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Wrathful deities

Ferocious deities or manifestations in Dharmic religions

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In Buddhism, wrathful deities are manifestations of enlightened Buddhas, Bodhisattvas or Devas (divine beings); normally the same figure has other, peaceful, aspects as well. Because of their power to destroy the obstacles to enlightenment, they are also termed krodha-vighnantaka, "Wrathful onlookers on destroying obstacles". Wrathful deities are a notable feature of the iconography of Mahayana and Vajrayana Buddhism, especially in Tibetan art. These types of deities first appeared in India during the late 6th century, with its main source being the Yaksha imagery, and became a central feature of Indian Tantric Buddhism by the late 10th or early 11th century.

Overview

In non-Tantric traditions of Mahayana Buddhism, these beings are protector deities who destroy obstacles to the Buddhas and the Dharma, act as guardians against demons and gather together sentient beings to listen to the teachings of the Buddhas. In Tantric Buddhism, they are considered to be fierce and terrifying forms of Buddhas and Bodhisattvas themselves. Enlightened beings may take on these forms in order to protect and aid confused sentient beings. They also represent the energy and power that is needed in order to transform negative mental factors into wisdom and compassion. They represent the power and compassion of enlightened activity which uses multiple skillful means (upaya) to guide sentient beings as well as the transformative element of tantra which uses negative emotions as part of the path. According to Chögyam Trungpa, "wrathful yidams work more directly and forcefully with passion, aggression, and delusion — conquering and trampling them on the spot."

In Tantric Buddhist art, fierce deities are presented as terrifying, demonic-looking beings adorned with bone ornaments (Sanskrit: aṣṭhimudrā) such as human skulls and other ornaments associated with the charnel ground, as well as being often depicted with sexually suggestive attributes. According to Rob Linrothe, the sensual and fierce imagery represents "poison as its own antidote, harnessed obstacles as the liberating force" and notes that they are "metaphors for the internal yogic processes to gain enlightenment".

They often carry ritual implements, or some of the ashtamangala, or "Eight Auspicious Symbols", and are depicted trampling on (much smaller) bodies personifying the "obstacles" that the deity defeats.

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