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Whistling

Whistling without use of an artificial whistle

  • 8 min read
  • 7 chapters

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Through Whistle, Resonance and Burrow

Techniques

Pucker whistling is the most common form in much Western music. Typically, the tongue tip is lowered, often placed behind the lower teeth, and the pitch altered by varying the position of the tongue. Although varying the degree of pucker will change the pitch of a pucker whistle, expert pucker whistlers will generally only make small variations to the degree of pucker, due to its tendency to affect purity of tone. Pucker whistling can be done by either only blowing out or blowing in and out alternately. In the 'only blow out' method, a consistent tone is achieved, but a negligible pause has to be taken to breathe in. In the alternating method, there is no problem of breathlessness or interruption as breath is taken when one whistles breathing in, but a disadvantage is that many times, the consistency of tone is not maintained, and it fluctuates.

Many expert musical palatal whistlers will substantially alter the position of the tongue to ensure a good quality tone. Venetian gondoliers are famous for moving the tongue while they whistle in a way that can look like singing. A good example of a palatal whistler is Luke Janssen, winner of the 2009 World Whistling Competition.

Finger whistling is harder to control but achieves a piercing volume. In Boito's opera Mefistofele the title character uses it to express his defiance of the Almighty.

Whistling can also be produced by blowing air through enclosed, cupped hands or through an external instrument, such as a whistle.

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