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Deconstruction

Approach to understanding the relationship between text and meaning

  • 27 min read
  • 7 chapters

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Through Philosophy, Semantics and Theory of forms

The deconstruction of a text does not proceed by random doubt or generalized skepticism, but by the careful teasing out of warring forces of signification within the text itself.

Since the 1980s, these proposals of language's fluidity instead of being ideally static and discernible have inspired a range of studies in the humanities, including the disciplines of law, anthropology, historiography, linguistics (including sociolinguistics), psychoanalysis, queer studies, and feminism. Deconstruction also inspired deconstructivism in architecture and remains important within art, music, and literary criticism.

Overview

Jacques Derrida's 1967 book Of Grammatology introduced the majority of ideas influential within deconstruction. Derrida published a number of other works directly relevant to the concept of deconstruction, such as Différance, Speech and Phenomena, and Writing and Difference.

To Derrida,

That is what deconstruction is made of: not the mixture but the tension between memory, fidelity, the preservation of something that has been given to us, and, at the same time, heterogeneity, something absolutely new, and a break.

According to Derrida, and taking inspiration from the work of Ferdinand de Saussure, language as a system of signs and words only have meaning because of the contrast between these signs. As Richard Rorty contends, "words have meaning only because of contrast-effects with other words ... no word can acquire meaning in the way in which philosophers from Aristotle to Bertrand Russell have hoped it might—by being the unmediated expression of something non-linguistic (e.g., an emotion, a sensed observation, a physical object, an idea, a Platonic Form)". As a consequence, meaning is never present, but rather is deferred to other signs. Derrida refers to the—in his view, mistaken—belief that there is a self-sufficient, non-deferred meaning as metaphysics of presence. Rather, according to Derrida, a concept must be understood in the context of its opposite: for example, the word being does not have meaning without contrast with the word nothing.

Further, Derrida contends that "in a classical philosophical opposition we are not dealing with the peaceful coexistence of a vis-a-vis, but rather with a violent hierarchy. One of the two terms governs the other (axiologically, logically, etc.), or has the upper hand": signified over signifier; intelligible over sensible; speech over writing; activity over passivity, etc. The first task of deconstruction is, according to Derrida, to find and overturn these oppositions inside a text or texts; but the final objective of deconstruction is not to surpass all oppositions, because it is assumed they are structurally necessary to produce sense: the oppositions simply cannot be suspended once and for all, as the hierarchy of dual oppositions always reestablishes itself (because it is necessary for meaning). Deconstruction, Derrida says, only points to the necessity of an unending analysis that can make explicit the decisions and hierarchies intrinsic to all texts.

Derrida further argues that it is not enough to expose and deconstruct the way oppositions work and then stop there in a nihilistic or cynical position, "thereby preventing any means of intervening in the field effectively". To be effective, deconstruction needs to create new terms, not to synthesize the concepts in opposition, but to mark their difference and eternal interplay. This explains why Derrida always proposes new terms in his deconstruction, not as a free play but from the necessity of analysis. Derrida called these undecidables—that is, unities of simulacrum—"false" verbal properties (nominal or semantic) that can no longer be included within philosophical (binary) opposition. Instead, they inhabit philosophical oppositions—resisting and organizing them—without ever constituting a third term or leaving room for a solution in the form of a Hegelian dialectic (e.g., différance, archi-writing, pharmakon, supplement, hymen, gram, spacing).

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