Lably
Skip to content

Neanderthal behaviour

Behavior of Neanderthal people

  • 35 min read
  • 11 chapters

Related on Lably

Through Extinction, Homo and Europe

Neanderthal technology achieved a degree of sophistication. It includes the Mousterian stone tool industry as well as the abilities to maintain and possibly to create fire, build cave hearths, craft at least simple clothes similar to blankets and ponchos, make use of medicinal plants, treat severe injuries, store food, and use various cooking techniques such as roasting, boiling, and smoking.

Overall, Neanderthals maintained a low population and population density, and also mainly interacted with only nearby neighbours. Many groups suffered from inbreeding depression. Communities may have seasonally migrated between caves, but most of the raw materials Neanderthals used were collected within only 5 km (3.1 mi) of a site. Indicated by frequent evidence of stunted growth and traumatic injuries, Neanderthals lived harsh lives, which may have contributed to their very slow pace of stone tool innovation.

Neanderthals consumed a wide array of food, mainly what was abundant in their immediate vicinity. This was normally hoofed mammals such as red deer and reindeer, as well as megafauna, plants, small mammals, birds, and aquatic and marine resources. Although they were probably apex predators, they still competed with cave lions, cave hyenas, and other large predators. A number of examples of symbolic thought and Palaeolithic art have been inconclusively attributed to Neanderthals, namely possible ornaments made from bird claws and feathers, collections of unusual objects including crystals and fossils, and engravings. Some claims of religious beliefs have been made. The extent to which Neanderthals could produce speech and use language is debated.

By the early 20th century, several Neanderthal fossils were identified across Europe, establishing H. neanderthalensis as a legitimate species. The most influential specimen was La Chapelle-aux-Saints 1 ("The Old Man") from La Chapelle-aux-Saints, France. French palaeontologist Marcellin Boule authored several publications, among the first to establish palaeontology as a science, detailing the specimen but reconstructing him as slouching, ape-like, and a distant offshoot of modern humans.

Boule fuelled the popular image of Neanderthals as barbarous, slouching, club-wielding primitives in stark contrast to their modern human contemporaries, the Cro-Magnons. The image of the unevolved Neanderthal was reproduced for several decades and popularised in prehistoric fiction works, such as the 1911 The Quest for Fire by J.-H. Rosny aîné and the 1927 The Grisly Folk by H. G. Wells in which they are depicted as monsters. In 1911, Scottish anthropologist Arthur Keith reconstructed La Chapelle-aux-Saints 1 as an immediate precursor to modern humans, sitting next to a fire, producing tools, wearing a necklace, and having a more humanlike posture, but this failed to garner much scientific rapport, and Keith later abandoned his thesis in 1915.

By the middle of the century, the scientific community began to rework its understanding of Neanderthals based on new fossil discoveries and reevaluations of earlier material. Ideas such as Neanderthal intelligence and culture became mainstream, and a more humanlike image of them emerged. In 1939, American anthropologist Carleton Coon reconstructed a Neanderthal in a modern business suit and hat to emphasise that they would be, more or less, indistinguishable from modern humans had they survived into the present. William Golding's 1955 novel The Inheritors depicts Neanderthals as much more emotional and civilised. In modern-day, Neanderthal reconstructions are often very humanlike, but the question of behavioural modernity in Neanderthals or any other pre-modern species is still debated. Traditionally, behavioural modernity has been associated archaeologically with modern human Upper Palaeolithic traditions, and characterised as a major revolution which led to the overwhelming success of modern humans over other species.

In modern popular culture, the "caveman" archetype often mocks Neanderthals as primitive, hunchbacked, knuckle-dragging, club-wielding, grunting, nonsocial characters driven solely by animal instinct. "Neanderthal" can also be used as an insult. In literature, they are sometimes depicted as brutish or monstrous, such as Elizabeth Marshall Thomas' The Animal Wife, but sometimes with a complex but unfamiliar culture, as in Björn Kurtén's Dance of the Tiger, and Jean M. Auel's Clan of the Cave Bear and her Earth's Children series.

Sign in to keep reading

10 more chapters are free with a Lably account.

More in Archaeology