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Media portrayals of bisexuality

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Through Bisexuality, Mass media and Literature

Bisexuality is a sexual orientation that refers to the romantic and/or sexual attraction towards people of more than one gender (historically towards men and women). Bisexual characters have been featured in animation and anime for years. Despite this representation, "not all queer presentation" is created equal as one scholar noted, with representation of bisexual and transgender characters lagging behind lesbians and gay men in some respects, with this representation important in the U.S. political climate while GLAAD called for Hollywood to produce more films with LGBTQ characters.

Film

In a 2002 report analyzing bisexuality in various mediums, specifically movies, television, and music, GLAAD criticized the track record of the movie industry in the United States, when it came to representation, and inclusion, of bisexuality, stating that often bisexual content is either "removed from novels that films are based on," removed from original screenplays when filming begins, or is taken out on the cutting room floor. This report praised the films Flirting With Disaster (1996), My Own Private Idaho (1991), The Color Purple (1985), French Twist (1995), Rocky Horror Picture Show (1975), and Henry & June (1990) for being "fair, accurate and inclusive" when it came to bisexual characters. However, the film Basic Instinct (1992) was described as "one of the worst examples of biphobia ever put on a screen" while Inside Daisy Clover (1965) and Spartacus (1960) were criticized for their removal of scenes with "bisexual content." Basic Instinct also received controversy from the bisexual community for portraying a bisexual as a psychopathic killer.

In 2005, the site Out Films, listed 10 Hollywood films which they felt had the best bisexual representation. Apart from My Own Private Idaho, which GLAAD had listed in their report, the site listed nine other films: Kissing Jessica Stein (2001), De-Lovely (2004), Water Drops on Burning Rocks (2004), Sunday, Bloody Sunday (1971), Midnight Cowboy (1969), Kinsey (2004), Cabaret (1972), Y Tu Mama Tambien (2001), and Midnight Express (1978).

In 2018, the British Film Institute argued that bisexuals are often not explored in cinema, with the worse examples of films being "downright squeamish about their characters' bisexuality." They noted this was the case in films such as Alexander (2004), Caligula (1978), and Skyfall (2012), and added that bisexual women are "even less visible in Hollywood films," apart from Young Man with a Horn (1950). As such, BFI criticized portrayals in films like The Fox (1967) and Gia (1998). The Institute further notes films, including those not bisexual "in the conventional sense," where characters enjoy "sex with men and women," apart from those noted by GLAAD and Out Films: Sex in Chains (1928), Les Biches (1968), Theorem (1968), Score (1974), The Comedian (2012), and Appropriate Behavior (2014). The same year, Ariel Sobel, in an article in The Advocate, praised Rooney Mara in The Girl With the Dragon Tattoo (2011) for portraying "the ultimate queer superhero" and called her character, Lisbeth Salander, "a testament to the brilliance of bisexual women." Sobel also pointed to Tully (2018) as a film about "a woman who happens to be queer" and argued that it "showcases how LGBTQ people go through all sorts of milestones," then experiencing them.

In February 2020, Pride.com said that while corporations "seem content to live in their heteronormative worlds," sources reported that Sony was creating a live-action movie with Spider-Man as bisexual and having a boyfriend.

In September 2020, Zachary Zane and Adrianna Freedman concluded in an article in Men's Health that it is "not easy to find a movie with bisexual characters," especially not easy to find one "that offers a positive and authentic depiction of bisexuality," saying this is terrible for bisexual people. As such, the article pointed to 16 films which have done a great "or at least reasonably decent" job at depicting bisexuality, most of which had not been highlighted by GLAAD or Out Films: Atomic Blonde (2017), Booksmart (2019), Call Me By Your Name (2017), Imagine Me and You (2005), Brokeback Mountain (2005), Behind the Candelabra (2013), Colette (2018), and Dare (2009). However, one of their selections, Bohemian Rhapsody (2018), was criticized for its portrayal of Mercury's sexuality and use of homophobic tropes. Another selection, Chasing Amy (1997), was praised by The Advocate for its "exploration of sexual politics" and the troubles that bisexual women encounter when taking "on straight partners." The same magazine argued that Frida (2002), one of Zane and Freedman's selections, highlights an "underacknowledged bisexual," Frida Kahlo, and called The Kids Are All Right (2010), also chosen by Zane and Freedman, was "the most accomplished film about queer women created by a queer woman." In 2021, Marya E. Gates of Nerdist restated that clear bisexuality is rare in film and also wrote that several acclaimed bisexual-themed films did not "get it", suggesting there were only few examples of bisexuality in film that are explicit and genuine, naming examples Appropriate Behavior (2014), Moonlight (2016) and Shiva Baby (2020).

In December 2020, Apoorva Nijhara examined bisexuality in Bollywood films, noting those which had positive or negative representation. She noted that Bollywood has not tried to counter stigma against bisexual people, stating that "bisexuality happens to be the least explored topic when it comes to Bollywood," citing Fire (1996), Dedh Ishqiya (2014), and Padmaavat (2018) as examples of bad representation. However, she points to bisexual-positive themes in Honeymoon Travels Pvt. Ltd. (2007) and Margarita with a Straw (2014), calling the latter film the "only movie that has actually shown bisexuality in perfect light."

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