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Preah Vihear

Ancient Buddhist temple in Cambodia

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  • 4 chapters
Temple of Preah Vihear, Cambodia
PsamatheM · CC BY-SA 4.0

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Through International Court of Justice, UNESCO and Hindus

As a key edifice of the empire's spiritual life, Preah Vihear was supported and modified by successive kings and thus bears elements of several architectural styles. It is unusual among Khmer temples in being constructed along a long north–south axis, rather than having the conventional rectangular plan with orientation toward the east. The temple gives its name to the surrounding Preah Vihear province.

In 1962, after a lengthy dispute between Cambodia and Thailand over ownership, the International Court of Justice in the Hague ruled that the temple is in Cambodia. On 7 July 2008, Preah Vihear was listed as a UNESCO World Heritage Site. This prompted an escalation in the dispute between Cambodia and Thailand over the temple, which was settled in favour of Cambodia by another ICJ ruling in 2013.

Location

The temple was built at the top of Poy Tadi, a steep cliff in the Dângrêk Mountain range that is the natural border between Cambodia and Thailand. The site is listed by Cambodia as being in Svay Chrum village, Kan Tout commune, in Choam Khsant District of Preah Vihear Province. It is 140 km from Angkor Wat and 418 km from Phnom Penh. In 1962, the ICJ ruled that the temple building belonged to Cambodia.

Site

The temple complex runs 800 m (2,600 ft) along a north–south axis, facing the plains to the north, from which it is cut off by the international border. It consists of a causeway and steps rising up the hill towards the sanctuary, which sits on the clifftop at the southern end of the complex (120 m or 390 ft above the northern end of the complex, 525 m or 1,722 ft above the Cambodian plain and 625 m or 2,051 ft above sea level). Although this structure is very different from the temple mountains found at Angkor, it serves the same purpose as a stylised representation of Mount Meru. The approach to the sanctuary is punctuated by five gopuras (these are conventionally numbered from the sanctuary outwards, so gopura five is the first to be reached by visitors). Each of the gopuras before the courtyards is reached by a set of steps and so marks a change in height. The gopuras also block a visitor's view of the next part of the temple until they pass through the gateway, making it impossible to see the complex as a whole from any one point. The fifth gopura, in the Koh Ker style, retains traces of the red paint with which it was once decorated, although the tiled roof has now disappeared. The fourth gopura is more recent, from the Khleang/Baphuon periods, and has on its southern outer pediment "one of the masterpieces of Preah Vihear" (Freeman, p. 162): a depiction of the Churning of the Sea of Milk. The third is the largest and is also flanked by two halls. The sanctuary is reached via two successive courtyards, in the outer of which are two libraries.

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