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Abhisamayalankara

One of five Sanskrit-language Mahayana śastras

  • 19 min read
  • 5 chapters

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Through Nalanda mahavihara, Four Noble Truths and Nirvana

The AA is never mentioned by Xuanzang, who spent several years at Nalanda in India during the early 7th century, and became a savant in the Maitreya-Asaṅga tradition. One possible explanation is that the text is late and attributed to Maitreya-Asaṅga for purposes of legitimacy. The question then hinges on the dating of the earliest extant AA commentaries, those of Arya Vimuktisena (usually given as 6th century, following possibly unreliable information from Taranatha) and Haribhadra (late 8th century).

The AA contains eight chapters and 273 verses. Its pithy contents summarize—in the form of eight categories and seventy topics—the Prajñāpāramitā sūtras which the Madhyamaka philosophical school regards as presenting the ultimate truth. Gareth Sparham and John Makransky believe the text to be commenting on the version in 25,000 lines, although it does not explicitly say so. Haribhadra, whose commentary is based on the 8,000-line PP Sūtra, held that the AA is commenting on all PP versions at once (i.e. the 100,000-line, 25,000-line, and 8,000-line versions), and this interpretation has generally prevailed within the commentarial tradition.

Several scholars liken the AA to a "table of contents" for the PP. Edward Conze admits that the correspondence between these numbered topics, and the contents of the PP is "not always easy to see..."; and that the fit is accomplished "not without some violence" to the text. The AA is widely held to reflect the hidden meaning (sbas don) of the PP, with the implication being that its details are not found there explicitly. (Sparham traces this tradition to Haribhadra's student Dharmamitra.) One noteworthy effect is to recast PP texts as path literature. Philosophical differences may also be identified. Conze and Makransky see the AA as an attempt to reinterpret the PP, associated with Mādhyamaka tenets, in the direction of Yogacara.

The AA is studied by all lineages of Tibetan Buddhism, and is one of five principal works studied in the geshe curriculum of the major Gelug monasteries. Alexander Berzin has suggested that the text's prominence in the Tibetan tradition, but not elsewhere, may be due to the existence of the aforementioned commentary by Haribhadra, who was the disciple of Śāntarakṣita, an influential early Indian missionary to Tibet. Je Tsongkhapa's writings name the AA as the root text of the lamrim tradition founded by Atiśa.

Georges Dreyfus reports that "Gelug monastic universities... take the Ornament as the central text for the study of the path; they treat it as a kind of Buddhist encyclopedia, read in the light of commentaries by Je Dzong-ka-ba, Gyel-tsap Je, and the authors of manuals [monastic textbooks]. Sometimes these commentaries spin out elaborate digressions from a single word of the Ornament." Dreyfus adds that non-Gelug schools give less emphasis to the AA, but study a somewhat larger number of works (including the other texts of the Maitreya-Asanga corpus) in correspondingly less detail.

Title of the work

The text's full title is:

  • Sanskrit: Abhisamayālaṅkāranāmaprajñāpāramitopadeśaśāstra
  • Tibetan: Shes rap kyi pha rol tu phyin pa'i man ngag gi bstan bcos mngon par rtogs pa'i rgyan ces bya ba

Which means:

  • abhisamaya (mngon par rtogs pa) - "Realization(s)"
  • alaṅkāra (rgyan) -- "Ornament" (Berzin prefers "Filigree")
  • nāma (zhes bya ba) -- "called"
  • prajñāpāramitā (shes rap kyi pha rol tu phyin ba) - "Perfection of Wisdom"
  • upadeśa (man ngag) -- "Instructions" (literally, "an up-close look")
  • śāstra (bstan bcos)-- "Treatise"

Thus, a "Treatise [of] Instructions [on the] Perfection of Wisdom, called [the] Ornament [of / for] Realization[s]."

Sparham explains:

"The word abhisamaya is made up of the prefix abhi ("toward, over"), the prefix sam ("together with"), and the root i, a verb of motion with the secondary meaning "to understand." Generally speaking, abhisamaya means a coming together, a "re-union," particularly of a knower with something to be known, hence a "clear realization." In a title abhisamaya may just mean "chapter," hence the title Abhisamayālaṅkāra means Ornament for the Clear Realizations or Ornament for the Chapters.

Conze adds some details about the term's origins:

In the Pali scriptures the term is used to designate the stage when we comprehend the four holy truths. In the Abhidharmakośa (VI 122) it is interpreted as the correct (sam = samyak) knowledge (aya) which is turned toward (abhi) Nirvāṅa. In the Prajñāpāramitā Sūtra itself it is invariably coupled with prāpti, "attainment," and in one place...it is a synonymn for sāksātkriya (realization).

As to whether we are speaking of one realization, or of eight, Sparham offers the following explanation by rGyal tshab rJe, a 14th-15th century Tibetan commentator:

An admirer views a naturally beautiful woman adorned with golden ornaments reflected in a mirror. The Perfection of Wisdom Sūtras are the naturally beautiful woman. The systematization of the contents of the Sūtras into eight subjects and seventy topics are the golden ornaments, and the Ornament the mirror through which they view her.

Elaborating on the metaphor, Geshe Jampa Gyatso distinguishes between a "natural ornament" (the beautiful woman, the Perfection of Wisdom), "beautifying ornament" (her jewelry, the eight categories and seventy topics), "clarifying ornament" (the mirror, the AA), and "joyful ornament" (the joy of the beholder or AA devotee).

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