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Chishti Order

Sufi mystic order in Sunni Islam

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Through Sufism, South Asia and Indian subcontinent

The Chishti order is known for its emphasis on love, tolerance, and openness. The Chishti order is primarily followed in Afghanistan and the Indian subcontinent. The Chishti order was the first of the four main Sufi orders that became well-established in South Asia, which are the Qadiri, Chishti, Naqshbandi and Suhrawardi Sufi orders. Khwaja Muinuddin Chishti introduced the Chishti Order in Ajmer (Rajasthan, India) sometime in the middle of the 12th century. He was eighth in the line of succession from the founder of the Chishti Order, Abu Ishaq Shami. There are now several branches of the order, which has been the most prominent South Asian Sufi brotherhood since the 12th century.

In the 20th century, the order has spread outside Afghanistan and the Indian subcontinent. Chishti teachers have established centers in the United Kingdom, United States, Canada, Australia, Eastern and Southern Africa.

Guiding principles

The Chishti shaykhs have stressed the importance of keeping a distance from worldly power. A ruler could be a patron or a disciple, but he or she was always to be treated as just another devotee. A Chishti teacher should not attend the court or be involved in matters of state, as this will corrupt the soul with worldly matters. In his last discourse to his followers, Khawaja Moinuddin Chishti said:

Never seek any help, charity, or favors from anybody except God. Never go to the courts of kings, but never refuse to bless and help the needy & the poor, the widow, and the orphan, if they come to your door.

Chishti practice is also notable for Sama: evoking the divine presence by listening to and losing oneself in a form of music and poetry, usually Qawwali. The Chishti, and some other Sufi orders, believe that Sama can help devotees forget self in the love of Allah. However, the order also insists that followers observe the full range of Muslim obligations; it does not dismiss them as mere legalism, as some strands of Sufism have done.

However some Qadiris point out that the Chishti Order and Moinuddin Chishti never permitted musical instruments, and cite a Chishti, Muhammad Ibn Mubarak Kirmani, the Mureed of Khwaja Fareed al-Deen Ganj-e-Shakar, who wrote in his Siyar al-Awliya that Nizamuddin Auliya said the following:

"Sama is permissible if a few conditions are met. The singer must be an adult and not a child or a female. The listener must only listen to everything in the remembrance of Allah. The words that are sung must be free from obscenity and indecency and they must not be void. Musical instruments must not be present in the gathering. If all these conditions are met, Sima' is permissible".

"...Someone complained to the Sultan of the Mashaa’ikh that some of the dervishes danced in a gathering where there were musical instruments. He said, they did not do good as something impermissible cannot be condoned".

— Siyar al-Awliya

However, this has been countered by the more historical excerpt of Nizamuddin Auliya's quotation:

The hearing, the person that is being heard should be a mature man and not a young boy or a woman. The audible, the sound that is heard, the lyrics should not be indecent or shameful. The hearer should only hear to gain Divine nearness only and nothing else. The instruments can be any. The hearing is a voice, how can this be Haraam, how can the sounds of lyrics be Haraam? And finally there is the heart being touched and moved by this. How can this be Haraam if it brings the listener closer to Allah?

— Nizamuddin Awliya, Fawa'id al Fu'wad, Pg 444

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