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Cantor set

Set of points on a line segment with certain topological properties

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Made it myself. Cantor's set, PNG file, black on transperancy.
Thefrettinghand at English Wikibooks · CC BY-SA 3.0

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Through Mathematics, Self-similarity and Interval (mathematics)

Through consideration of this set, Cantor and others helped lay the foundations of modern point-set topology. The most common construction is the Cantor ternary set, built by removing the middle third of a line segment and then repeating the process with the remaining shorter segments. Cantor mentioned this ternary construction only in passing, as an example of a perfect set that is nowhere dense.

More generally, in topology, a Cantor space is a topological space homeomorphic to the Cantor ternary set (equipped with its subspace topology). The Cantor set is naturally homeomorphic to the countable product 2_N of the discrete two-point space 2_. By a theorem of L. E. J. Brouwer, this is equivalent to being perfect, nonempty, compact, metrizable and zero-dimensional.

Construction and formula of the ternary set

The Cantor ternary set C is created by iteratively deleting the open middle third from a set of line segments. One starts by deleting the open middle third (13,23) from the interval [0,1], leaving two line segments: [0,13]∪[23,1]. Next, the open middle third of each of these remaining segments is deleted, leaving four line segments: [0,19]∪[29,13]∪[23,79]∪[89,1]. The Cantor ternary set contains all points in the interval [0,1] that are not deleted at any step in this infinite process. The same construction can be described recursively by setting

C0:=[0,1]

and

Cn:=Cn−13∪(23+Cn−13)=13(Cn−1∪(2+Cn−1))

for n≥1, so that

C:=limn→∞Cn=⋂n=0∞Cn=⋂n=m∞Cn for any m≥0.

The first six steps of this process are illustrated below.

Using the idea of self-similar transformations, TL(x)=x/3, TR(x)=(2+x)/3 and Cn=TL(Cn−1)∪TR(Cn−1), the explicit closed formulas for the Cantor set are

C=[0,1]∖⋃n=0∞⋃k=03n−1(3k+13n+1,3k+23n+1),

where every middle third is removed as the open interval (3k+13n+1,3k+23n+1) from the closed interval [3k+03n+1,3k+33n+1]=[k+03n,k+13n] surrounding it, or

C=⋂n=1∞⋃k=03n−1−1([3k+03n,3k+13n]∪[3k+23n,3k+33n]),

where the middle third (3k+13n,3k+23n) of the foregoing closed interval [k+03n−1,k+13n−1]=[3k+03n,3k+33n] is removed by intersecting with [3k+03n,3k+13n]∪[3k+23n,3k+33n].

This process of removing middle thirds is a simple example of a finite subdivision rule. The complement of the Cantor ternary set is an example of a fractal string.

In arithmetical terms, the Cantor set consists of all real numbers of the unit interval [0,1] that do not require the digit 1 in order to be expressed as a ternary (base 3) fraction. Each point in the Cantor set is uniquely located by a path through an infinitely deep binary tree, where the path turns left or right at each level according to which side of a deleted segment the point lies on. Representing each left turn with 0 and each right turn with 2 yields the ternary fraction for a point. Requiring the digit 1 is critical: 13, which is included in the Cantor set, can be written as 0.1, but also as 0.02¯, which contains no 1 digits and corresponds to an initial left turn followed by infinitely many right turns in the binary tree.

Mandelbrot's construction by "curdling"

In The Fractal Geometry of Nature, mathematician Benoit Mandelbrot provides a whimsical thought experiment to assist non-mathematical readers in imagining the construction of C. His narrative begins with imagining a bar, perhaps of lightweight metal, in which the bar's matter "curdles" by iteratively shifting towards its extremities. As the bar's segments become smaller, they become thin, dense slugs that eventually grow too small and faint to see.

CURDLING: The construction of the Cantor bar results from the process I call curdling. It begins with a round bar. It is best to think of it as having a very low density. Then matter "curdles" out of this bar's middle third into the end thirds, so that the positions of the latter remain unchanged. Next matter curdles out of the middle third of each end third into its end thirds, and so on ad infinitum until one is left with an infinitely large number of infinitely thin slugs of infinitely high density. These slugs are spaced along the line in the very specific fashion induced by the generating process. In this illustration, curdling (which eventually requires hammering!) stops when both the printer's press and our eye cease to follow; the last line is indistinguishable from the last but one: each of its ultimate parts is seen as a gray slug rather than two parallel black slugs.

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