Folk Orthodoxy

Slavic traditions

Formation

The spread of Christian teachings in Russia (especially early on) influenced the people's mythopoetic worldview and folk orthodoxy became part of Russian culture, preserving these traditions. Russia's original Slavic beliefs, woven into folk orthodoxy, differed in a number of ways from the official religion. Nikolai Semyonovich Gordienko, following Boris Rybakov, believed that, in Russia, "there has been a long, centuries-long, coexistence of Byzantine Christianity with Slavic paganism: at first as separate faith systems functioning in parallel, and then—up to the present—as two components of a single Christian religious-celebrity complex, called Russian Orthodoxy." According to Gordienko, dual faith (first explicit and then hidden) was formally overcome by Russian Orthodoxy through accommodation: "Byzantine Christianity did not eliminate Slavic paganism from the consciousness and everyday life of the peoples of our country, but rather assimilated it by including pagan beliefs and rituals in its belief-cultural complex." The non-canonical culture of the Balkans and Byzantium (which came to Russia with Christianity) was also an influence, as were the Finno-Ugric, Scandinavian, Baltic and Iranian peoples bordering the East Slavs. This fact calls into question the adequacy of the term "Dvoeverie" in relation to "non-canonical" beliefs. However, some authors, relying on already outdated studies, point to the "leading" role of Slavic paganism in "folk orthodoxy".

In itself, "folk orthodoxy" is a dynamic form in which both archetypal mythopoetic ideas and orthodox canons are combined. According to historian Vladimir Petrukhin:

Since both the sermons against pagans and the Russian Primary Chronicle—the Tale of Bygone Years (PVL) were the result of the 'reception' of Byzantine samples—the works of the church fathers (primarily, Gregory the Theologian and John Chrysostom) and Byzantine chronicles (primarily, John Malala and George Amartola)—then the proper Old Russian folklore motives, names of pagan gods, etc. were included in the Byzantine and Biblical 'literary" context'.

Another follower of the concept of dual faith, Igor Froyanov noted the more pagan nature of society, especially the peasantry in Russia up to the 14th and 15th centuries, an analysis that relies primarily on the B. A. Rybakov's hypotheses, as well as the nature of warfare, the tradition of drunken feasts before the prince, and other indirect signs. However, only one or two mentions of Rusali (and those as dates of the agricultural calendar), are found in the birch bark charters. Even accusations of "witchcraft", which is not necessarily synonymous to "paganism", are found in no more than two of more than four-hundred and fifty deciphered documents. In contrast, the use of the orthodox calendar to describe the agricultural cycle of work appears in the 13th century and points to the spread of Christianity at that time. By the end of the 14th century, peasants generally refer to themselves as "Christians", which emphasizes their assimilation of Christian identity. Urban dwellers begin to identify themselves as Christians no later than the 12th century.

The Trinity

Mixed-hypostatic icons of the Trinity were borrowed from Catholic countries. In Russia, they were officially banned because they contradicted the canon. Such icons did not reflect Russian folk beliefs but were a subject of folk religion. Popular orthodoxy is a social and cultural phenomenon. It developed gradually with the spread of Christianity in Russia. At first, "the masses had to at least minimally master the ritual and dogmatic foundations of the new religion."

The people's ideas about God and the Trinity generally coincided with the Christian doctrine: God is the Creator, Provider, and Judge of the world; God is one and in three persons. Already the more specific question of the essence of the trinity put the peasantry in a stalemate. Thus, the conception of the trinity was essentially reduced to the belief of the existence of three separate persons of the Trinity:

• With God the Father, the peasants connected more the idea of the paternal relationship of God to men, rather than the personal characteristic of the first person of the Trinity.
• God the Son was thought of as the Lord Jesus Christ, not as the second person of the Trinity eternally begotten of the Father.
• Especially vague was the idea of the Sacred Spirit.

It is no coincidence, therefore, that the studies of people's perceptions of God undertaken by the church author Alexei Popov concluded that:

[T]he people's view of the trinity of the persons of God is not complete and sometimes seems somewhat hesitant and confused, but nevertheless the people distinguish the persons of God: the Father, the Son, and the Holy Spirit. The Russian people recognize one God, although along with this, without being aware of his notion, he also recognizes the three Persons of the Holy Trinity.

By the 19th century, Russian peasants had not yet mastered the basic dogma of Christianity about the trinity. In explaining this fact, church authors referred to the peasants' lack of Christian education.

The theological-dogmatic category of the trinity was found to be reinterpreted on a domestic level. In the research literature, this phenomenon is associated with the coincidence Pentecost and the cycle of ancient Slavic Green week feasts. The associative-integrative nature of medieval thinking and the entire folk culture manifested itself in the perception of the trinity as Mother of God. In oral poetry, the trinity was perceived as the Mother of God, which is reflected, in particular, in some Green week songs with the famous opening "Bless, Trinity-Mother of God...", sung as early as the second half of the 19th century. This image of the Holy Trinity found expression in iconography as well. This is an example of everyday folk myth-making, which filtered the Christian dogma through the prism of pagan concepts. A. N. Veselovsky wrote: "Thus a whole new world of fantastic images had to be created, in which Christianity participated only in materials and names, while the content and the very construction came out pagan."

Peasant influences

The peculiar intertwining of superstition with Christian doctrine is explained by the fact that peasants were attracted to Christianity not for its dogma (many peasants did not understand Christian dogmas), but for its purely external, ceremonial qualities. According to Archbishop Macarius Bulgakov, author of the multi-volume History of the Russian Church, many of the Christians practically remained pagans: they performed the rites of the holy church but retained their parents' customs and beliefs.

Popular religiosity differed from, and even opposed, official Christianity. At the same time, the church accepted some folk worship and cults and adjusted its teachings. For example, the popular cult of the Virgin Mary was, by the 12th century, supported by the church. Under the influence of popular veneration of "holy poverty" and notions of social justice, by the 12th century the emphasis of veneration shifts from the cult of the formidable God the Father, and Christ-Pantocrator, as rulers of the world, to the cult of Christ-Redeemer.

Domestic orthodoxy is a peculiar "edition" of the Christian religion. It was created by the peasantry, and condemned by the Church. Christian religion, as asserted by clergy, could not penetrate the depths Russian village life and, having taken the form of agrarian and domestic beliefs, domestic orthodoxy was the source and the foundation of the appearance of superstitious representations, magic, and peculiar interpretations of the real world.

As far back as the 19th century, it was noted that Christian holidays were celebrated by the people as kudes—rituals that were "rude" and "dirty" and received the church's most serious condemnation. In the early 20th century, it was said that:

Russian people understand nothing in their religion ... they mix God with St. Nicholas and are ready even to give the latter an advantage ... The tenets of Christianity are completely unknown to them

— Missionary Review, 1902, vol. II

According to some researchers, folk religious ideas should not be understood as two-faith—"layering and parallel existence of the old and the new", not as a haphazard formation consisting of the pagan cultural layer proper and the later ecclesiastical overlays—and as "people's monotheism", a holistic worldview that does not divide into paganism and Christianity, but forms an integral, though fluid, and, in some cases, somewhat contradictory system.

In the USSR, the question of everyday orthodoxy as a functioning system and as a socio-cultural and socio-historical phenomenon remained insufficiently studied.

Ethnography

Ethnography in late-nineteenth-century Ukraine documented a "thorough synthesis of pagan and Christian elements" in Slavic folk religion, a system often called "double belief" (Russian: dvoeverie, Ukrainian: dvovirya). According to Bernshtam, dvoeverie is still used to this day in scholarly works to define Slavic folk religion, which is seen by certain scholars as having preserved much of pre-Christian Slavic religion, "poorly and transparently" covered by a Christianity that may be easily "stripped away" to reveal more or less "pure" patterns of the original faith. Since the collapse of the Soviet Union there has been a new wave of scholarly debate on the subjects of Slavic folk religion and dvoeverie. A. E. Musin, an academic and deacon of the Russian Orthodox Church, published an article about the "problem of double belief" as recently as 1991. In this article, he divides scholars between those who say that Russian Orthodoxy adapted to entrenched indigenous faith, continuing the Soviet idea of an "undefeated paganism", and those who say that Russian Orthodoxy is an out-and-out syncretic religion. Bernshtam challenges dualistic notions of dvoeverie and proposes interpreting broader Slavic religiosity as a mnogoverie ("multifaith") continuum, in which a higher layer of Orthodox Christian officialdom is alternated with a variety of "Old Beliefs" among the various strata of the population.

According to Ivanits, nineteenth- and twentieth-century Slavic folk religion's central concern was fertility, propitiated with rites celebrating death and resurrection. Scholars of Slavic religion who focused on nineteenth-century folk religion were often led to mistakes such as the interpretation of Rod and Rozhanitsy as figures of a merely ancestral cult; however, in medieval documents Rod is equated with the ancient Egyptian god Osiris, representing a broader concept of natural generativity. Belief in the holiness of Mat Syra Zemlya ("Damp Mother Earth") is another feature that has persisted into modern Slavic folk religion; up to the twentieth century, Russian peasants practiced a variety of rituals devoted to her and confessed their sins to her in the absence of a priest. Ivanits also reports that in the region of Vladimir, old people practiced a ritual asking Earth's forgiveness before their death. A number of scholars attributed the Russians' particular devotion to the Theotokos, the "Mother of God", to this still powerful pre-Christian substratum of devotion to a great mother goddess.

Ivanits attributes the tenacity of synthetic Slavic folk religion to an exceptional quality of Slavs and of Russia in particular, compared to other European countries; "the Russian case is extreme", she says, because Russia—especially the vastness of rural Russia—neither lived the intellectual upheavals of the Renaissance, nor the Reformation, nor the Age of Enlightenment, which severely weakened folk spirituality in the rest of Europe.

Slavic folk religious festivals and rites reflect the times of the ancient pagan calendar. For instance, the Christmas period is marked by the rites of Koliada, characterized by the element of fire, processions and ritual drama, and offerings of food and drink to the ancestors. Spring and summer rites are characterized by fire- and water-related imagery spinning around the figures of the gods Yarilo, Kupala, and Marzanna. The switching of seasonal spirits is celebrated through the interaction of effigies of these spirits and the elements which symbolize the coming season, such as by burning, drowning, or setting the effigies onto water, and the "rolling of burning wheels of straw down into rivers."

Slavic saint cults

With the spread of Christianity in Russia, the former beliefs of the Slavs did not disappear without a trace. The interaction of pagan and Christian cultures led to the transformation of the images of Christian saints in popular culture. They turned out to be "substitutes" for pagan gods and some pre-Christian traits transferred to them.

The Slavs' folk representations of Christian saints and their lives sometimes differ greatly from their canonical images. In fairy tale and legend, some of them sometimes organically perform the function of good helpers, and others even play the role of pests in relation to the peasant. This was especially strong in the images of Theotokos, Nicholas the Wonderworker, Elijah the Prophet, George the Victorious, Vlasius, Florus and Laurus, Kasian, Paraskeva Friday, and Saints Cosmas and Damian.

Theotokos

The Slavs perceived the Mother of God as the patroness of women, women's work, and women in childbirth; the protector from trouble, evil forces, misfortune, and suffering; and the heavenly intercessor, responsive, merciful, and compassionate. Therefore, she is often referred to in Apocryphal Prayer, Zagovory, and spells. The Virgin Mary is a favorite character in folk legends, often having a bookish apocryphal source.

The Mother of God's patronage of women in childbirth is due to the traditional perception of the maternal beginning in her image, which is emphasized by the etymological connection of her name with the word "birth". The Virgin Mary was usually approached with a request for help in difficult deliveries; on the day of the Nativity of the Virgin, pregnant women prayed for the easy release from the childbirth. The Virgin Mary was also perceived not only as the Mother of God, but also as the birth mother for all people. In this sense, she correlated, in peasant consciousness, with the Mother of the raw earth. This relationship is also found in the traditional notions of swearing: in the popular environment it was believed that it offends the three mothers of man—the Mother of God, Mat Zemlya, and the native mother. The Russians have a well-known saying: when one swears in foul language: "the Mother of God falls face down in the mud."

The connection of the cults of the Mother of God and the Mother of the raw earth was recorded in the 1920s in Pereslavl-Zalessky Uyezd, Vladimir Province. Here, during a strong drought, the men in despair began beating dry lumps of earth in the fields with beater hammers. In response, the women demanded them to stop, saying that by doing so they were beating "the Mother of the Most Holy Mother of God herself". The connection of the Virgin with agriculture is evidenced by the timing in some places in Russian rituals relating to the ceremonial beginning of sowing on Blagoveshcheniye. To have a good harvest, the grain for sowing was consecrated on this day, an icon of the Virgin Mary was placed in the vessel with the grain, and a sentence was pronounced:

Mother of God!
Gabriel the Archangel!
Bless us, bless us, bless us,
Bless us with your harvest.
Oats and rye, barley and wheat
And all manner of livestock!

Nicholas the Wonderworker

Nicholas the Wonderworker is one of the most revered Christian saints among the Slavs. In the East Slavic tradition, the cult of Nicholas is close to the veneration of God (Christ) himself.

According to Slavic folk beliefs, Nikola is the "elder" among the saints. He is part of the Holy Trinity and can even succeed God on the throne. A legend from Belarusian Polesie says that "Svyaty Mikola is not only the oldest of all the saints, but he is also the oldest of them ... Svyaty Mikola is God's heir, when God dies, then Sv. Mikalai the miracle-worker will be god, and not anyone else." The stories and folk legends testify about how St. Nicholas became a "lord": he prayed so devoutly in church that the golden crown itself fell on his head (Ukr. Carpathian).

Among the Eastern and Western Slavs, the image of St. Nicholas in some of its functions ("chief" of the paradise, holding the keys to heaven, transports souls to "the other world", protects warriors) may be combined with the image of Archangel Michael. For the southern Slavs, the image of the saint as a snake exterminator and "wolf shepherd" converges with the image of Georgy the Victorious.

Nicholas' main functions (patron of cattle and wild animals, farming, beekeeping, connection with the afterlife, and correlation with the relics of the bear cult), the opposition of "merciful" Nicholas to the "terrible" Ilya the prophet in folklore legends indicates, according to Boris Uspenskij, that there are traces of the cult of the pagan deity Velesa.

Elijah the prophet

In Slavic folk tradition, Ilya the Prophet is the lord of thunder, heavenly fire, rain, the patron of crops, and fertility. Elijah is a "thunderbolt saint".

According to Slavic folk legends based on the bookish (biblical, bogomils) tradition, Elijah was taken alive into heaven. Legends surrounding Elijah include:

• Until he was 33 years old, Elijah sat and was healed and endowed with great power by God and saint Nicholas the Wonderworker (see also: bogatyr), after which he was taken to heaven (eagle), (see also: the epic story of Ilya Murometz).
• The saint rides through the sky on a fiery (stone) chariot. According to Slavic beliefs, the sun is a wheel from the chariot of Elijah the Prophet, harnessed by fiery (white, winged) horses (V.-Slav.), or he rides on a white horse (Bulgarian), which causes the thunder. The Milky Way is the road on which the prophet rides. In winter, Elijah rides a sleigh, so there is no thunder (Orlov.).
• The power of Elijah the thunderer is so great that it must be restrained: God placed on Elijah's head a stone of 40 dessiatin (Orlov.), and bound one arm and one leg (Carpathian.); Elijah's sister Ognyena Maria hid the day of his feast from him, or else he would beat the whole world with lightning for joy (Serbian).
• St. Elijah has only his left hand. If he had both hands, he would kill all the devils on earth (Banatgers).
• Before the end of the world, Elijah will descend to the earth and travel around the world three times, warning of the Last Judgment (Orlov.). He will come to earth to die or accept martyrdom by beheading on the skin of a huge ox, which grazes on seven mountains and drinks seven rivers of water; the spilled blood of the prophet will burn the earth (Carpathian). According to a legend from Galicia, the end of the world will come when Ilya "will fall with thunders so much that the earth will be rosipitsi i spalitsi"; cf. the Russian spiritual verse "On the Last Judgement", in variants of which the saint appears as the executor of the will of God, punishing the sinful human race.

Yegoriy the Brave

In the popular culture of the Slavs, George the Victorious is called Yegoriy the Brave. George is the protector of cattle, the "wolf shepherd", and "on spring he unlocks the Earth and releases the dew." In Southern Slavs Gergiev (Yuriev) Day is the main calendar boundary of the first half of the year, together with Mitrovdan, it divides the year into two half-years – "Dmitrovsky" and "Yurievsky". According to Tatyana Zuyeva, the image of Yegoriy the Brave in the folk tradition merged with the pagan Dazhbog.

Two images of the saint coexist in folk consciousness: one of them is close to the Church cult of St. George—the serpent-slayer and Christ-loving warrior—the other, quite different from the first, to the cult of the cattleman and farmer, master of the land, patron of cattle, who opens the spring fieldwork. Thus, in folk legends and religious verses, the feats of the holy warrior Egorii (St. George), who withstood the tortures and promises of the "Tsar of Demianish (Diocletianish)" and struck "the fierce serpent, the fierce fiery one", are glorified. The motif of Saint George's victory is known in the oral poetry of the Eastern and Western Slavs. The Poles have St. Jerzy fighting the "Wawel smok" (the serpent of Krakow Castle). The Russian ecclesiastical verse, also following the iconographic canon, lists Theodore Tiron (see Tale of the Feodor Tirinin's Feats) as a serpent-fighter, whom the Eastern and South Slavic traditions also represent as a rider and protector of cattle.

Another folk image of the saint is associated with the beginning of spring, agriculture, and cattle breeding, with the first cattle drive, which in the eastern and part of the southern Slavs, as well as in eastern Poland often occurs on St. George's Day. In Russian (Kostroma, Tver.) circumambient Yur'ev songs refer to St. Yegorius and St. Macarius:

Yegorius you are our brave one,
Macarius the reverend!
Thou save our cattle.
In the field and beyond the field,
In the woods and beyond the woods,
Under the light of the month,
Under the red sun,
From the wolf of prey,
From the fierce bear,
From the beast of the evil one.

The Croats and Slovenes have a major figure in the rounding of courtyards with the Saint George Songs Green Yuri—a boy covered from head to toe with green branches, representing St. George (cf. bush driving). In the same Croatian songs on St. George's Day, there is sometimes a motif of snake fighting and the snake kidnapping a maiden. The Slovenes in Pomurje used to lead "Zeleni Jurij" or "Vesnik" (Zeleni Jurij, Vésnik, from the Slovenian dialect vésna "spring") and sing

The motif of shoeing a horse and going around the fields is characteristic of Bulgarian and Eastern Serbian Yuri songs: "Sveti Giorgi kone kove se from srebro and from zlato..." (St. George horseshoes the horse with silver and gold...)

In Lower Angara, Yegoriy the Brave was honored as the patron saint of horses; they did not work on horses on his day. In Pirin Macedonia (Petrich), it was believed that St. George was the lord of spring rain and thunder; together with prophet Elijah he rode a horse across the sky, and this made thunder be heard. In the villages near Plovdiv, the saint was perceived as the master and "holder" of all waters: he killed the serpent to give the people water.

Blaise as a cattle god

In Slavic folk tradition, Saint Blaise is the patron saint of cattle, "washing milk from cows" at the end of winter. Traditional representations of St. Blaise go back to the image of the Slavic cattle god Volos. The combination of the images of a pagan deity and a Christian saint in the popular consciousness was probably facilitated by the sonic proximity of their names. In Russia, with the Baptism of Russia churches of Saint Blasius were often erected on places of pagan worship of Volos.

According to the hagiography, during the persecution of Christians under the Roman emperor Licinius, Saint Blasius hid in the wilderness and lived on Mount Argeos in a cave, to which wild beasts meekly approached, submitting in all things to Blasius and receiving from him blessings and healing from illnesses. The motif of the patronage of cattle is reflected in the iconography of Saint Blaise. He was sometimes depicted on a white horse surrounded by horses, cows, and sheep, or only cattle. In Slavic folk tradition, St. Blasius was called "the cow god", and the day of his memory was "the cow holiday". In Novgorod on Blaise's Day, they brought cow's oil to his image. The Belarusians had a special meal and rode young horses on St. Blaise's Day ("horse's holy day"). According to the northern Ukrainian beliefs, Blaise "envied the horned cattle. In Siberia, the feast of St. Blaise was celebrated as the patron of cattle. In eastern Serbia (Bujak), Blaise day was considered the feast of oxen and cattle (Serbian: goveђa glory, and on this day the oxen were not harnessed.

If Blaise day coincided with Maslenitsa, then they used to say: "On the day of Blaise, the butter kayushom" (Belarusian.) – On Vlas take with a ladle of oil", and on Onisimus the Hornless, "winter becomes hornless."

Paraskeva Friday

The cult of saint Paraskeva of Iconium is based on the personification of Friday, known in Russian as Pyatnitsa, as a weekday. According to a number of researchers, some signs and functions of the main female deity of the East Slavic pantheon, Mokoshi, were transferred to Paraskeva Friday: connection with female works (spinning, sewing, etc.), marriage and childbearing, and the earthly moisture. She was also correlated with Theotokos, Week, and Saint Anastasia.

The image of Paraskeva Friday, according to folk representations, is markedly different from the iconographic one, where she is depicted as an ascetic-looking woman in a red omophorion. Folk imagination endowed her with demonic features: tall stature, long and loose hair, large breasts that she throws behind her back, and others, which brings her closer to female mythological characters such as Doli, Death, and the Mermaid.

There was a ritual of driving Pyatnitsa recorded in the 18th century: "In Little Russia, in the Starodubsky regiment on a feast day a plain woman named Pyatnitsa is led through the church and during the church, her people honor her with gifts and with the hope of some benefit." In the stories, Paraskeva Pyatnitsa spins the yarn left by her mistress (similar to domovyi, kimora, mar), and punishes the woman who dared, in spite of the Friday ban, to spin, wind thread, and sew. She tangles the threads and she may skin the offending woman, take away her sight, turn her into a frog, or throw forty spindles into the window with orders to strain them until morning, etc.

According to beliefs, Paraskeva Friday controls the observance of other Friday prohibitions as well (washing laundry, bleaching canvases, combing hair, etc.).

According to Ukrainian beliefs, Friday walks stabbed with needles and spindles of negligent hosts who have not honored the saint and her days. Until the 19th century, the custom of "leading Friday"—a woman with her hair loose—was preserved in Ukraine.

In bylichka and spiritual verses, Paraskeva Friday complains that she is not honored by not observing the prohibition on Fridays—they prick her with spindles, spin her hair, clog her eyes Kostrakostra. According to beliefs, Paraskeva Friday is depicted on icons with spokes or spindles sticking out of her chest (cf. images of Seven-Strength Icon, Softening of Evil Hearts).

Saint Nedelya, personification of Sunday

In Slavic folk representations, Saint Nedelya is a personification of the day of week, Sunday. She is associated with saint Anastasia (in Bulgaria, also with the saint Kiriakiya). Prohibitions against various kinds of work are associated with the veneration of Saint Nedelya (cf. the origin of the Slavic week from not to do).

The Belarusians of Grodno province believed that the day of rest, nyadzel, was given to the people after a man once hid the holy Week from the dogs that pursued it; before that there were only weekdays. The Ukrainians of Volhynia said that God gave Saint Nedelya a whole day, but told her herself to see to it that people did not work on that day. According to Croatian beliefs, Saint Nedelya has no hands, so it is especially sinful to work on this day.

Saint Nedelya comes to those who violate the prohibition of work on Sunday (spinning, weaving, treading flax, digging the ground, going to the forest, working in the fields, etc.). Saint Nedelya appears as a woman or girl in white, gold, or silver clothing in Belarusian tradition, with a wounded body. She complains that she is poked with spindles, her hair is spun (while pointing to her torn scythe, according to Ukrainies), chopped, cut, etc. In the Ukrainian legend, a man meets a young woman on the road, who confesses that she is Nedelya, who people "spelt, boiled, fried, scalded, sliced, eaten" (Chigirinskiy uyezd). In the West-Belarusian legend, Saint Nedelya appears paired with the dressy and beautiful '[Jew's Nedzelka]' (that is, the Sabbath, revered by Jews) and complains that the Jews revere their "week" and that "you do everything in the week, then my body was purely paabrava."

The veneration of Saint Nedelya is closely related to the veneration of the other personified days of the week, Wednesday and Friday, which, in popular beliefs, are related by kinship ties. The Serbs believe that Paraskeva Friday is the mother or sister of Saint Nedelya (cf. the successive days of St. Paraskeva Friday – 28.X/10.XI and St. Anastasia – 29.X/11.XI). According to the Hutsul people, "Week is the Mother of God" (the Mother of God asked for protection on all the days of the week, agreed week, i.e., Sunday; cf. the pan-Slavonic notions of the Virgin Mary, Saint Paraskeva Friday, Saint Anastasia as patronesses of women and women's work, and similar prohibitions associated with the Virgin feasts, Friday and Sunday).

Apostles Peter and Paul

In Slavic tradition, Peter and Paul are paired characters (cf. Saints Cosmas and Damian, Flor and Laurus), who may often appear in a single image: Peter-Paul, Peter-Paulo, Petropavlava. The Bulgarians considered them brothers, sometimes even twins, who had a sister, Saint Helen or Saint Mary (Fire). Peter is the younger brother and the kinder. He allows the farmers to work on their feast day. Paul is the elder. He is formidable and severely punishes those who violate holiday customs by sending thunder and lightning from the sky, burning sheaves. According to Serbian legend, "the division of faiths into Orthodox and Catholic occurred after a quarrel of the apostles: Peter declared himself Orthodox (Serbian), and Paul said that he was Catholic (Šokci)". In the Slavs' representation, Peter and Paul occupy a special place, acting as guardians of the keys to paradise (cf. the Belarusian name of the constellation Swan – Belarusian: Pyatrovaya stick, which is also perceived as a key to paradise). The Bulgarians also considered St. Peter the guardian of the Garden of Eden, guarding the golden tree of paradise, around which the souls of dead children fly in the form of flies and bees.

In the traditional worldview of the Russian people, the Apostle Peter was among the most revered saints. In tales and bylichkas he appears under the name of the apostle-king.

There was a belief among the Gutsul that St. Peter kept the keys of the land all year round, and only in spring did Saint George the Victorious take them from him. On Peter's day the keys are returned to Peter, and then the autumn comes.

In Serbia, the Apostle Peter was pictured "riding a golden-horned deer across the heavenly field over the sprouting earthly fields."

On icons and rituals

The Soviet art historian Mikhail Alpatov believed that, among Old Russian icons, one could distinguish those that reflected folk ideals and that the folk idea of saints was especially clearly manifested in icons depicting patrons of cattle (George, Vlasius, Florus, and Laurus) and in icons of Elijah the Prophet, a kind of "successor" to the god of thunder and lightning Perun. In addition, he admitted that some ancient Russian icons reflected folk dual beliefs, including the cult of Mother of the Raw Earth.

According to Doctor of Historical Sciences Lyubov Emelyakh, this cult of the mother earth, the patroness of crops, which once existed among the Slavs, reflects the icon of the Conqueror of Bread painted in the late 19th century.

Nikita Tolstoy examines the rites of slumping and girding the temple, rites of invocation of rain, rites connected with protection from thunder and hail, and some others as a symbiosis of Christian and pre-Christian customs.

Folk prayers

Folk Christian prayers include canonical prayers that are common in popular culture, fragments of Christian Worship church services, endowed in popular circles with apotropaic function (that is, having noncanonical application), and noncanonical prayers proper. The functioning and consolidation of folk prayers in tradition as apotropei (amulet rituals) is largely determined not by their own semantics, but by their high-sacred status. These texts themselves do not possess apotropaic semantics, and their use as amulets is determined by their ability, as it is believed, to prevent potential danger. The main part of the corpus of such texts is of bookish origin and penetrated into the folk tradition with acceptance of Christianity, a smaller part is authentic texts.

In contrast to Trebniks (containing, in particular, canonical prayers), where each prayer has a strictly defined use, in popular culture, canonical Christian prayers usually have no such fixation but are used as universal apotrophes for all occasions. The main reason for this is that the circle of canonical prayers known in traditional culture is extremely narrow. These include such common prayers containing apotropaic semantics as "Let God arise, and His enemies are made waste..." (in the East Slavic folk tradition usually referred to as the "Sunday Prayer") and the 90th Psalm "Alive in aid..." (usually rearranged by popular etymology as "Living Helpers"), as well as "Our Father" and "Virgin Mary, Rejoice..." (in the Catholic tradition, "Zdrowiaś, Maria..."). The Lord's Prayer is a universal apotropaion, which is explained by its unique status as the only "nonvirtuous" prayer, that is, given to people by God himself, Christ. At the same time, this prayer is a declaration of man's belonging to the Christian world and his stay under the protection of heavenly powers.

Fragments of a church service, which are in no way connected in meaning with the apotropaic situation in which they are used, also function as amulets. For example, the beginning from Liturgy of St. Basil the Great "On you rejoice, Graceful, every creature, the angelic assembly and the human race..." may be read by the master during the driving of the cow to pasture.

Apocryphal Prayers (in Index of Repudiated Books, "false prayers") are prayers modeled after those of the church, but contain a large number of insertions from folk beliefs, incantations, and in some cases reworkings or extracts from apocrypha. Apocryphal prayers and hagiographies adapted for "protective" purposes are much more common in the folk tradition than canonical church texts. Apocryphal prayers are mostly texts of bookish origin. Some of their versions may retain the genre form of a prayer, while others take on the features of Zagovory. They were often transcribed and used as a talisman and amulet, which were worn with national cross or kept in the house.

Most often, there are prayers-consecrations for fever. The text usually mentions Saint Sisinius and Likhoradka. Exceptional in its prevalence is the apocryphal Prayer of the Dream of the Virgin Mary, which contains the account of Our Lady of the tortures of Christ on the cross. The text is known in both Catholic and Orthodox traditions in numerous variations. In Eastern Slavic folklore, it dominates and is revered along with the Lord's Prayer and Psalm 90. It was most often recited before going to bed as a general apotropaic text. The text of the "Dream of the Virgin Mary" was worn as a talisman in the Ladanka together with the body cross. Among the texts of bookish origin in both Orthodox and Catholics, a significant proportion are apocryphal prayers that contain an account of the life and crucifixion of Christ or other significant events of Sacred History. The account of Christ's tortures on the cross for the salvation of mankind projects the idea of universal salvation into a specific situation, so it is believed that in some cases a reference to events from the life of Christ is sufficient for salvation from danger.

Significance

The Church could convert the pagans to the veneration of the Christian God and saints but was unable to solve all the pressing problems and explain in detail from the Christian perspective how the world around them was arranged, due to the lack of a sufficiently developed and extensive system of education. The popular religious-mythological system remained in demand because of the etiological (explanatory) function of myth. The Christian religion clarified what should be believed and established a system of behavior and values in relations between people and with the nascent state, while folk myths and representations (above all the basic layer constituting lower mythology) answered other pressing questions.

In modern times

In modern times there has been a disintegration of the peasant environment, which retained "pagan relics" (folk Christianity) in which important functions has been performed. Under the new conditions, these cultural elements lost their functions and ceased to be necessary.

In Eastern Slavs, in addition to the disintegration of the peasant way of life, the interruption of the folk-Christian tradition was facilitated by the radical transformation of the traditional way of life that took place during the Soviet period of Russian history. In the course of the large-scale social, economic, and cultural transformations in the USSR (urbanization, internal migration, the development of education, anti-religious propaganda, etc.), folk orthodoxy rapidly disappeared along with relics of the pre-Christian picture of the world. The accessible Soviet educational system formed a scientific picture of the world that left no room for traditional myths, which previously existed in the form of various superstitions, omens, and bylaws.

After the collapse of the Soviet Union, with the support of the authorities, Orthodox Christianity regained its importance in public life. While orthodoxy has preserved its norms and traditions, which can be brought back up to date, folk-Christian beliefs and ritual practices have been almost completely lost and forgotten under the influence of atheist propaganda and the country's accelerated modernization policy, and have no chance of revival.

"Paganism", the spread of which some orthodox authors point to in modern society, is not a further development of the ancient religious beliefs of the Eastern Slavs, but a consequence of the primitivization of the mass consciousness, the dissociation of the scientific picture of the world into separate elements, no longer united by any philosophical idea. To such "paganism" orthodox authors refer a variety of phenomena incompatible with the canons of Abrahamic religions—horoscopes and magic practices, ufology, worship of famous brands, etc. These beliefs and perceptions are a product of globalization and have no connection with the local folk beliefs of the past. They are conflated with such a phenomenon as ietsism, a belief in something indefinite.

In Ukraine, folk orthodoxy is seen as having increased in the 2000s.