Anarcha-feminism

History

Background

Anarchism first emerged as a political current at a time when gender inequality was systematically enforced and women were excluded from public life. Their existence was confined to the traditional gender roles of mothers and wives, within the construct of the nuclear family. In particular, working-class women were both politically and economically disenfranchised, which drove them closer to socialism and political militancy. They began to agitate for reproductive rights and free love, which formed the basis for an anarchist feminism.

The earliest proponents of anarchism were initially reluctant to approach the subject of feminism: Pierre-Joseph Proudhon was openly hostile to feminist demands of gender equality and upheld traditional family values; Peter Kropotkin thought that feminist goals should be subordinated to the class struggle; and Benjamin Tucker opposed the demand of "equal pay for equal work". It was only after Mikhail Bakunin made the abolition of gender inequality one of the aims of the International Alliance of Socialist Democracy that women's rights became a primary concern for the anarchist movement. Anarcho-communists adopted Friedrich Engels' critique of the family, which held it to be the origin of both gender inequality and economic inequality. This anti-authoritarian critique of power within the institutions of marriage and the nuclear family began to attract many feminists towards anarchism. The subsequent synthesis of anarchism and feminism, although not explicitly labelled as such at the time, later came to be known as anarcha-feminism.

First wave (1880s–1940s)

During the 1880s, a current of anarchist feminism was first developed by the Catalan activists Teresa Mañé and Teresa Claramunt. By the 1890s, anarchist feminism had spread across the globe, brought by immigrants to and from Europe. The anarchist press started to publish feminist analyses on gender equality and critiques of marriage, the nuclear family and prostitution. Through Errico Malatesta's La Questione Sociale, Teresa Mañé's pamphlets on female education and gender inequality received widespread publication. Anarchist feminism was further taken up by the American anarchists Voltairine de Cleyre and Emma Goldman, the latter of whom came to be considered a "founding mother" of anarcha-feminism. Lucy Parsons also established the Working Women's Union in Chicago and ensured women's participation in the Industrial Workers of the World as one of its founding members. In England, the anarchist Charlotte Wilson became an advocate for "equal pay for equal work" and promoted women's education.

Anarchist women took prominent positions within the editorial boards of magazines (such as Mother Earth), in the publication of books, and as public speakers. Specifically feminist publications were also circulated, including Germinal, El Oprimido and La Voz de la Mujer, in which anarchist women defended a revolutionary form of feminism. As a way to counter the Culture of Domesticity, which upheld the private property of the nuclear family, anarchist women like Charlotte Wilson opened their homes into "quasi-public spaces" for political meetings and communal meals. Anarchist women even took part in violent direct actions, including Vera Zasulich's attempted assassination of the Russian police chief Fyodor Trepov; Germaine Berton's murder of the French far-right politician Marius Plateau; and Kanno Sugako's plot to assassinate the Japanese Emperor Meiji.

The rise of anarchist feminism provoked an anti-feminist reaction among many of the men of the anarchist movement, who deemphasised the struggle for women's rights as secondary to the class struggle. In turn, La Voz de la Mujer denounced these men as "false anarchists" who prioritised their own liberation over that of women. In the Chinese anarcha-feminist journal Natural Justice, He Zhen also criticised what she saw as "men's pursuit of self distinction in the name of women's liberation". Anarcha-feminists generally concluded that male hostility to feminism proved them unreliable to the cause for women's rights, and began to organise their own movement to address their own needs.

First-wave feminists established women's groups as flat organizations that used consensus decision-making, reflecting an "unconscious libertarian consciousness". Anarchist women's groups were established throughout the United States, largely by Italian immigrant women, with the goal of pursuing "women's emancipation" through mutual aid and self-organization. In Paterson, New Jersey, the Gruppo Emancipazione della Donna formed women's theater and music clubs, and publicised works of anarchist feminism that linked the struggle against the patriarchy with the struggle against the patria. In contrast to the Italian anarchists, Jewish anarchists rarely formed specific women's groups, with anarchists of the journal Fraye Arbeter Shtime declaring themselves to all be feminists.

One of the most notable libertarian women's groups was the Mujeres Libres, an anarchist feminist organisation that aimed for women's liberation from their "triple enslavement" by ignorance, exploitation and discrimination. Founded during the Spanish Revolution of 1936 by Lucía Sánchez Saornil, Mercè Comaposada and Amparo Poch y Gascón, the Mujeres Libres implemented programmes of women's education that taught women technical skills and increased female literacy. Sánchez Saornil herself wrote poetry that called for women to take action against their oppression, which attracted Emma Goldman to visit Spain and participate in the work of the Mujeres Libres as an advocate.

But the anarchist feminism of the time, focused more on developing small activist groups than creating a mass movement, lacked a precise strategy for achieving women's rights, so little action in that way was taken. During the early 20th century, anarchist feminism was progressively supplanted by socialist feminism, which took a reformist approach towards achieving women's suffrage. By this time Charlotte Wilson had herself abandoned anarchist activism, becoming involved in women's suffrage advocacy and later joining the Independent Labour Party. Anarchist feminist critiques of the family and authoritarianism went into remission, only to be reformulated when a new wave of feminism emerged.

Second wave (1960s–1980s)

By the late 1960s, second-wave feminism had emerged from the New Left, as part of a broad wave of anti-oppression activism that included the civil rights movement and culminated with the protests of 1968. Drawing from socialist feminism, this second-wave sought to encourage solidarity between women, bringing them together into a "sisterhood" based on their shared experiences. During this period, feminists rediscovered the work of first-wave anarchist feminists like Emma Goldman and before long the women's liberation movement began to reshape the anarchist movement. Many second-wave feminists came to consider anarchism to be the "logically consistent expression of feminism", due to its synthesis of the struggle for individual liberty with that for social equality. Peggy Kornegger claimed that feminists had already been "unconscious anarchists in both theory and practice" and were the only activist tendency to be "practic[ing] what anarchism preaches".

The pervasive environment of sexism within many sections of the New Left gave an impulse to the establishment of women's groups as part of a strategy of feminist separatism, which led to the coining and adoption of the term "anarcha-feminist" by anarchist women. Second-wave anarchist feminists developed their own affinity groups according to cooperative, decentralist and federalist principles, as an alternative to both patriarchal and structureless organisations. The anarcha-feminist drive to reckon with these hierarchical forms of organisation was particularly influenced by Jo Freeman's 1972 essay The Tyranny of Structurelessness, which encouraged an organized egalitarian tendency within the movement.

The second wave of anarchist feminism was also characterised by an often violent militancy, as displayed in the SCUM Manifesto. Anarcha-feminists such as Ann Hansen participated in the bombing attacks by the urban guerrilla group Direct Action, which targeted companies that produced parts for weapons of war and a chain video store that was distributing snuff films and paedophilic pornography.

By the 1980s, the feminist sex wars had caused a divide within second-wave feminism, which fragmented into multiple different tendencies, while many former feminists moved into academic careerism.

Third wave (1990s–2000s)

The beginnings of the anti-globalization movement spurred the development of a new wave, with reflections on the earlier second-wave and the influence of postcolonial feminism leading to an integration of identity politics into the framework of anarchist feminism. The emergence of a third-wave of anarcha-feminism brought with it a new focus on intersectionality, as anarcha-feminists came together to address the intersecting issues of poverty, racism and reproductive rights, among many others. The early feminist conception of a "New Woman" also formed part of the foundation for third-wave anarcha-feminism, which encouraged women to practice equality rather than to demand it. In Bolivia, the Mujeres Creando carried out direct actions that challenged poverty and traditional gender roles. In the United States, anarcha-feminists within the anarcho-punk scene spurred the development of the Riot grrrl subculture.

With the turn of the 21st century, there was a concerted effort to rethink approaches to anarcha-feminist histories, placing value in collective, open and non-hierarchical methods of gathering and exchanging knowledge. Collective research projects were carried out by groups such as the Dark Star Collective, which in 2002 published an anthology of anarcha-feminist works titled Quiet Rumours. In 2010, the feminist historian Judy Greenway elaborated five different methodologies of anarcha-feminist historiography:

1. The "additive approach", which incorporates elements otherwise overlooked in existing historiography;
2. The "Emma Goldman Short-Circuit", which centres the contributions of Emma Goldman above all others;
3. The "women's issues approach", which is chiefly concerned with issues of sexuality and reproductive rights;
4. The "inclusive approach", which focuses on the role of women in famous historical events;
5. The "transformative approach", which takes a critical look at the erasure of women and privileged position of men in gendered histories.

Greenway concluded that a complete anarcha-feminist historiography needed to actively challenge hierarchical biases within dominant historiographies, rather than merely reincorporating erased aspects of history or focusing excessively on one or two individuals.

Fourth wave (2012–present)

The fourth wave of feminism emerged through the development of postfeminism, taking concern with the objectification of women by market forces and characterised by its use of social networking. The fourth wave of anarchist feminism was particularly influenced by postmodern feminism.

In a 2017 article, Chiara Bottici argued that anarcha-feminism has been the subject of insufficient discussion in public debate and in academia, due in part to a broader hostility to anarchism but also due to difficulties in distinguishing between the tendency of anarcha-feminism and the broader philosophy of anarchism. Bottici argued that the risk of economic reductionism that appears in Marxist feminism, in which women's oppression is understood solely in economic terms, "has ... always been alien to anarcha-feminism"; as such, she argues, anarchism is better suited than Marxism for an alliance with feminism.