Lingala

Name

At first the language the European pioneers and their African troops had forged out of Bobangi was called "the river language", "the trade language", and other volatile names. Beginning in 1884, it was called "Bangala", due to its introduction in Bangala Station. After 1901, Catholic missionaries of CICM, also called the Congregation of Scheutists, proposed to rename the language "Lingala". It took some decades for this to be generally accepted both by colonials and the Congolese. The name Lingala first appears in writing in a 1901-2 publication by the CICM missionary Égide De Boeck. This name change was accepted in western and northwestern Congo, and in other countries where the language was spoken, but not in northeastern Congo, where the variety of the language spoken locally is still called Bangala.

Bobangi–Lingala relationship

Linguistically, Lingala is a dialect or variant of Bobangi, a popular or commercial Bobangi, that is, a Bobangi lingua franca spoken by non-native speakers. Lingala has also been referred to by the following names: "bad Bobangi", "Sabir of Bobangi", "deformed and mixed Bobangi", "Bobangi of treaties", "patois of Bobangi and Kilolo", and "the new language of the Bobangi".

Characteristics and usage

Lingala is a Bantu language of Central Africa with roots in the Bobangi language, which provided most of its lexicon and grammar. In its basic vocabulary, Lingala also borrows from other languages, such as Kikongo varieties, Ubangian languages, Swahili, French, Portuguese, English, and various African languages (note local and foreign interaction with Krumen).

In practice, the extent of borrowing varies widely with speakers of different regions (commonly among young people), and during different occasions.

French

• momí comes from the old French ma mie ("my dear"), and can sound like it means "grandmother", but means "girlfriend"
• kelási for class/school

Spanish

• chiclé for chewing gum

Portuguese

• manteka for butter
• mésa for table
• sapátu for shoes

English

• míliki for milk
• súpu for soup
• mamiwata for mermaid, literally mammy/water
• búku for book
• mótuka, from motor-car, for car

Variation

The Lingala language can be divided into several regiolects and sociolects. The major regional varieties are northwestern Lingala, Kinshasa Lingala and Brazzaville Lingala.

Literary Lingala (lingala littéraire or lingala classique in French) is a standardized form used mostly in education and news broadcasts on state-owned radio or television and in Roman Catholic religious services, It is taught as a subject at some educational levels. It is historically associated with the work of the Catholic Church, the Belgian CICM missionaries in particular. It has a seven-vowel system () with an obligatory tense-lax vowel harmony. It also has a full range of morphological noun prefixes with mandatory grammatical agreement system with subject–verb, or noun–modifier for each of class. It is largely used in formal functions and in some forms of writing. Most native speakers of Spoken Lingala and Kinshasa Lingala consider it incomprehensible.

Northwestern (or Equateur) Lingala is the product of the (incomplete) internalization by Congolese of the prescriptive rules the CICM missionaries intended when designing Literary Lingala. The northwest is a zone where the CICM missionaries strongly supported the network of schools.

Spoken Lingala (called lingala parlé in French) is the variety mostly used in Lingalaphones' day-to-day lives. It has a full morphological noun prefix system, but the agreement system in the noun phrase is laxer than the literary variety's. There is a five-vowel system and no vowel harmony. Spoken Lingala is largely used in informal functions, and the majority of Lingala songs use spoken Lingala. Modern spoken Lingala is influenced by French; French verbs, for example, may be "lingalized", adding Lingala inflection prefixes and suffixes: "acomprenaki te" or "acomprendraki te" ("he did not understand", using the French word comprendre) instead of classic Lingala "asímbaki ntína te" (literally: "s/he grasped/held the root/cause not"). These French influences are more prevalent in Kinshasa and indicate an erosion of the language as education in French becomes accessible to more of the population. There are pronunciation differences between "Catholic Lingala" and "Protestant Lingala", for example nzala/njala ("hunger").

Lingala ya Bayankee (sometimes called Yanké) is a sociolect widely used in Kinshasa, e.g., by street youth, street vendors, criminal gangs and homeless children. Langila is a little-studied language game (or ludic practice) musicians initially created shortly after 2000 that is increasingly used in social media and sites of cultural production.

Phonology

Vowels

Vowel harmony

Lingala words show vowel harmony to some extent. The close-mid vowels and normally do not mix with the open-mid vowels and in words. For example, the words ndɔbɔ 'fishhook' and ndobo 'mouse trap' are found, but not *ndɔbo or *ndobɔ.

Vowel shift

The Lingala spoken in Kinshasa shows a vowel shift from to , leading to the absence of the phoneme in favor of . The same occurs with and , leading to just . So in Kinshasa, a native speaker will say mbóte as , compared to the more traditional pronunciation, .

Consonants

Prenasalized consonants

The prenasalized stops formed with a nasal followed by a voiceless plosive are allophonic to the voiceless plosives alone in some variations of Lingala.

• : or

  e.g.: mpɛmbɛ́ni is pronounced but in some variations

• : or

  e.g.: ntɔ́ngó is pronounced but in some variations

• : or

  e.g.: nkanya (fork) is pronounced but in some variations

• : or (inside a word)

  e.g.: nyɔnsɔ is pronounced but in some variations

The prenasalized voiced occlusives, , do not vary.

Tones

Lingala is a tonal language. Tone is a distinguishing feature in minimal pairs, e.g.: mutu (human being) and mutú (head), or kokoma (to write) and kokóma (to arrive). There are two main tones, low and high, and two less common ones: starting high, dipping low, and ending high, all within the same vowel sound, e.g., mǐso (eyes); and starting low, rising high, and ending low, e.g., bôngó (therefore).

Tonal morphology

Tense morphemes carry tones.

Grammar

Noun class system

Akin to all Bantu languages, Lingala has a noun class system in which nouns are classified according to the prefixes they bear and the prefixes they trigger in sentences. The table below shows Lingala's noun classes ordered according to the numbering system widely used in descriptions of Bantu languages.

Individual classes pair up to form singular/plural pairs, sometimes called genders. There are seven genders. The singular classes 1, 3, 5, 7, and 9 take their plural forms from classes 2, 4, 6, 8, 10, respectively. Additionally, many household items found in class 9 take a class 2 prefix (ba) in the plural: lútu → balútu 'spoon', mésa → bamésa 'table', sáni → basáni 'plate'. Words in class 11 usually take a class 10 plural. Most words from class 14 (abstract nouns) do not have a plural counterpart.

Class 9 and 10 have a nasal prefix, which assimilates to the following consonant. Thus, the prefix shows up as 'n' on words that start with t or d, e.g. ntaba 'goat', but as 'm' on words that start with b or p (e.g. mbísi 'fish'). There is also a prefixless class 9a and 10a, exemplified by sánzá → sánzá 'moon(s) or month(s)'. Possible ambiguities are resolved by context.

Noun class prefixes show up not only on the noun itself, but as markers throughout a sentence. In the sentences below, the class prefixes are underlined. (There is a special verbal form 'a' of the prefix for class 1 nouns.)

molakisi

CL1.teacher

molaí

CL1.tall

yangó

that

abíkí

CL1:recovered

'That tall teacher recovered'

bato

CL2.people

bakúmisa

CL2.praise

Nkómbó

name

ya

of

Yɔ́

You

'(Let) people praise Your name' (a sentence from the Lord's Prayer)

To a certain extent, noun class allocation is semantically governed. Classes 1/2, as in all Bantu languages, mainly contain words for human beings; similarly, classes 9/10 contain many words for animals. In other classes, semantical regularities are mostly absent or obscured by many exceptions.

Verb inflections and morphology

Verbal extensions

Four morphemes modify verbs. They are added to a verb root in the following order:

1. Reversive (-ol-)

   e.g.: kozinga to wrap and kozingola to develop

2. Causative (-is-)

   e.g. : koyéba to know and koyébisa to inform

3. Applicative (-el-)

   e.g. : kobíka to heal (self), to save (self) and kobíkela to heal (someone else), to save (someone)

4. Passive (-am-)

   e.g. : koboma to kill and kobomama to be killed

5. Reciprocal or stationary (-an-, sometimes -en-)

   e.g. : kokúta to find and kokútana to meet

Tense inflections

The first tone segment affects the subject part of the verb; the second attaches to the semantic morpheme attached to its root.

• present perfect (LH-í)
• simple present (LL-a)
• recurrent present (LL-aka)
• undefined recent past (LH-ákí)
• undefined distant past (LH-áká)
• future (L-ko-L-a)
• subjunctive (HL-a)

Writing system

Lingala is more a spoken than a written language, and has several different writing systems, most of them ad hoc. As literacy in Lingala tends to be low, its popular orthography is very flexible and varies among the two republics. Some orthographies are heavily influenced by French; influences include a double S, ss, to transcribe [s] (in the Republic of the Congo); ou for [u] (in the Republic of the Congo); i with trema, aï, to transcribe or ; e with acute accent, é, to transcribe [e]; e to transcribe , o with acute accent, ó, to transcribe or sometimes [o] in opposition to o transcribing [o] or ; i or y can both transcribe [j]. The allophones are also found as alternating forms in the popular orthography; sango is an alternative to nsango (information or news); nyonso, nyoso, nionso, nioso (every) are all transcriptions of nyɔ́nsɔ.

In 1976, the Société Zaïroise des Linguistes (Zairian Linguists Society) adopted a writing system for Lingala, using the open e and the open o to write the vowels and , and sporadic usage of accents to mark tone, though the limitation of input methods prevents Lingala writers from easily using the and and the accents. For example, it is almost impossible to type Lingala according to that convention with a common English or French keyboard. The convention of 1976 reduced the alternative orthography of characters but did not enforce tone marking. The lack of consistent accentuation is lessened by contextual disambiguation.

The popular orthographies are often more simplified and ambiguous than the academic-based ones. Many Lingala books, papers, the translation of the Universal Declaration of Human Rights, Internet forums, newsletters, and major websites such as Google's Lingala do not use the Lingala-specific characters ɛ and ɔ. Tone marking is found in most literary works.

Alphabet

The Lingala alphabet has 35 letters and digraphs. Each digraph has a specific place in the alphabet; for example, mza comes before mba, because the digraph mb follows the letter m. The letters r and h are rare but present in borrowed words. Accents indicate the tones as follows:

• no accent for default tone, the low tone
• acute accent for the high tone
• circumflex for descending tone
• caron for ascending tone

Sample

The Lord's Prayer (Catholic version)

Tatá wa bísó, ozala o likoló,

bato bakúmisa Nkómbó ya ,

bandima bokonzi bwa , mpo elingo ,

basálá yangó o nsé,

lokóla bakosalaka o likoló

Pésa bísó biléi bya ,

límbisa mabé ma bísó,

lokóla bísó tokolimbisaka baníngá.

Sálisa bísó tondima masɛ́nginyá tê,

mpe bíkisa bísó o mabé.

Na bokonzi,

nguyá na nkembo,

o bileko o binso sékô.

Amen.

The Lord's Prayer (Protestant version used in Ubangi-Mongala region)

Tatá na bísó na likoló,

nkómbó na ezala mosanto,

bokonzi na eya,

mokano na esalama na nsé

lokola na likoló.

Pésa bísó kwanga ekokí .

Límbisa bísó nyongo na bísó,

pelamoko elimbisi bísó bango nyongo na bango.

Kamba bísó kati na komekama tê,

kasi bíkisa bísó na mabé.

Mpo ete na ezalí bokonzi,

na nguyá, na nkembo,

lobiko na lobiko.

Amen.

Sample text from Universal Declaration of Human Rights

Bato nyonso na mbotama bazali nzomi pe bakokani na limemya pe makoki. Bazali na mayele pe base, geli kofanda na bondeko okati na bango.

(Article 1 of Universal Declaration of Human Rights)

Mandombe

The Mandombe script is an abugida, primarily used to write Kikongo, that can also be used for Lingala. It is used as a liturgical script in the church of Kimbangu.