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Xinxin Ming

Chinese poem of Chan Buddhism (6th century)

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Through Buddhism

The poem expresses the practice of taking pleasant and unpleasant life experiences with a sense of equanimity. Broadly speaking, the Xinxin Ming deals with the principles and practice of non-duality, that is, with the application of nonduality and the results of its practice. As an early expression of Chan Buddhism, the Inscription on Faith in Mind reveals the Buddhist missionary use of expedient means (upaya) in China by adapting Daoist terminology to the Buddhist context of awakening. It also draws on the Wisdom sutras as well as the Avatamsaka Sutra and Lankavatara Sutra to express the essential unity of opposites and the basic nature of emptiness (śūnyatā). The Xinxin Ming has been much beloved by Chan (Zen) practitioners for over a thousand years and is still studied in Western Zen circles.

Authorship

Although Sengcan has traditionally been attributed as the author, modern scholars believe that the work was written well after Sengcan's death, probably during the Tang dynasty (Chinese: 唐朝; pinyin: Tángcháo) (618–907) (Dumoulin, p 97). Some scholars note the similarity with a poem called the Xin Ming (Mind Inscription or Song of Mind) attributed to Niu-t'ou Fa-jung (594–657) of the Oxhead school of Chan and have speculated that the Xinxin Ming is an abridged version of the Mind Inscription. Sharf observes that the Xinxin Ming may have been intended as an "improvement" on the earlier Xin Ming (Mind Inscription). The Xinxin Ming can be found in chapter 30 of the Transmission of the Lamp (Chinese: 景德傳燈錄; Pinyin: Jǐngdé Chuándēng-lù; Wade–Giles: Ching-te Ch'uanteng-lu; Japanese: Keitoku Dentō-roku).

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