Marie-Louise von Franz

Meeting Carl Gustav Jung

In Zürich, at the age of 18, in 1933, when about to finish secondary school, von Franz met the psychiatrist Carl Gustav Jung for the first time. Together with a classmate and nephew of Jung's assistant Toni Wolff, she and seven boys who she had befriended were invited by Jung to his Bollingen Tower near Zürich. For von Franz, this was a powerful and "decisive encounter of her life", as she told her sister later the same evening.

At the meeting, Jung and the pupils discussed psychology. When Jung commented on a "mentally ill woman, who [actually, not to be taken symbolically] lived on the moon" von Franz understood that there were two corresponding aspects of reality. The psychological, inner world, which contained dreams and myths, was as real as the outer, material world.

Studies, lean times and private tutoring

In 1933, at the University of Zurich, von Franz studied Classical philology and Classical languages (Latin and Greek) as major subjects and literature and ancient history as minor subjects.

Due to her father's major financial loss in the early 1930s as a result of the worldwide financial collapse, von Franz had to self-finance her tuition. She did this by giving private lessons as a tutor in Latin and Greek for gymnasium and university students. In the years after finishing her university studies, she continued to tutor in order to support herself financially, all the while working on fairy tale texts.

In addition to her university studies, von Franz occupied herself with Jungian psychology. She attended Jung's psychology lectures at the Swiss Federal Polytechnical School in Zürich (now the Swiss Federal Institute of Technology, Zürich) and, in 1935 and thereafter, also attended his psychology seminars. In 1934, she started analytical training with Jung.

Collaboration with C. G. Jung

In order to pay C.G. Jung for her training analysis, she translated works for him from Greek and Latin texts. Among others, she translated two major alchemical manuscripts: Aurora Consurgens, which has been attributed to Thomas Aquinas, and Musaeum Hermeticum. As many of its passages were of Islamic and Persian origin, von Franz took up Arabic as study subject at university.

This was the beginning of a long-standing collaboration with C.G. Jung, which continued until his death in 1961. Their collaboration was especially close in the field of alchemy. Not only did she translate works, she also commented on the origin and psychological meaning of Aurora Consurgens. She offered support for the theory that the Christian-alchemical text might have been dictated by Thomas Aquinas himself.

The experience that Jung termed "objective Psyche" or "collective unconscious" marked her life and work as well as her way of living. She worked to understand the reality of this autonomous psyche acting independently from consciousness.

Career

Von Franz worked with Carl Jung, whom she met in 1933 and with whom she collaborated until his death in 1961.

From 1942 on until her death, Marie-Louise von Franz practised as an analyst, mainly in Küsnacht, Switzerland. In 1987, she claimed to have interpreted over 65,000 dreams.

She wrote more than 20 books on analytical psychology, most notably on fairy tales as they relate to archetypal psychology and depth psychology. She amplified the themes and characters of these tales and focused on subjects such as the problem of evil, the changing attitude towards the female archetype.

Another field of interest and writing was alchemy, which von Franz discussed from the Jungian psychological perspective. She edited, translated and commented on Aurora Consurgens, attributed to Thomas Aquinas, on the problem of opposites in alchemy. During her last years of life, she commented on the Arabic alchemical manuscript of Muḥammad Ibn Umayl Hal ar-Rumuz (Solving the Symbols). For alchemists, imaginatio vera was an important approach to matter. It resembles in many aspects the active imagination discovered by C. G. Jung. Marie-Louise von Franz lectured in 1969 about active imagination and alchemy and also wrote about it in Man and His Symbols. Active imagination may be described as conscious dreaming. In Man and His Symbols she wrote:

Active imagination is a certain way of meditating imaginatively, by which one may deliberately enter into contact with the unconscious and make a conscious connection with psychic phenomena.

A third field of interest and research was synchronicity, psyche and matter, and numbers. It seems to have been triggered by Jung, whose research had led him to the hypothesis about the unity of the psychic and material worlds—that they are one and the same, just different manifestations. He also believed that this concept of the unus mundus could be investigated by means of researching archetypes. Due to his advanced age, he turned the problem over to von Franz. Two of her books, Number and Time and Psyche and Matter, deal with this research.

Von Franz believed that a synchronistic event is one in which there is an acausal correspondence between the internal state of an individual and an externally related event, but it is necessary that the individual perceives this personal meaning, or else there is no synchronicity, just a similarity. Regarding number, von Franz claims that the union between symmetrical internal psychological experience and external material processes may be formally represented by number. This numerical basis as the correspondence between psyche and matter functioned as von Franz's logic in suggesting why synchronicities could occur–there was a uniting principle between the expression of inner and outer realms, which were rooted in the same substance. She also believed that life itself, through its sequences, could be given a numerical quality, like the chapters in a book, and that by the end we have an opportunity to reach a complete work, or whole story. In Number and Time, she claims that numbers in dreams are expressed qualitatively, where numbers are “structural characteristics of the Self symbol.”

In 1968, von Franz was the first to argue that the mathematical structure of DNA is analogous to that of the I Ching. She cited the I Ching in an essay, "Symbols of the Unus Mundus", published in her book Psyche and Matter.

Another basic concern throughout many of her works was how the collective unconscious compensates for the one-sidedness of Christianity and its ruling god image, via fairy tales and alchemy. In an analysis of the visions of Saint Perpetua, a martyr, she writes that such visions enable us to gain a deep insight into the unconscious spiritual situation of the time. They show the deep conflict of that time, the transition from Paganism to Christianity. "The martyrs appear in many respects as the tragic, unconscious victims of the transformation which was then being fulfilled deep down in the collective stratum of the human soul: the transformation of the image of God"
Another compensatory motif is the symbolism of the vessel of the holy grail in The Grail legend. In this book she discusses the psychological symbolism of the documented legends of the Holy Grail. It evolved out of the completion of Emma Jung's unfinished research, which Marie-Louise von Franz had been asked to take over and publish after Emma Jung's death.

In the visions of Swiss Saint Nikolaus von Flüe she dealt with the aspects of the dark and evil as well as the cosmic side as part of a more holistic image of god. Von Franz says that the visions reveal basic tendencies of collective unconscious that seem to strive to further develop the Christian symbolism and by that giving points of orientation, showing where the unconscious psyche wants to let us notice and understand the problem of opposites and by that to bring us to more closeness and fear of God.

Films

In addition to her many books, von Franz made a series of films in 1987 titled The Way of the Dream, along with her student, Fraser Boa. In The Wisdom of the Dream, a channel 4 television series, London 1989, von Franz was interviewed. Text of the film is printed in: Seegaller, S. and Berger, M: Jung – the Wisdom of the Dream. London 1989.

Lectures

In 1941–1944 von Franz was an associate member of the Psychological Club, Zürich. There she first lectured on the visions of Perpetua on June 7, 1941, which later was expanded and published as her first book The Visions of Perpetua. In the following years, she held many lectures at the Zürich Psychological Club. They constituted the basis of many of her books.

Between 1942 and 1952 she acted as its librarian.

In 1944 she became one of its full members.

In 1948, she was a co-founder of the C. G. Jung Institute in Zürich.

In 1974, von Franz together with some of her pupils (René Malamud, Willi Obrist, Alfred Ribi, and Paul Walder) founded the "Stiftung für Jung'sche Psychologie" (Foundation for Jungian Psychology). The aim of this foundation is to support research and promulgation of findings in the field of Jungian depth psychology. It also publishes the journal Jungiana.

Interpretation of fairy tales

In 1935 Hedwig von Beit asked Marie-Louise von Franz to assist her part-time with writing a book about fairy tales. Von Franz embarked on a time-consuming 9-years research and interpretation work. Fairy tales became increasingly important to her in regard to psychological questions. The work is published in the book Symbolik des Märchens (Symbolism of Fairy Tales). Nevertheless, this book (of 3 volumes) was only published under the name of Hedwig von Beit. In her later talks and books, she connects fairy tale interpretation with everyday life. Alfred Ribi says, that von Franz might well be understood as the first to discover and demonstrate the psychological wisdom of fairy tales.

Von Franz's interpretation of fairy tales is based on Jung's view of fairy tales as a spontaneous and naive product of soul, which can only express what soul is. That means, she looks at fairy tales as images of different phases of experiencing the reality of the soul. They are the "purest and simplest expression of collective unconscious psychic processes" and "they represent the archetypes in their simplest, barest and most concise form" because they are less overlaid with conscious material than myths and legends. "In this pure form, the archetypal images afford us the best clues to the understanding of the processes going on in the collective psyche". "The fairy tale itself is its own best explanation; that is, its meaning is contained in the totality of its motifs connected by the thread of the story. [...] Every fairy tale is a relatively closed system compounding one essential psychological meaning which is expressed in a series of symbolical pictures and events and is discoverable in these".

I have come to the conclusion that all fairy tales endeavour to describe one and the same psychic fact, but a fact so complex and far-reaching and so difficult for us to realize in all its different aspects that hundreds of tales and thousands of repetitions with a musician's variation are needed until this unknown fact is delivered into consciousness; and even then the theme is not exhausted. This unknown fact is what Jung calls the Self, which is the psychic reality of the collective unconscious. [...] Every archetype is in its essence only one aspect of the collective unconscious as well as always representing also the whole collective unconscious.

The fairy tales' hero and heroine – with which the auditor identifies – are taken as archetypal figures (not as common human ego) representing the archetypal foundation of the ego-complex of an individual or a group. "The hero restores to healthy, normal functioning a situation in which all egos of that tribe or nation are deviating from their instinctive basic totality pattern. Hero and Heroine form "a model of an ego [...] demonstrating a rightly functioning ego, [...] in accordance with the requirements of the Self".

G. Isler explains further, "The figure of the hero as well as the whole story compensate what initially was an insufficient or wrong attitude of consciousness. The initial situation of need, misery and shortcomings is solved at the end having a structure which is more whole than the beginning. This corresponds to a renewal of the ruling consciousness (expressed e.g. in the young king), being oriented towards psychic wholeness and totality in a way that is more appropriate" to the demands of the Self, than before. "Fairy tales compensate individual consciousness, but also an insufficient attitude of collective consciousness, which in European culture has been coined mainly by Christianity." In contrast to personalistic-subjective ways of interpretation, the fate of the hero is not understood as individual neurosis, but as difficulties and dangers, being imposed on man by nature.

Personal life

Jung encouraged von Franz to live with fellow Jungian analyst Barbara Hannah, who was 23 years older than she was. When Hannah asked Jung why he was so keen on putting them together, Jung replied that he wanted von Franz "to see that not all women are such brutes as her mother". Jung also stated that "the real reason you should live together is that your chief interest will be analysis, and analysts should not live alone." The two women became lifelong friends.

Personal Synchronicities and Dreams

Von Franz describes her most profound synchronistic experience as happening at the moment she wrote the line, “Sometimes a very insignificant man holds the threads of world history in his hand without knowing it.” Immediately as she wrote this, her telephone rang, in which she answered a man from Rome claiming to be from the diplomatic corps, saying that Prince Charles would be murdered. At the same moment of this call, Prince Charles was on the Britannia yacht reading her book on alchemy, as reported by her close associate Laurens van der Post. After contacting the Metropolitan Police about the call and hearing no response, she later found out that the London Times reported that a terrorist had been arrested, and that he was renting an apartment in Rome intending to murder Prince Charles. She describes this situation as being “a whole bouquet” of significant coincidences.

During a meeting with Nora Mindell, one of von Franz's close associates, von Franz reported a dream she had about a large fish swimming around in a tank with another smaller fish, expressing that she wished people would “cook and serve” the fish one day. She interpreted this dream as pertaining to her feeling that the work her and Jung did in analytical psychology was very pertinent to major developments in modern science, and especially to psychology, and so she wanted this work to be expanded upon.

Correspondence with Wolfgang Pauli

Von Franz had a lengthy exchange of letters with Wolfgang Pauli, winner of a Nobel Prize in physics. On Pauli's death, his widow Franca deliberately destroyed all the letters von Franz had sent to her husband, and which he had kept locked inside his writing desk. The letters sent by Pauli to von Franz were all saved and were later made available to researchers (and published as well).

Bollingen tower

Von Franz was passionately interested in nature and gardening. In order to meet her love for nature, she acquired a piece of land at the borders of a large forest above Bollingen. At this site, in 1958, she built a quadrate tower following the example of C. G. Jung. The tower was meant to be a hermitage, having neither electricity nor a flushing cistern. She collected wood for heating and cooking from the surrounding woods. There was also a bog pond, abundant with toads and frogs, which she loved. This tower enabled her "to escape modern civilization and all its unrest from time to time and to find a refuge in nature", as her sister reported. There she felt "in tune with the spirit of nature" and wrote many of the books that she had planned early on in her life, and which she realised one after the other throughout the decades.

Later years

Between the 1950s and 1970s, von Franz travelled widely, not only for holidays but also for lecturing. She visited European countries including Austria, England, Germany, Greece, Italy and Scotland, as well as America, Egypt and some Asian countries.

After 1986 she turned to a more introverted life at her home in Küsnacht, Switzerland. Several times a year she took a retreat into her Bollingen tower, which in some years was up to a five months stay. She concentrated mainly on her creative work, especially alchemy, and continued to meet friends and patients from all over the world.

Illness and death

During her last years, von Franz had Parkinson's disease. Barbara Davies stated that she only took a minimum of her medicine, so that she was increasingly physically affected by her illness until death, but could keep a clear mind and consciousness.

Von Franz died in Küsnacht, Switzerland on 17 February 1998. She was 83.

Collected Works

On January 4, 2021, on the 106th anniversary of the author's birth, Chiron Publications began publishing a new translation in English of the 28 volumes that make up her Collected Works, estimating a 10-year period for completion.

• Marie-Louise von Franz. Steven Buser y Leonard Cruz (ed.). Collected Works of Marie-Louise von Franz. 28 volumes in paperback and hardcover, translation Roy Freeman & Anthony Woolfson. Stiftung für Jung'sche Psychologie & Chiron Publications.

1. Volumes 1-5: Archetypal Symbols in Fairytales.
   1. Volume 1: The Profane and Magical Worlds. 608 pages, 863 mentioned fairy tales. 2021. ISBN 978-1-63051-855-4.{{cite book}}: CS1 maint: others (link)
   2. Volume 2: The Hero's Journey. 478 pages. 2021. ISBN 978-1-63051-951-3.{{cite book}}: CS1 maint: others (link)
   3. Volume 3: The Maiden's Quest. 520 pages. 2021. ISBN 978-1-63051-961-2.{{cite book}}: CS1 maint: others (link)
   4. Volume 4: Opposition and Renewal. 2025. ISBN 978-1-68503-591-4.
2. Volume 6: Niklaus Von Flüe And Saint Perpetua: A Psychological Interpretation of Their Visions. 2022. ISBN 978-1-68503-030-8.
3. Volume 7: Aurora Consurgens. 2022. ISBN 978-1-63051-963-6.
4. Volume 8: Introduction to the Interpretation of Fairytales & Animus and Anima in Fairytales. 2023. ISBN 978-1-68503-170-1.
5. Volume 9: C.G. Jung. His Myth in Our Time. 2024. ISBN 978-1-68503-192-3.
6. Volume 10: The Problem of the Puer Aeternus: Eternal Youth and Creative Spirit. 2024. ISBN 978-1-68503-543-3.
7. Volume 11: Alchemy. 2026. ISBN 978-1-68503-671-3.