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Epiphany (feeling)

Positive affect associated with sudden understanding

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Epiphanies are relatively rare occurrences and generally follow a process of significant thought about a problem. Often they are triggered by a new and key piece of information, but importantly, a depth of prior knowledge is required to allow the leap of understanding. Famous epiphanies include Archimedes's discovery of a method to determine the volume of an irregular object ("Eureka!") and Isaac Newton's realization that a falling apple and the orbiting moon are both pulled by the same force.

History

The word epiphany originally referred to insight through the divine. Today, this concept is more often used without such connotations, but a popular implication remains that the epiphany is supernatural, as the discovery seems to come suddenly from the outside.

The word's secular usage may owe much of its popularity to Irish novelist James Joyce. The Joycean epiphany has been defined as "a sudden spiritual manifestation, whether from some object, scene, event, or memorable phase of the mind – the manifestation being out of proportion to the significance or strictly logical relevance of whatever produces it". The author used epiphany as a literary device within each entry of his short story collection Dubliners (1914); his protagonists came to sudden recognitions that changed their view of themselves and/or their social conditions. Joyce had first expounded on epiphany's meaning in the fragment Stephen Hero (published posthumously in 1944). For the philosopher Emmanuel Lévinas, epiphany or a manifestation of the divine is seen in another's face (see face-to-face).

In traditional and pre-modern cultures, initiation rites and mystery religions have served as vehicles of epiphany, as well as the arts. The Greek dramatists and poets would, in the ideal, induct the audience into states of catharsis or kenosis, respectively. In modern times an epiphany lies behind the title of William Burroughs' Naked Lunch, a drug-influenced state, as Burroughs explained, "a frozen moment when everyone sees what is at the end of the fork." Both the Dadaist Marcel Duchamp and the Pop Artist Andy Warhol would invert expectations by presenting commonplace objects or graphics as works of fine art (for example a urinal as a fountain), simply by presenting them in a way no one had thought to do before; the result was intended to induce an epiphany of "what art is" or is not.

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