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LGBTQ stereotypes

Stereotypes around LGBTQ people and communities

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  • 6 chapters

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Through Bisexuality, Transgender and Mass media

Negative stereotypes are often associated with homophobia, lesbophobia, gayphobia, biphobia, or transphobia. Positive stereotypes, or counterstereotypes, also exist.

In general

Media

The portrayal of the LGBTQ community in media has historically reinforced negative stereotypes and societal norms, excluded LGBTQ+ individuals, and tokenized them by reducing their representation to their sexual orientation or gender identity. Media portrayals of LGBTQ+ individuals can influence both society attitudes and how LGBTQ+ individuals view themselves. Positive media representations can improve visibility and understanding of LGBTQ+ people and may help support allyship. Positive media representations can improve visibility and understanding of LGBTQ+ people and may help support allyship. In recent years, LGBTQ representation in media has increased, with more diverse and complex characters appearing in film.

Effects of stereotypes

LGBTQ stereotypes can affect how LGBTQ people are treated and how they see themselves. Studies have found that being exposed to stereotypes can increase stress, contribute to mental health struggles, and affect identity development (Them, 2020). This is especially true when individuals do not have access to supportive environments, communities, or positive representation.

Stereotypes can also influence everyday interactions and increase the risk of discrimination, exclusion, or unfair treatment in places such as schools, workplaces, and healthcare settings. Media and society can continue to spread and reinforce stereotypes, which affects how people think about LGBTQ individuals and how they are treated in everyday life.

History

LGBTQ stereotypes have been around for a long time in media and culture, often reflecting how society viewed sexuality and gender at different points in history. In earlier film and television, gay men were often shown as extremely feminine or used for jokes, while lesbian women were often shown as masculine or overly sexualized. These kinds of portrayals limited how LGBTQ people were seen and understood.

In the past, LGBTQ identities were also often linked with negative ideas such as being "deviant" or criminal in both media and society. Transgender people, when included at all, were often portrayed as mentally unstable. Over time, representation has become more diverse and realistic (Gomillion & Giuliano, 2011); however, some of these older stereotypes can still appear in modern media.

Murder and violence

LGBT rights activists have fought against fictional representations of LGBT people that depict them as violent and murderous. Columnist Brent Hartinger observed that "big-budget Hollywood movies until, perhaps, Philadelphia in 1993 that featured major gay male characters portrayed them as insane villains and serial killers". Community members organized protests and boycotts against films with murderous LGBT characters, including Cruising (1980), Silence of the Lambs (1991), and Basic Instinct (1992). Theatre scholar Jordan Schildcrout has written about the recurrence of the "homicidal homosexual" in American plays but notes that LGBT playwrights themselves have appropriated this negative stereotype to confront and subvert homophobia. Such plays include The Lisbon Traviata (1985) by Terrence McNally, Porcelain (1992) by Chay Yew, The Secretaries (1993) by the Five Lesbian Brothers, and The Dying Gaul (1998) by Craig Lucas.

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