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Vasubandhu

4th/5th century Buddhist monk

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Vasubandhu as an Ancestral Master of the Yogācāra School, as depicted in Portraits of the Buddha and Ancestral Masters 佛祖正宗道影
Shouyi 首一 · Public domain

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Through Nalanda mahavihara, Chandragupta I and Samudragupta

Vasubandhu's Abhidharmakośakārikā ("Commentary on the Treasury of the Abhidharma") is widely used in Tibetan and East Asian Buddhism, as the major source for non-Mahayana Abhidharma philosophy. His philosophical verse works set forth the standard for the Indian Yogacara metaphysics of "appearance only" (vijñapti-mātra), which has been described as a form of "epistemological idealism", phenomenology and close to Immanuel Kant's transcendental idealism. Apart from this, he wrote several commentaries, works on logic, argumentation and devotional poetry.

Vasubandhu is one of the most influential thinkers in the Indian Buddhist philosophical tradition. Because of their association with Nalanda university, Vasubandhu and Asanga are amongst the so-called Seventeen Nalanda Masters. In Jōdo Shinshū, he is considered the Second Patriarch; in Chan Buddhism, he is the 21st Patriarch.

Life and works

Different sources provide different places for Vasubandhu's birthplace. Xuanzang states that Vasubandhu was born in Gandhara however Buton Rinchen Drup places Vasubandhu in Central India. Vasubandhu's name means "the Kinsman of Abundance." Tibetan Buddhism sees the two brothers as part of the six great Indian commentators called the "Six Ornaments". He was contemporaneous with Chandragupta I, father of Samudragupta. This information temporally places this Vasubandhu in the 4th century CE. The earliest biography of Vasubandhu was translated into Chinese by Paramärtha (499-569).

Vasubandhu initially studied with the Buddhist Sarvāstivāda (also called Vaibhāṣika, who upheld the Mahavibhasa commentary) school which was dominant in Gandhara, and later moved to Kashmir to study with the heads of the orthodox Sarvastivada branch there. After returning home, he lectured on Abhidharma and composed the Abhidharmakośakārikā (Verses on the Treasury of the Abhidharma), a verse distillation of Sarvastivada Abhidharma teachings, which was an analysis of all factors of experience into its constituent dharmas (phenomenal events). However Vasubandhu had also begun to question Sarvāstivāda-Vaibhāṣika view for some time, and had studied with the Sautrāntika teacher, Manoratha. Thus, his auto-commentary to his Abhidharma verses sometimes criticize the Vaibhāṣika system from a Sautrāntika viewpoint. However, the work is not always critical of Vaibhāṣika, and in some cases, it also defends the orthodox Vaibhasika position. The Abhidharmakośa remains the main source for Abhidharma studies in both Tibetan Buddhism and East Asian Buddhism.

Vasubandhu is later said to have converted to Mahayana beliefs under the influence of his brother Asanga, whereupon he composed a number of Yogacara treatises and Mahayana sutra commentaries. Some of his most influential Mahayana works have been the Twenty Verses on Consciousness Only (Vimśatikāvijñaptimātratāsiddhi), with its commentary (Viṃśatikāvṛtti), the Thirty Verses on Consciousness-only (Triṃśikā-vijñaptimātratā) and his Discourse on the Pure Land (Jìngtǔ lùn 浄土論). The Thirty Verses is the basis for Xuanzang's Cheng Wei Shi Lun, one of the most important sources in East Asian Yogacara Buddhism. His Pure Land treatise was also very influential on East Asian Pure Land Buddhism.

In India, Vasubandhu became known as a major Mahayana master, scholar and debater. He is reported to have defeated Samkhya philosophers in debate in front of the Gupta king "Vikramaditya" (variously identified as Chandragupta II or Skandagupta) at Ayodhya, who is said to have rewarded him with 300,000 pieces of gold. Vasubandhu used the money he made from royal patronage and debating victories to build Buddhist monasteries and hospitals.

As per traditional accounts, Vasubandhu died while visiting Ayodhya at the age of 100.

Attributed works

Vasubandhu was prolific author of Buddhist treatises and commentaries. A list of his key works includes:

Treatises

  • Viṃśatikā-vijñaptimātratāsiddhi (Twenty Verses Demonstrating Consciousness Only)
  • Triṃśikā-vijñaptimātratā (Thirty Verses on Consciousness Only
  • Pañcaskandhaprakaraṇa (Explanation of the Five Aggregates)
  • Karmasiddhiprakarana (A Treatise on Establishing Karma)
  • Vyākhyāyukti (Proper Mode of Exposition), a text on Buddhist Hermeneutics,
  • Vādavidhi (Rules for Debate), a text of formal epistemology (pramana) theory and debate
  • *Mahāyāna śatadharmā-prakāśamukha śāstra (Baifa mingmen lun 百法明門論, Lucid Introduction to the One Hundred Dharmas, T 1614)
  • Trisvabhāva-nirdeśa (Exposition on the Three Natures) - some scholars question the attribution of this text to Vasubandhu (or at least argue that this is a late work of his which differs in various respects from other works).
  • Paramārthasaptati, a critique of Samkhya philosophy

Commentaries

  • Catuhśataka-śāstra (A commentary on Aryadeva's Four Hundred Verses)
  • Mahāyānasaṃgraha-bhāṣya (Commentary to the Summary of the Great Vehicle of Asanga)
  • Dharmadharmatāvibhāga-vṛtti (Commentary on Distinguishing Elements from Reality)
  • Madhyāntavibhāga-bhāṣya (Commentary on Distinguishing the Middle from the Extremes)
  • Mahāyānasūtrālaṃkāra-bhāṣya (Commentary on the Ornament to the Great Vehicle Discourses), this attribution has been questioned by some scholars.
  • Amitayus sutropadeśa (Instruction on the Sukhāvatīvyūha Sūtra), also called "Discourse on the Pure Land" (Jìngtǔ lùn 浄土論).
  • Dasabhūmika-bhāsya (Commentary on the Ten Stages Sutra)
  • Commentary on the Aksayamatinirdesa-sutra
  • Commentary on the Diamond Sutra
  • Commentary on the Lotus Sutra
  • Treatise on the Nirvana Sutra (Nirvāṇaśāstra, Ch: Niepan Lun 涅槃論 T1527), translated by Dharmabodhi

Two Vasubandhus theory

Erich Frauwallner, a mid-20th-century Buddhologist, sought to distinguish two Vasubandhus, one the Yogācārin and the other a Sautrāntika, but this view has largely fallen from favour in part on the basis of the anonymous Abhidharma-dīpa, a critique of the Abhidharmakośakārikā which clearly identifies Vasubandhu as the sole author of both groups of writings. According to Dan Lusthaus, "Since the progression and development of his thought ... is so strikingly evident in these works, and the similarity of vocabulary and style of argument so apparent across the texts, the theory of Two Vasubandhus has little merit." Scholarly consensus on this question has generally moved away from Frauwallner's "two-authors" position.

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