edition in 1471–1472, it was printed in 745 editions before 1650. Apart from the Bible, no book had been translated into more languages than the Imitation of Christ at the time.

Background and history

Background

The ideal of the imitation of Christ has been an important element of Christian theology, ethics and spirituality. References to this concept and its practice are found in the earliest Christian documents, such as the Pauline Epistles.

The imitation of Christ is the subject of some of Gregory of Nyssa's Latin ascetical works: Ad Harmonium quid nomen professione christianorum sibi velit ("To Harmonius, that is, what matters the name and profession of a Christian"); Ad Olympium monachum et qualem oporteat esse Christianum ("To the monk Olympius, what a Christian should be").

Saint Augustine viewed the imitation of Christ as the fundamental purpose of Christian life, and as a remedy for the imitation of the sins of Adam. Saint Francis of Assisi believed in the physical as well as the spiritual imitation of Christ, and advocated a path of poverty and preaching like Jesus who was poor at birth in the manger and died naked on the cross. The theme of imitation of Christ existed in all phases of Byzantine theology, and in the 14th-century book Life in Christ, Nicholas Cabasilas viewed "living one's own personal life" in Christ as the fundamental Christian virtue.

Against this backdrop, the Devotio Moderna movement was started by Geert Groote who was highly dissatisfied with the state of the Church and what he perceived as the gradual loss of monastic traditions and the lack of moral values among the clergy. The initial focus of Devotio Moderna was the rediscovery of genuine pious practices and conversion and re-conversion of the lukewarm clergy. The Imitation was written within the Devotio Moderna community, as it was flourishing in Northern Europe, but grew far beyond that movement which came to an end with the Protestant Reformation.

History

The Imitation was written anonymously in Latin in the Netherlands c. 1418–1427, and until the seventeenth century, was attributed without much dispute to Thomas à Kempis who, according to Mabillon, was still assumed to be the author in 1651. Taking advantage of the anonymous nature of the book, however, and driven by an esprit de corps exaggerated by national sentiment, Italian Benedictines attributed the Imitation to Giovanni Gersen, the abbot of Saint Etienne de Verceil c. 1250, and French scholars claimed it to be the work of Jean Gerson, the renowned chancellor of the University of Paris. Other scholars attributed it to Bonaventure, Bernard of Clairvaux, Henri Kalkar or Ludolph of Saxony. These controversies have led some critics to allege that the Imitation was merely an impersonal compilation of various mystical authors of the Middle Ages. Nevertheless, Thomas à Kempis is generally accepted as the author by modern scholars and several sources of authority, including members of his own order, name Kempis as the author. Furthermore, various contemporary manuscripts, including one autograph codex, bear his name.

Joseph N. Tylenda, S.J., writes that the book's anonymous composition is "not surprising" since the author writes in the Imitation that one should "love to be unknown" (Book 1, Ch. 2). Regarding the anonymity of the work, William C. Creasy also notes that the author of the Imitation wrote, "Do not let the writer's authority or learning influence you, be it little or great, but let the love of pure truth attract you to read. Do not ask, 'Who said this?' but pay attention to what is said" (Book 1, Ch. 5).

By 1471, the manuscripts of the book were so frequently hand-copied and passed across monasteries, that there are around 750 extant manuscripts of the Imitation. Thomas à Kempis's 1441 autograph manuscript of the book is available at the Bibliothèque Royale in Brussels. The first printed edition appeared in Augsburg c. 1471–72. By the end of the 15th century, the book had more than 100 printed editions and translations in Italian (1480), Catalan (1482), German (1486), French (1488), Low German (1489), Spanish (1490), Portuguese and Dutch (1496).

The book received an enthusiastic response from the very early days, as characterized by the statement of George Pirkhamer, the prior of Nuremberg, regarding the 1494 edition: "Nothing more holy, nothing more honorable, nothing more religious, nothing in fine more profitable for the Christian commonwealth can you ever do than to make known these works of Thomas à Kempis."

The number of counted editions exceeds 2,000; 1,000 different editions are preserved in the British Museum; 770 in the Biblioteca de Catalunya Kempis Collection; the Bullingen collection, donated to the city of Cologne in 1838, contained at the time 400 different editions. De Backer enumerates 545 Latin and about 900 French editions. A critical edition was published in 1982.

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