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Julius Evola

Italian radical-right philosopher and esotericist (1898–1974)

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Evola was born in Rome and served as an artillery officer in the First World War. He became an artist within the Dada movement, but gave up painting in his twenties; he said he considered suicide until he had a revelation while reading a Buddhist text. In the 1920s he delved into the occult; he wrote on Western esotericism and Eastern mysticism, developing his doctrine of "magical idealism". His writings blend various ideas of German idealism, Eastern doctrines, traditionalism and the Conservative Revolution of the interwar period. Evola believed that mankind is living in the Kali Yuga, a Dark Age of unleashed materialistic appetites. To counter this, Evola invoked a rebirth of the "world of Tradition". Tradition for Evola was not Christian—he did not believe in God—but rather an eternal supernatural knowledge with values of authority, hierarchy, order, discipline and obedience.

Evola advocated for the Italian racial laws, and became the leading Italian "racial philosopher". He mentioned having worked for the Sicherheitsdienst (SD), the intelligence agency of the Nazi Schutzstaffel (SS). He fled to Nazi Germany in 1943 when the Italian Fascist regime fell, but returned to Rome under the Italian Social Republic, a German puppet state, to organise a radical-right group. In 1945 in Vienna, a Soviet shell fragment permanently paralysed him from the waist down. On trial for glorifying fascism in 1951, Evola denied being a fascist, instead declaring himself "superfascista" (superfascist). The historian Elisabetta Cassina Wolff wrote that "It is unclear whether this meant that Evola was placing himself above or beyond Fascism". Evola was acquitted in his first trial, but convicted a few years later in the second.

Evola has been called the "chief ideologue" of the post-war Italian radical right, and his philosophy has been characterised as one of the most "antiegalitarian, antiliberal, antidemocratic, and antipopular systems in the twentieth century". His writings contain misogyny, racism, antisemitism and attacks on Christianity and the Catholic Church. He continues to influence contemporary traditionalist and neo-fascist movements.

Early life

Giulio Cesare Andrea Evola was born in Rome to Sicilian parents on 19 May 1898. His family were members of the Sicilian aristocracy and devout Roman Catholics; he is sometimes described as a baron. Evola considered details about his early life irrelevant, and is noted for hiding some details of his personal life. He adopted the name Julius in homage to Ancient Rome in his mid twenties.

Evola rebelled against his Catholic upbringing. He studied engineering at the Istituto Tecnico Leonardo da Vinci in Rome, but did not complete his course, later claiming this was because he did not want to be associated with "bourgeois academic recognition" and titles such as "doctor and engineer". In his teenage years he immersed himself in painting—which he considered one of his natural talents—and literature, including Oscar Wilde and Gabriele d'Annunzio. He was introduced to philosophers such as Friedrich Nietzsche and Otto Weininger. Other early philosophical influences included the Italian man of letters Carlo Michelstaedter and the German post-Hegelian thinker Max Stirner.

He was attracted to the avant-garde, and briefly associated with the Italian poet Filippo Tommaso Marinetti's Futurist movement during his time at university. He broke with Marinetti in 1916 as Evola disagreed with his extreme nationalism and advocacy of industry. In the First World War, Evola served as an artillery officer in the Italian Army on the Asiago plateau. Despite reservations that Italy was fighting against Germany, which Evola admired for its discipline and hierarchy, Evola volunteered in 1917 and briefly saw frontline service the following year. Evola returned to civilian life after the war and became a painter in the Italian Dadaist movement; he described his paintings as "inner landscapes". He wrote his poetry in French and recited it in cabarets accompanied by classical music. Through his painting and poetry, and his work on the short-lived journal Revue Bleue, he became a prominent representative of Dadaism in Italy. (In his autobiography he described his Dadaism as an attack on rationalist cultural values.) In 1922, lamenting that avant-garde art was becoming commercialised and stiffened by academic conventions, he gave up painting and renounced poetry. Evola was a keen mountaineer, describing it as a source of revelatory spiritual experience.

Evola reportedly went through a "spiritual crisis" through the banality of civilian life and his need to "transcend the emptiness" of normal human activity. He experimented with hallucinogenics and magic, which, he wrote, almost brought him to madness. In 1922, at 23 years old, he considered suicide, he wrote in The Cinnabar Path, but was saved by a revelation while reading an early Buddhist text on shedding all specific identity and embracing absolute transcendence.

Evola would later publish The Doctrine of Awakening as a repayment of his debt to Buddhism. His interests gradually led him further into spiritual, transcendental, and "supra-rational" studies: esoteric texts, the occult, alchemy, magic, and Oriental studies, particularly Tibetan Tantric yoga. The historian Richard H. Drake wrote that Evola's alienation from contemporary values resembled that of other young Lost Generation intellectuals after the First World War, but his took an uncompromising, eccentric and reactionary form.

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