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Arhat Hall

Space in East Asian Buddhist temples

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Through Buddhism, Buddhahood and The Buddha

China

The Arhat Hall is a hall used for enshrining one or multiple Arhats, or arhat(s), in Chinese Buddhist temples. Arhat is another term for Arahant, one who has gained insight into the true nature of existence and has achieved Enlightenment and liberated from the endless cycle of rebirth. In Mahayana Buddhism, arhats rank the third position in Buddhism, only below the Buddhas and bodhisattvas. In Theravada Buddhism, Siddhartha Gautama or The Buddha is the first of the arhats, while his disciples who reach the goal by following his noble path also become arahats.

The tradition of constructing Arhat Hall became prominent in China during the Five dynasties period (10th century) when the King of Wuyue commissioned 500 bronze Arhats for the Fangguang Temple on Tiantai Mountain. By 985 CE, 516 statues (including 16 Arhats and 500 Arhats) were installed in the Shouchang Temple on Tiantai Mountain.

In smaller Buddhist temples, statues of the Eighteen Arhats, the original followers of Śākyamuni, are usually enshrined within the hall. In larger Buddhist temples, the Arhat Hall typically enshrines statues of all the Five Hundred Arhats, a larger grouping which encompasses other Buddhist deities such as Hayagriva and Yamantaka who take the forms of Arhats. In addition, statues of the four main Bodhisattvas in Chinese Buddhism, namely Guanyin (Avalokiteśvara), Kṣitigarbha, Samantabhadra and Mañjuśrī are often enshrined as well, along with the Wisdom King Mahamayuri (Mahāmāyūrī).

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