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Amitāyus Contemplation Sūtra

Pure land sutra in East Asian Mahāyāna Buddhism

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Through Central Asia

Also called by the short title Contemplation Sutra (觀經, Guān jīng), this sutra is one of the three principle Pure Land sutras along with the Amitayus Sutra and the Amitabha Sutra. Amitāyus ("Measureless Life") is another name for the Buddha Amitābha, the preeminent figure in Pure Land Buddhism, and this sūtra focuses mainly on meditations involving visualizations of Amitabha and his pure land of Sukhavati (The Blissful). This is reflected in the name of the sūtra, which can be translated as "Amitāyus Contemplation Sūtra" or "Amitāyus Visualization Sutra" It is believed to have first been composed in Chinese in the 5th century.

History

According to tradition, it was translated into Chinese by a monk named Kālayaśas 畺良耶舍 between 424 and 442 AD. However, it is generally considered by modern scholarship to be a non-Indian composition, possibly written in China or in Central Asia. Jonathan Silk has also shown that the frame narrative is based on a story which was known in India, so that at least this element of the sutra has an Indic basis.

No Sanskrit original has been discovered and the Sanskrit name and Sanskrit versions would thus be reverse translations. The text also shows Chinese influences, including references to earlier translations of Chinese Pure Land texts. Modern scholars generally accept that the text describes a meditation which was practiced in Central Asia, but with Chinese additions.

Other pieces of evidence point to a Central Asian origin for at least some of the content in the sutra. Mural paintings at Toyok, Turfan depict the contents of the sutra. Other such paintings, called Guanjing bianxiang 觀經變相, are found in Dunhuang.

The sutra became a very influential text in East Asian Pure Land Buddhism. It was taken up by Shandao 善導 (613–681), a key Pure Land author, who wrote an important commentary on the sutra called Commentary on the Sūtra of Contemplation of the Buddha of Infinite Life 觀無量壽佛經疏 (T 1753). Other commentaries were composed by Jingying Huiyuan (523–592) and Jizang (549–623). Another commentary (觀無量壽佛經疏 T 1750) is commonly attributed to Zhiyi, but this is likely a later composition.

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