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Cultural depictions of Napoleon

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Through Napoleon and Power (political science)

Napolean has been portrayed in many works of fiction, his depiction varying greatly with the author's perception of the historical character. On the one hand, Napoleon has become a worldwide cultural icon who symbolises military genius and political power. For example, in the 1927 film Napoléon, young general Bonaparte is portrayed as a heroic visionary. On the other hand, he has often been reduced to a stock character and has frequently been depicted as a short and "petty tyrant", sometimes comically so.

Origin and construction of the Napoleonic myth

Napoleon Bonaparte is the primary architect of his own legend. In his work "Napoléon journaliste," Antonin Périvier writes: "Bonaparte, and later Napoleon, directed all the publicity at his disposal solely towards himself and for his exclusive benefit". From the First Italian Campaign in 1797, he established propaganda in his favor by publishing bulletins in Italy intended to glorify his military actions and influence public opinion. On July 20, the "Courier of the Army of Italy" appeared, followed on August 10 by "France as Seen by the Army of Italy," and in Paris, the "Journal of Bonaparte and Virtuous Men," which was published under the initiative of his brothers Joseph and Lucien on February 19, 1797. In these publications, he highlighted his actions and commented on the political situation in France. They included dithyrambic epigraphs such as: in the Courier, "Bonaparte flies like lightning and strikes like thunder. He is everywhere and sees everything; he is the envoy of the great nation," and in the Journal of Bonaparte: "Hannibal slept in Capua, but the active Bonaparte does not sleep in Mantua". These newspapers and the propaganda they spread in France helped distinguish Bonaparte from other generals of the Republic and contributed to the rise of his popularity in public opinion.

Maurice Duverger emphasizes the importance of the propaganda orchestrated by Napoleon, the parades, and celebrations surrounding his victories in the functioning of his regime: the people and courtiers repeated that the rain would stop and the sun would appear when he showed himself. "Napoleon continues to fascinate all theorists of political power; is it not because his dictatorship appears singularly modern? His authority takes on a charismatic character that aligns with our modern cult of personality." This cult is widely propagated by the soldiers of the Grande Armée, who rely on the emperor in the most difficult moments, but also by the clergy, who, from the Concordat of 1801, present Napoleon as the envoy of providence.

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