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The Odd Couple (play)

1965 stage play by Neil Simon

  • 11 min read
  • 7 chapters

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History

Sources vary as to the origins of the play. In The Washington Post's obituary of Simon's brother Danny, a television writer, Adam Bernstein wrote that the idea for the play came from his divorce. "Mr. Simon had moved in with a newly single theatrical agent named Roy Gerber in Hollywood, and they invited friends over one night. Mr. Simon botched the pot roast. The next day, Gerber told him: 'Sweetheart, that was a lovely dinner last night. What are we going to have tonight?' Mr. Simon replied: 'What do you mean, cook you dinner? You never take me out to dinner. You never bring me flowers.'" Danny Simon wrote a partial first draft of the play, but then handed over the idea to Neil.

However, in the Mel Brooks biography It's Good to Be the King, author James Robert Parish claims that the play came about after Simon observed Brooks, in a separation from his first wife, living with writer Speed Vogel for three months. Vogel later wrote that Brooks had insomnia, "a brushstroke of paranoia", and "a blood-sugar problem that kept us a scintilla away from insanity".

Boston tryout

Simon credited Boston critic Elliot Norton with helping him develop the final act of the play. Norton practiced drama criticism when the relationship between the regional critic and playwrights whose shows were undergoing tryouts in their towns were not as adversarial as they were to become.

Appearing on the public television show Elliot Norton Reviews, during Simon's conversation with the critic, Norton said that the play went "flat" in its final act. As it appeared originally at Boston's Colonial Theatre, the characters the Pigeon Sisters did not appear in the final act.

Simon told The Boston Globe:

He invited one of the stars and the writer. He loved the play and gave it a wonderful review but he said the third act was lacking something. On the show he said, 'You know who I missed in the third act was the Pigeon Sisters,' and it was like a light bulb went off in my head. It made an enormous difference in the play. I rewrote it and it worked very well. I was so grateful to Elliot ... Elliot had such a keen eye. I don't know if he saved the play or not, but he made it a bigger success.

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