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20th-century French philosophy

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  • 12 chapters

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Bergson

The work of Henri Bergson (1859–1941) is often considered the division point between nineteenth- and twentieth-century French philosophy. Essentially, despite his respect for mathematics and science, he pioneered the French movement of scepticism towards the use of scientific methods to understand human nature and metaphysical reality. Positivism, which, for instance, the French sociologist Durkheim was interested in at the time, was not appropriate, he argued. Unlike later philosophers, Bergson was highly influenced by biology, particularly Darwin's Origin of Species, which was published in the year Bergson was born. This led Bergson to discuss the 'Body' and 'Self' in detail, arguably prompting the fundamental ontological and epistemological questions to be raised later in the 20th century. Bergson's work was a major influence on Gilles Deleuze, who wrote a monograph on him (Bergsonism, 1966) and whose philosophical analyses of cinema (Cinema 1: The Movement Image and Cinema 2: The Time-Image) develop his ideas.

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