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Trikaya

Triune Buddhological concept in Buddhism

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Through Buddhahood, Dharma and Human body

This concept posits that a Buddha has three types of kayas or "bodies", aspects, or ways of being, each representing a different facet or embodiment of Buddhahood and ultimate reality. The three are the Dharmakāya (Sanskrit; Dharma body, the ultimate reality, the Buddha nature of all things), the Sambhogakāya (the body of self-enjoyment, a blissful divine body with infinite forms and powers) and the Nirmāṇakāya (manifestation body, the body which appears in the everyday world and presents the semblance of a human body). It is widely accepted in Buddhism that these three bodies are not separate realities, but functions, modes or "fluctuations" (Sanskrit: vṛṭṭis) of a single state of Buddhahood.

The Trikāya doctrine explains how a Buddha can simultaneously exist in multiple realms and embody a spectrum of qualities and forms, while also seeming to appear in the world with a human body that gets old and dies (though this is merely an appearance). It is also used to explain the Mahayana doctrine of non-abiding nirvana (apratiṣṭhita-nirvana), which sees Buddhahood as both unconstructed (asaṃskṛta) and transcendent, as well as constructed, immanent and active in the world. This idea was developed in early Yogācāra school sources, like the Mahāyāna-sūtrālamkāra. The doctrine's interpretations vary across different Buddhist traditions, some theories contain extra "bodies", making it a "four body" theory and so on. However, the basic Trikāya theory remains a cornerstone of Mahayana and Vajrayana teachings, providing a comprehensive perspective on the nature of Buddhahood, Buddhist deities and the Buddhist cosmos. The Buddhist triple body theory was also adopted into Daoist philosophy and modified using Daoist concepts.

Overview

The Trikāya doctrine sees Buddhahood as composed of three bodies, components or collection of elements (kāya): the Dharma body (the ultimate aspect of Buddhahood), the body of self-enjoyment (a divine and magical aspect) and the manifestation body (a more human and earthly aspect).

The term kāya was understood to have multiple meanings simultaneously. The three main ways it was understood by Indian exegetes were:

  • Body as a collection or accumulation of things or parts (Sanskrit: samcaya), mainly referring to the "corpus" of all of Buddha's qualities
  • Body as a basis or substratum (asraya) of all phenomena, or as the basis for all the Buddha's qualities.
  • Body in the sense of embodiment of the real nature of reality (dharmata)

The relationship among the three

Mahayana sources emphasize that the three bodies are ultimately not separate from other, that is to say, they are non-dual. However, these different embodiments of the same reality can be described in different ways due to their relative functions or activities (vrttis). Thus, Śīlabhadra's Buddhabhūmi-vyākhyāna states ''the body of the Tathagatas (=dharmakaya), which is the purified dharma realm (dharmadhātuviśuddha), is undivided. However, because it functions as distinguished into three embodiments, it is said to have functional divisions." In Yogācāra literature, the whole unified reality which includes all three embodiments is termed "the purified Dharma-real" (Dharmadhātuviśuddhi), which is the totality of all phenomena as seen by Buddha knowledge.

Furthermore, according to Yogācāra sources like the Madhyāntavibhāga, the non-duality of a Buddha's nirvana also means that Buddhahood is both conditioned and unconditioned at the same time. Thus, the Madhyāntavibhāga says of Buddhahood "Its operation is nondual (advaya vṛtti) because of its abiding neither in saṃsāra nor in nirvāṇa (saṃsāra-nirvāṇa-apratiṣṭhitatvāt), through its being both conditioned and unconditioned (saṃskṛta-asaṃskṛtatvena)." Thus, while there is an element of Buddhahood which is transcendent, free from all worldly conditions and quiescent (dharmakaya), there is also an element which compassionately manifests for the good of all beings and thus is engaged in worldly conditions (the other two bodies). This transcendent and immanent character is described in the Buddhabhūmi-sūtra as follows:

In space, there appear the arising and ceasing of diverse forms. Yet space neither arises nor ceases. Likewise, within the purified dharma realm (dharmadhātuviśuddha) of the Tathagatas, there appear the arising and ceasing of awareness, manifestation, and performance of all the activities for sentient beings. Yet the purified dharma realm has neither arising nor ceasing.

The longer edition of the Golden Light Sutra, which contains a whole chapter on the triple body theory, states that while the manifestation body is singular (appearing as one form, as one being), the enjoyment body is multiple since "it has many forms in accord with the aspirations of beings". Furthermore, the Dharma body is to be understood as neither singular or multiple, "neither the same nor different". The Trikāyasūtra preserved in the Tibetan canon contains the following simile for the three bodies:

the dharmakāya of the Tathāgata consists in the fact that he has no nature, just like the sky. His saṃbhogakāya consists in the fact that he comes forth, just like a cloud. His nirmāṇakāya consists in the activity of all the buddhas, the fact that it soaks everything, just like rain.

Furthermore, this sutra explains that the three bodies can be understood as relative to those who see them:

That which is seen from the perspective of the Tathāgata is the dharmakāya. That which is seen from the perspective of the bodhisattvas is the saṃbhogakāya. That which is seen from the perspective of ordinary beings who conduct themselves devotedly is the nirmāṇakāya.

The Buddhabhūmi-vyākhyāna also explains the bodies through the various types of beings who have access to them in the same way. Only Buddhas see the dharma body, only bodhisattvas see the enjoyment body, and sentient beings are able see the manifestations. The Golden Light sutra also associates different kinds of wisdom to each body and with the different elements of the eight consciousnesses. The Dharma body is the mirror-like wisdom (ādarśajñāna), the pure state of the "basis-of-all" (alaya); the enjoyment body is discriminating wisdom (pratyavekṣaṇā­jñāna), the pure state of mental cognition; while the nirmāṇakāya is "all-accomplishing wisdom" (kṛtyānuśṭhānajñāna), which is the pure state of the five sense consciousnesses.

Dharmakāya

The Dharmakāya (Ch: 法身; Tib. chos sku; "Dharma body," "Reality body", "Truth body"; sometimes also called Svabhāvikakāya - the intrinsic body) is often described through Buddhist philosophical concepts that describe the Buddhist view of ultimate reality like emptiness, Buddha nature, Dharmata, Suchness (Tathātā), Dharmadhatu, Prajñaparamita, Paramartha, non-duality (advaya), and original purity (ādiviśuddhi). The Dharmakāya is also associated with the "body of the teachings", that is to say, the Buddhadharma, the teachings of the Buddha, and by association, with the nature of reality itself (i.e. the Dharma and the nature of the dharmas - all phenomena), which the teachings point to and are in accord with.

In several Mahayana sources, the Dharma body is the primary and ultimate Buddha body, as well as "the foundation and basis for the two other bodies" according to Gadjin Nagao. For example, the Golden Light sutra states that:

The first two bodies are merely designations, while the Dharma body is true and the basis for those two other bodies. Why is that? It is because there is only the true nature of phenomena and nonconceptual wisdom, and there are no other qualities that are separate from all buddhas. All buddhas have a perfection of wisdom, and all their kleśas have completely ceased and ended so that the buddhas have attained purity. Therefore, all buddha qualities are contained within the true nature and the wisdom of the true nature.

The Dharma body embodies the true nature of Buddhahood itself and all its inconceivable powers and qualities. It is generally understood as impersonal, without concept, words or thought. Even thought it is without any intention or thought, it accomplishes all Dharma activities spontaneously. Indeed, various Mahayana sources describe the Buddha bodies are being without thought or cognition. The Golden Light Sutra uses the analogy of the sun, moon, water, mirrors and light, which are without thought and yet they cause reflections to appear: "in the same way that through a combination of factors the reflections of the sun and moon appear, through a combination of factors the enjoyment bodies and the emanation bodies manifest their appearances to beings who are worthy."

The Dharma body is also the true nature of all things (dharmas) and the true nature of all beings, equivalent to the Mahayana concept of emptiness (śūnyatā), the lack of inherent essence in all things. It is permanent, unceasing and unchanging. According to the Laṅkāvatāra Sūtra:

Dharmata-Buddha is Buddhahood in its self-nature of perfect oneness in whom absolute tranquillity prevails. As Noble Wisdom, Dharmata-Buddha transcends all differentiated knowledge, is the goal of intuitive self-realisation, and is the self-nature of the Tathagatas. As Noble Wisdom, Dharmata-Buddha is inscrutable, ineffable, unconditioned. Dharmata-Buddha is the Ultimate Principle of Reality from which all things derive their being and truthfulness, but which in itself transcends all predicates. Dharmata-Buddha is the central sun which holds all, illumines all.

The Dharma-body is often described in apophatic terms (especially in Madhyamaka sources), as formless, thought-less and beyond all concepts, language and ideas - including any idea of existence (bhava) or non-existence (abhava), or eternalism (śāśvata-dṛṣṭi) and annihilation (ucchedavāda). The Golden Light Sutra says:

Noble one, the Dharma body is revealed nonduality. What is nonduality? In the Dharma body, there are neither characteristics nor the basis for characteristics, and so there is neither existence nor nonexistence; the Dharma body is neither single nor diverse; it is neither a number nor numberless; and it is neither light nor darkness.

According to Paul Williams, the Hymn to the Ultimate (Paramārthastava) by Nagarjuna describes the Buddha in negative terms. Buddha is thus beyond all dualities, "neither nonbeing nor being, neither annihilation nor permanence, not noneternal, not eternal." He is without color, size, location, and so on. Because of this negative buddhology that is often used to describe the Dharmakaya, it is often depicted with impersonal symbols, like the letter A, some other mantric seed syllable, the disk of the moon or sun, space (Sanskrit: ākāśa), or the sky (gagana). However, iconic representations of the Dharmakaya are also common, as with the depiction of the Buddha Mahavairocana in East Asian esoteric Buddhism and the Buddha Vajradhara or Samatabhadra in Tibetan Buddhism.

In Indian Yogācāra school sources, the Dharmakāya is sometimes described in more positive ways. According to Williams, Yogācāra sees the Dharmakāya as the support or basis of all dharmas, and as being a self-contained nature (svabhāva) which lacks anything contingent or adventitious. It is thus "the intrinsic nature of the Buddhas, the ultimate, the purified Thusness or Suchness " and "the true nature of things taken as a body", a non-dual, pure and immaculate wisdom. A related term used to describe Buddhahood in Yogācāra is the natural luminosity of the mind (cittam prakṛtiśprabhāsvaram) According to the commentary to the Dharma-dharmatā-vibhāga: "although there has been a "fundamental transformation" (āśraya-parāvṛtti) [at full enlightenment], nothing has undergone an actual change" This innate nature is then compared to the sky, which is always pure, but can be covered by clouds which are only adventitious. It is also compared to water, which may get muddy, but its nature remains clear and pure. However, "when the [innate luminosity] is freed from those [obstructions], it appears." As such, the dharmakaya is never generated or created, and is thus permanent (nitya).

The Yogācāra also sees the Dharmabody as equivalent to the dharmadhātu (the totality of the cosmos) in its ultimate sense, in other words "the intrinsic body of the Buddha is the intrinsic or fundamental dimension of the cosmos". According to Yogācāra, on this ultimate level, there is no distinction between different Buddhas, there is only the same non-dual reality beyond all concepts including singularity and multiplicity. This also means that a Buddha's knowledge is all pervasive. Since Buddha's knowledge knows the true nature of all things and is conjoined with the true nature of all things, it pervades the entire world, and thus its functions are operative throughout the entire cosmos according to beings' needs. The Buddhabhūmi-sūtra compares the omnipresence of the Buddha's knowledge to how space pervades all things. Furthermore, Yogācāra sources indicate that the dharma body is beyond the understanding of any being that is not a Buddha, describing it as inconceivable (acintya), subtle (suksma), difficult to know, "inaccessible to speculative investigation", and "beyond ascertainment by reason."

The Golden Light Sutra also describes the Dharma body in positive terms as well, using various terms for it including: "the pure field of experience and pure wisdom", "the nature of the tathāgatas, "the essence of the tathāgatas". The Sutra also describes it using the perfections used to describe Buddha nature in other sources: eternal (nitya), self (ātman), bliss (sukha), and purity (śuddha).

In the Xuanzang's Chengweishilun (Treatise Demonstrating Consciousness-only), the Dharmakaya (also called here the vimuktikaya, body of liberation) is described as what is adorned with the great Buddha qualities (mahāguṇa), which are conditioned and unconditioned, immeasurable, and infinite. It also describes the dharmakaya-svabhāvikakāya as the real nature of the Buddhas and all dharmas, "the real pure dharmadhatu", the "immutable support" of the two other bodies, which is peaceful, beyond all prapañca, neither matter (rupa) nor mind (citta). It is "endowed with real, permanent qualities", and is permanent, blissful, sovereign, pure, infinite and all pervasive ("extends everywhere"). Xuanzang also states that the svabhāvikakāya "is common to all tathagatas" and that it is "realized in the same way by all the tathagatas" since there is "no difference possible between the self-nature body of one buddha and that of the other buddhas".

Saṃbhogakāya

The Saṃbhogakāya (Ch: 報身, 受用身; Tib. longs sku) refers to the divine magical bodies of the Buddhas which manifest for the benefit of noble bodhisattvas. It can be rendered as "co-enjoyment body", and "communal bliss body" (when reading the prefix saṃ- to refer to ‘together with’ or ‘mutual’) or as "complete reward body", "total enjoyment body" (reading saṃ- as "complete", "thoroughness"). The Saṃbhogakāya is described by the Mahāyāna-sūtrālamkāra as that which "brings enjoyment of dharma to the circles of assembly." The term is usually associated with more supramundane, cosmic or otherworldly Buddhas. For example, Sthiramati names Vairocana, Amitabha and Samantabhadra as Saṃbhogakāya Buddhas.

While this aspect of Buddhahood does appear to have a kind of form, it is a form that transcends the three worlds and all material existence. As such, only advanced bodhisattvas and beings in the pure lands receive teachings directly from the Saṃbhogakāya in standard Mahayana doctrine. As the Golden Light Sutra says, the Saṃbhogakāya "is a body that is seen on the bhūmis." That is to say, one must have entered the bodhisattva stages or the pure lands to see it. Thus, the enjoyment body has a middle position between the more human manifestation body and the totally formless Dharmakaya.

This body is the object of popular Buddhist devotion in Mahayana Buddhism, it is the Buddha as an omniscient transcendent being with immense powers, animated only by universal compassion for all living things. The Buddha's enjoyment body also has a unique appearance, made up of the 32 major marks of great man. These characteristics include such unusual features as dharma wheels on the soles of his feet, glowing golden skin, unnaturally long tongue and arms which extend to his knees, and unique facial features like the uṣṇīṣa (a fleshly dome on top of his head) and ūrṇākośa (circle of hair between his eyebrows).

Some Yogācāra sources, like Xuanzang’s Chengweishilun and Bandhuprabha's commentary to the Buddhabhūmi-sūtra, describe the enjoyment body as having two aspects: a private aspect which is experienced by Buddhas themselves "for their own enjoyment" (自受用身) and an aspect manifested for the sake of others' benefit (他受用身). Xuanzang explains these as follows:

  • Body of enjoyment for oneself (sva-saṃbhogakāya): "the infinite real qualities brought forth by the accumulation of merit and knowledge (puṇya-jñāna-saṃbhāra) cultivated by Tathagatas during three innumerable aeons along with perfect, pure, permanent omnipresent material body". It forms a single mental stream but it remains the same, is permanent, omnipresent, and "will last until the end of time". Xuzanzang also writes that it "constantly enjoys itself in the vast bliss of the great Dharma". It also contains all the unique qualities of a Buddha (āveṇika) and is made up of a kind of subtle matter. Furthermore, its knowledge also forms an eternal perfect pure land where the sva-saṃbhogakāya resides permanently. Also, since the dhamakaya extends everywhere and it is the support of the sva-saṃbhogakāya, the sva-saṃbhogakāya also extends everywhere.
  • Body of enjoyment for others (para-saṃbhoga-kāya): "this means that the tathagatas, by means of the knowledge of equality (samatā-jñāna) manifest a body endowed with subtle and pure qualities, which inhabits a completely pure land; thanks to the knowledge of discernment, this body - for the benefit of bodhisattvas residing in the ten stages - displays great spiritual powers or masteries, turns the wheel of the Dharma, cuts the nets of doubts, in such a manner that these bodhisattvas enjoy the bliss of the Dharma." However, these bodies and pure lands are not the real body of knowledge (jñāna) of the Buddha like the sva-saṃbhogakāya, they are ultimately just fully pure manifestations and are relative to the needs of sentient beings.

In other words, the private aspect of co-enjoyment is associated with the blissful reward of Buddhahood experienced by Buddhas themselves, also called “the Buddha’s own enjoyment of the dharma-delight”. This embodies the idea of reaping the benefits or rewards of spiritual practice and dwelling in sublime states of realization. The public aspect of "enjoyment for others" is associated with sharing the Dharma with other beings, with divine pure lands (buddha-fields) which are extensions of the enjoyment bodies themselves, as well as with all the numerous emanations which are manifested by the saṃbhogakāya as a skillful means to guide different types of beings. It is considered a skillful manifestation that arises as a result of fulfilling vows and commitments on the long bodhisattva spiritual journey.

Nirmāṇakāya

The Nirmāṇakāya (Ch: 化身, 應身; Tib. sprul sku; the body of transformation, emanation, manifestation or appearance) is a reflection of the Saṃbhogakāya, one of the myriad magical manifestations created by the Saṃbhogakāya. It is also called rūpa-kaya, the "form body" or "physical body". The Nirmāṇakāya generally refers to a Buddha's human-like appearance in imperfect worlds like ours, which appear for limited periods of time and seemingly die in paranirvana. It is usually associated with "historical" Buddha figures, like Shakyamuni Buddha. It is thus the most historic, temporally and spatially contingent, and humanistic aspect of the three bodies.

According to the Golden Light sutra, the Buddhas know the aspirations, conduct, nature and needs of all beings, and thus "they teach the appropriate Dharma in accordance with the time and with those types of conduct". To do this, they manifest various types of bodies, and these are called the Nirmāṇakāyas. Similarly the Laṅkāvatāra Sūtra states that the Nirmana Buddhas appear as skillful means for the liberation of all beings. According to the Abhisamayālaṅkāra:

[The embodiment of the Sage] in his manifestation(s) (nairmāṇikakāya) is that through which he impartially carries out diverse benefits for the world. It is uninterrupted for as long as the existence [of the world]. Likewise, it is agreed, its activity (karman) is uninterrupted for as long as cyclic existence last... (AA 8.33)

Manifestation bodies allow Buddhas to interact with and teach sentient beings in a more direct and human manner. They typically appear as male monastics in most Mahayana sutras, though later they encompassed all sorts of bodies. This earthly embodiment serves as a bridge between the divine and the human realm. It makes the teachings and compassion of a Buddha accessible to beings of impure realms who seek guidance from an awakened being. However, even this more human-like Buddha is not just a normal human body. A Nirmāṇakāya only appears human, in reality it is just a phantom like magic body, a mere docetic appearance, which can perform many magic powers and which only appears to die.

Xuanzang's Chengweishilun defines the emanation body as the method used by Buddhas through their knowledge of accomplishing actions (kṛṭya-anuṣṭhāna-jñāna) to create "innmumerable and varied" transformations "which inhabit pure or impure lands". This is for the benefit of bodhisattvas who have not yet attained the bodhisattva stages, for followers of the two vehicles, and for ordinary people. These bodies are varied and take into account the needs of all the different types of beings. He further states that Nirmāṇakāyas "are not real minds (cittas) and mental factors (caittas)", they only appear as having minds.

To the question of what happens when someone is devoted to and relies on several Buddhas at the same time, Xuanzang responds that "at the same time and in the same place, each of these buddhas develops as a body of emanation (nirmāṇakāya) and as a land", in other words all these buddhas becomes the condition "which causes the person to be converted (or instructed) to see such a body of emanation."

Nirmāṇakāyas often appear in a world to turn the wheel of Dharma (i.e. teach Buddhism) and to display the twelve great acts of a Buddha (such as miraculous birth, renunciation, defeating Mara, enlightenment under a bodhi tree, etc) and they also may found a Sangha which maintains the teaching even after the Nirmāṇakāya has manifested nirvana. However, this is not always the case, and a Nirmāṇakāya may perform unusual acts, like teaching non-Buddhist teachings or appearing as an animal (as in the Jatakas) for example, if this is the skilful means that is required to teach certain beings.

Historically, the form body of the Buddha was also associated with specific stupas, where the relics of the historical Buddha's body were believed to have been located.

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