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Tractatus Logico-Philosophicus

1921 philosophical work by Ludwig Wittgenstein

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Title page of the first English-language edition of Wittgenstein's Tractatus , simultaneously published in the US by Harcourt and the UK by Kegan Paul (later Routledge).
Title etc. uncopyrightable; layout by Harcourt Brace. · Public domain

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The Tractatus is written in an austere and succinct literary style, containing almost no arguments as such, but consists of 525 declarative statements, which are hierarchically numbered.

The Tractatus is recognized by philosophers as one of the most significant philosophical works of the twentieth century and was influential among the logical positivists of the Vienna Circle, such as Rudolf Carnap and Friedrich Waismann. It also influenced Bertrand Russell's article "The Philosophy of Logical Atomism".

Wittgenstein's later works, notably the posthumously published Philosophical Investigations, criticised many of his ideas in the Tractatus. There is nevertheless a common thread in Wittgenstein's thinking. Indeed, the contrast between 'early' and 'late' Wittgenstein has been countered by such scholars as Pears (1987) and Hilmy (1987). For example, a relevant, yet neglected aspect of continuity in Wittgenstein's thought concerns 'meaning as use'. Connecting his early and later writings on 'meaning as use' is his appeal to direct consequences of a term or phrase, reflected, for example, in his speaking of language as a 'calculus'. These passages are crucial to Wittgenstein's view of 'meaning as use', though they have been widely neglected in scholarly literature. The centrality and importance of these passages are corroborated and augmented by renewed examination of Wittgenstein's Nachlaß, as is done in, for example, "From Tractatus to Later Writings and Back – New Implications from Wittgenstein's Nachlass" (de Queiroz 2023), "From the Notebooks to the Investigations and Beyond" (de Queiroz 2025a) and "Meaning as Use, Application, Employment, Purpose, Usefulness" (de Queiroz 2025b).

Description and context

The Tractatus employs an austere and succinct literary style. The work contains almost no arguments as such, but rather consists of declarative statements, or passages, that are meant to be self-evident. The statements are hierarchically numbered, with seven basic propositions at the primary level (numbered 1–7), with each sublevel being a comment on or elaboration of the statement at the next higher level (e.g., 1, 1.1, 1.11, 1.12, 1.13). In all, the Tractatus comprises 525 numbered statements.

The book's writing style has been described variously as aphoristic or epigrammatic. When Bertrand Russell suggested to Wittgenstein that he ought to provide arguments and not merely state what he thinks, Wittgenstein replied that this would spoil the book's beauty and would be like touching a flower with muddy hands. Wittgenstein described the writing style of the Tractatus as "highly syncopated" and in his later years he came to regret this style. In 1949 he told Maurice O'Connor Drury that "every sentence in the Tractatus should be seen as the heading of a chapter, needing further exposition. My present style is quite different; I am trying to avoid that error".

The book was first published in German in 1921 in the 14th issue of Wilhelm Ostwald's Annalen der Naturphilosophie. The English translation of the Tractatus was published with an introduction by Bertrand Russell, even though Wittgenstein considered Russell's introduction superficial and a misunderstanding of his work. The Tractatus is dedicated to the memory of Wittgenstein's close friend David Pinsent, who was killed in a flying accident in 1918. Below this dedication is what he described as a "motto", a quote from Austrian writer Ferdinand Kürnberger: "and whatever a man knows, whatever is not mere rumbling and roaring that he has heard, can be said in three words" (Pears and McGuinness translation).

Originally, in 1919, Wittgenstein had attempted to get the Tractatus published in the Austrian journal Der Brenner. He wrote a letter to the editor Ludwig von Ficker explaining that the point of the book was "ethical":

The book's point is an ethical one. I once meant to include in the preface a sentence which is not in fact there now but which I will write out for you here because it will perhaps be a key to the work for you.... My work consists of two parts: the one presented here plus all that I have not written. And it is precisely this second part that is the important one. My book draws limits to the sphere of the ethical from the inside as it were, and I am convinced that this is the ONLY rigorous way of drawing those limits. In short, I believe that where many others today are just gassing, I have managed in my book to put everything firmly into place by being silent about it.

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