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The Addams Family

Fictional family created by Charles Addams

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The family members were unnamed until the 1960s. Matriarch Morticia and daughter Wednesday received their names when a licensed doll collection was released in 1962; patriarch Gomez and son Pugsley were named when the 1964 television series debuted. The Addams Family consists of Gomez and Morticia Addams, their children, Wednesday and Pugsley, and close family members Uncle Fester and Grandmama, their butler Lurch, and Pugsley's pet octopus, Aristotle. The dimly seen Thing (later a disembodied hand) was introduced in 1954, and Gomez's Cousin Itt, Morticia's pet lion Kitty Kat and Morticia's carnivorous plant Cleopatra in 1964. Pubert Addams, Wednesday and Pugsley's infant brother, was introduced in the 1993 film Addams Family Values.

The live-action television series premiered on ABC on Friday, September 18, 1964, and ran for two seasons. An animated series from Hanna-Barbera aired in 1973 and the characters had cameos in the animated The New Scooby-Doo Movies. The 1960s television show characters and actors returned in a 1977 telefilm titled Halloween with the New Addams Family.

The franchise was revived in the 1990s with a feature film series consisting of The Addams Family (1991) and Addams Family Values (1993). The films inspired a second animated series (1992–1993) which is set in the same fictional universe. The series was rebooted with a 1998 direct-to-video film and a spin-off live-action television series (1998–1999). In 2010, a live musical adaptation featuring Nathan Lane and Bebe Neuwirth opened on Broadway to tepid reviews, but it was nominated for two Tony Awards and eight Drama Desk Awards, winning one Drama Desk Award for Outstanding Set Design. The series was rebooted again in 2019 with the animated film The Addams Family, which led to a sequel in 2021. In 2022, Netflix debuted the original live action series Wednesday, based around the daughter of the family.

The franchise has spawned a video game series, academic books and soundtracks, which are based around its Grammy-nominated theme song. A staple in pop culture for eight decades, The Addams Family has influenced American comics, cinema and television. The goth subculture and its fashion have also been influenced by The Addams Family.

History

Origins and The New Yorker cartoons (1933–1964)

Charles Addams began as a cartoonist in The New Yorker with a sketch of a window washer that ran on February 6, 1932. Addams first drew the then-unnamed Morticia some years before her first published appearance in The New Yorker. Some sources give a date of 1933, while Addams himself when asked in interview suggested "around 1937." Media speculation at the time often connected Morticia to Charles Addams' first wife Barbara Jean Day, but he had yet to meet her. In an interview in 1981 he acknowledged that Morticia reflected the qualities he was attracted to. Because of this, the women he married later on resembled the character. He described Morticia as "not patterned after anyone in particular, although I've often thought there was a little Gloria Swanson in her."

The first Addams Family cartoon was published in 1938, in a one-panel gag format. Charles Addams became a regular contributor to The New Yorker and drew approximately 1,300 cartoons between then and his death in 1988. 58 of these would feature the Addams Family, almost all of which were published in the 1940s and 1950s. Members of the family were introduced one by one, with Morticia first, Gomez (based on Thomas E. Dewey) joining four years later, Pugsley, and finally Wednesday and Fester shortly after. Addams indicated that Fester resembled himself, "plus a little more hair." A Christmas 1946 strip, showing the family pouring boiling oil on carolers, was well received and was later sold on Christmas cards. Outside of The New Yorker, Addams also published several collections, the most notable being Dear Dead Days: A Family Album in 1959.

In 1946, Addams briefly collaborated with science fiction writer Ray Bradbury, planning out an illustrated book about a supernatural family named The Elliotts, similar to The Addams Family. There was difficulty finding a publisher however, and the two went their separate ways. These stories were eventually anthologized in From the Dust Returned (2001), with a connecting narrative, an explanation of their collaboration, and the artwork Addams had created for the project in 1946.

Beginning in the early 1960s, the development of the television series affected the comics. For one thing, it is claimed that Wednesday was first given her name in reference to the nursery rhyme Monday's Child, where "Wednesday's child is full of woe". Actress and poet Joan Blake offered Charles Addams the idea for the name and the others were eventually named ahead of the series' debut. Some suggestions from series showrunner David Levy were introduced into the last comics of the era, including the addition of Thing and Cousin Itt. Itt was an invention of Levy's, while Thing was an expansion on a disembodied hand that had appeared in a 1954 strip. The comics ceased publication in The New Yorker in 1964, as the editor William Shawn banned the characters. He was concerned about the image of the publication, and did not want it associated with a mainstream sitcom. Smithsonian Magazine called him "snooty" for the decision.

TV adaptations and rise to popularity (1964–1977)

In the early 1960s, former NBC executive David Levy stumbled across one of Addams' books in a New York bookstore and realized that the tone would be perfect for television. He purchased the book and met with Addams in the Plaza Hotel, and the topic of a television adaptation was raised. Addams had been approached about television adaptations by others in the past, but he was inclined to take Levy up on the offer because of their shared friend in the author John O'Hara. At the next meeting, at Addams' apartment, Levy indicated the characters would need to be named, and Addams came up with a list for the third meeting. According to Levy, Addams had little involvement with the series after those three meetings. He retained the right to veto casting decisions and other choices, but did not make use of the power. Some rights to the franchise were given to Filmways, the production company for the show.

The 1964 television adaptation on ABC brought the series to a much wider audience and was well received publicly. Producer Nat Perrin took a "less evil" approach to the characters and stories than Addams had in the cartoons, emphasizing lighter, more comedic elements. Stephen Cox later described the series as "more zany than spooky". Charles Addams himself was less happy with the series, criticising the characters for being "half as evil" as in the comics.

The popular series, broadcast on the ABC network, ran only two seasons. No official reason was given for the cancellation, though Smithsonian Magazine speculated that it was due to the adoption of color programming on the network the following year. It has also been suggested that competition with Hogan's Heroes in the same time slot on CBS was a factor.

The show’s cancellation in 1966 brought issues for Addams, as he faced a drop in income with the show no longer in production. His second wife Barbara Barb was a practicing lawyer who had engaged in "diabolical legal scheming" during their marriage, and had convinced Addams to sign over the rights to future television and film adaptations, as well as rights to some of his other cartoons. Following their divorce she remained in possession of these rights until 1991, when she sold them to allow development of the Sonnenfeld films. Addams could also no longer publish his comics in The New Yorker as Shawn's ban remained in effect even after the television series concluded. Addams became bitter towards the magazine "for disowning his family". The franchise remained in the popular consciousness even after the series concluded, with the "Lurch" dance move remaining popular through the 1960s. The television series was often re-run through television syndication for years afterward, particularly in Australia.

Hanna-Barbera parodied the show in November 1964 by introducing a family named "The Gruesomes" to The Flintstones, and the Gruesomes appeared occasionally in Flintstones media into the early 1970s. The studio later animated a 1972 Addams Family crossover with Scooby-Doo, which led to a 1973 animated series. The animated incarnation featured a new cast except for Felix Silla, who returned as Cousin Itt. The show had good ratings and spawned a line of children's merchandise, but only aired 16 episodes. A pilot was also produced that year for a new live action series entitled The Addams Family Funhouse, using a different cast. The pilot was aired in 1973 but never picked up for a full series.

A 1977 special, Halloween with the New Addams Family, reunited most of the original cast from the 1964 series, with Blossom Rock absent due to her health. The made-for-TV movie faced issues during production and was poorly received. It was shot using a house set that had been constructed for the horror film Ben, which didn't resemble the original Addams mansion and caused technical issues with lighting. The film was widely criticised for the script, direction, and the performances of some of the actors. Jackie Coogan in particular was recovering from a mild stroke during filming.

Wave of interest in Australia (1979–1989)

While William Shawn's ban on further Addams Family comics in The New Yorker persisted until 1987, Addams was able to sneak in several of the characters as a cameo in Z Line Subway, a 1979 strip. He married Marilyn Matthews Miller in 1981, in an Addams family themed ceremony conducted in a cemetery. Filmways, the production company of the 1964 series and holder of some franchise rights, was purchased in 1982 by Orion Pictures. The retirement of Shawn in 1987 allowed a brief return of the cartoons to The New Yorker, though Addams died only a year later. While largely inactive in the United States, the franchise did however see a wave of popularity in Australia, brought on by widely watched reruns on TCN-9. New merchandise was released in Australia and a "Morticia Boutique Dress Shop" opened in Melbourne in 1988. A satellite-linked interview with surviving members of the original cast was also aired on Australian television. A fan quoted by Cox credited the tone of the Addams family for its success in 1980s Australia, noting that the characters were "less American" than the Munsters, and that Australians had a different life-style. Astin reprised his role as Gomez for a 1989 episode of Nick at Nite's Sitcom Zone, in which he introduced reruns of shows for a two-hour programming block. A 1989 video game Fester's Quest was developed by Sunsoft, and received mixed reviews. To promote the game some black-and-white advertisements were filmed using the characters.

Film series and The New Addams Family (1991–2001)

The head of production at 20th Century Fox, Scott Rudin, pitched an Addams Family film but Fox did not have the rights to the franchise. The rights were at the time split between two parties: The late Addams' second wife Barbara Barb, and Orion Pictures. The latter were in possession of film rights in particular after purchasing Filmways in 1982. Fox attempted to purchase those rights but failed, as Orion had plans for a new TV series. The studio's plans changed however after Barb sold her rights to Orion, and the studio brought Rudin on board to produce a film. Caroline Thompson and Larry Wilson wrote a script, and faced many re-writes early on. Tim Burton was considered for director, but the role ultimately went to Barry Sonnenfeld. The film featured a new cast, Blossom Rock (Grandmama) having died in 1978, Ted Cassidy (Lurch) in 1979, Carolyn Jones (Morticia) in 1983 and Jackie Coogan (Fester) in 1984. Production on the film was troubled, with Sonnenfeld blacking out on set, and a burst blood vessel in Raul Julia's eye further delaying the shoot. Director of photography Owen Roizman quit the production three months from completion, forcing Sonnenfeld to take on the role in addition to his existing responsibilities. Orion faced financial issues and sold the project and Addams family rights to Paramount mid-production- though the deal did not include overseas home media rights, which harmed distribution after release. Orion retained those, and those rights passed to Metro-Goldwyn-Mayer when the studio was bought out in 1997.

While the 1991 film received mixed reviews from critics, it performed reasonably well at the box office despite its production issues. The film triggered a lawsuit from David Levy over its use of Thing and Cousin Itt, as Levy had been the creator of those characters ahead of the launch of the 1964 television series. The case was settled out of court and the resolution is not known publicly. A second film in 1993, Addams Family Values was highly regarded by critics but performed poorly at the box office unexpectedly, and earned less than half the revenue of its predecessor. This, and the sudden death of Julia in 1994, prevented Sonnenfeld from producing further films. Both films received nominations for Academy Awards, BAFTA Awards, and Hugo Awards. For her role as Morticia, Anjelica Huston was twice nominated for the Golden Globe Award for Best Actress, and Raul Julia (as Gomez), Christina Ricci (as Wednesday), Christopher Lloyd (as Fester), and Joan Cusack (as Fester's wife, Debbie Jellinsky, in the sequel) received multiple Saturn Award and American Comedy Award nominations for their portrayals.

Following the wave of interest in the franchise, a 1992 animated television series notably saw John Astin reprise his role as Gomez, almost thirty years after his first appearance in the role in 1964. It was nominated for four Daytime Emmy Awards, including one for Astin. That year, a pinball machine based on the franchise was also released, featuring original voice acting from Julia and Huston as Gomez and Morticia. It went on to become the highest selling pinball machine of all time at over 20,000 units.

A direct-to-video film, Addams Family Reunion produced by Saban Entertainment in 1998, featured the return of Carel Struycken as Lurch and Christopher Hart as Thing, but was otherwise unrelated to the Sonnenfeld films. It was very poorly received. The film was intended as the pilot for a Canadian-produced live-action television series, The New Addams Family, made with a mostly different cast and airing the following year. Astin, then in his late 60s, returned as Grandpapa Addams in the TV series, rather than Gomez, who was played by Glenn Taranto. The show concluded after a single season in 1999. A video game adaptation of The New Addams Family was released in 2001 for the Game Boy Color.

Musical and animated adaptations (2007–2021)

In 2007, Elephant Eye Theatrical announced that they had obtained the rights to a musical adaptation of the comic series, which at that time were held by the Tee and Charles Addams Foundation. After a try-out in Chicago in 2009, the musical was performed on Broadway in 2010, and thereafter in a sequence of international tours until 2021.

The rights to the franchise were purchased by Illumination Entertainment in 2010, and the studio shortly announced a Tim Burton stop-motion led film. However, Burton withdrew from the project in 2013 over a decision to use computer animation rather than stop motion as he had intended. Metro-Goldwyn-Mayer acquired the remaining rights and announced a computer animated film the same year, and entered into production in the late 2010s. Unlike the Burton version, this would use 3D computer animation. The film was eventually released in 2019, to a moderate box-office sales and mixed reception. A sequel, released in 2021 amid the COVID-19 pandemic, was far less successful and poorly received critically.

Netflix series (2022–present)

Miles Millar and Alfred Gough began work on a live-action spin-off series entitled Wednesday in 2019, financed by MGM. The writers room for the series took place during the start of the COVID-19 pandemic, and so was conducted remotely. The project was formally announced in 2020, with Burton as executive producer. The series premiered with its first season in 2022 to critical acclaim, and a second season followed in 2025. Amazon purchased MGM in 2021, which in turn means that the Addams Family rights now rest with the company.

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